Quick answer
A first edition of The Loneliness of the Long-Distance Runner by Alan Sillitoe (W.H. Allen, 1959) is identified by: First edition, first impression published by W.H. Allen, London, 1959 (Crown 8vo, 176 pp.), in the publisher's grey cloth-grained boards with the spine lettered in silver; issued in a pictorial dust jacket illustrated by Mona Moore, priced at the front flap (many surviving jackets are price-clipped). W.H. Allen (London) 1959 is the true first; the Alfred A. Knopf (New York) 1960 edition is the first American, published roughly a year later (jacket priced at the flap).
Checklist — a true first has these:
- First edition, first impression published by W.H. Allen, London, 1959 (Crown 8vo, 176 pp.), in the publisher's grey cloth-grained boards with the spine lettered in silver; issued in a pictorial dust jacket illustrated by Mona Moore, priced at the front flap (many surviving jackets are price-clipped)P-045216
- This is Sillitoe's SECOND book — his first story collection — following the novel Saturday Night and Sunday Morning (W.H. Allen, 1958); a recurring dealer error mislabels it 'his first book,' which is incorrectP-045217
- The collection won the 1959 Hawthornden PrizeP-045218
- Publisher imprint reads W.H. Allen
- Not a book-club edition (see below)
| Author | Alan Sillitoe |
|---|---|
| Publisher | W.H. Allen |
| Year | 1959 |
| True first | UK edition |
| Format | Hardcover (trade) |
| Key point | First edition, first impression published by W.H. Allen, London, 1959 (Crown 8vo, 176 pp.), in the publisher's grey cloth-grained boards… |
| Book-club edition exists? | — |
The points of issue
- First edition, first impression published by W.H. Allen, London, 1959 (Crown 8vo, 176 pp.), in the publisher's grey cloth-grained boards with the spine lettered in silver; issued in a pictorial dust jacket illustrated by Mona Moore, priced at the front flap (many surviving jackets are price-clipped)
- This is Sillitoe's SECOND book — his first story collection — following the novel Saturday Night and Sunday Morning (W.H. Allen, 1958); a recurring dealer error mislabels it 'his first book,' which is incorrect
- The collection won the 1959 Hawthornden Prize
How to confirm the first-printing statement
Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Verify this is the UK true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
W.H. Allen (London) 1959 is the true first; the Alfred A. Knopf (New York) 1960 edition is the first American, published roughly a year later (jacket priced at the flap). Both are collected; London has priority.P-045219
Telling it from reprints & book-club editions
First printing carries no later-impression notice. Later W.H. Allen impressions and Pan/paperback issues are reprints, and the Knopf 1960 is a distinct first American — not the first edition overall.P-045220
Frequently asked questions
Is my copy of The Loneliness of the Long-Distance Runner a first edition?
A first edition of The Loneliness of the Long-Distance Runner by Alan Sillitoe (W.H. Allen) is identified by: First edition, first impression published by W.H. Allen, London, 1959 (Crown 8vo, 176 pp.), in the publisher's grey cloth-grained boards with the spine lettered in silver; issued in a pictorial dust jacket illustrated by Mona Moore, priced at the front flap (many surviving jackets are price-clipped).
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. W.H. Allen (London) 1959 is the true first; the Alfred A. Knopf (New York) 1960 edition is the first American, published roughly a year later (jacket priced at the flap).
Is the book-club edition the same as the first?
First printing carries no later-impression notice. Later W.H. Allen impressions and Pan/paperback issues are reprints, and the Knopf 1960 is a distinct first American — not the first edition overall.
I have a first edition of The Loneliness of the Long-Distance Runner — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- Saturday Night and Sunday Morning
- Funland — Richard Laymon
- Resurrection Dreams — Richard Laymon
- Room at the Top — John Braine
- Excellent Women — Barbara Pym
- The Life of Charlotte Brontë — Elizabeth Gaskell
- Zuleika Dobson — Max Beerbohm
- Hangover Square — Patrick Hamilton
How to cite this page
New Mexico Literacy Project. “Is The Loneliness of the Long-Distance Runner by Alan Sillitoe a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/the-loneliness-of-the-long-distance-runner. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).