Is My Deaths and Entrances a First Edition?

The points of issue

• First edition, first impression: small octavo, 66 pp., bound in orange cloth with the backstrip lettered in gilt, the copyright page reading "First published 1946" with no added impression or reprint line
• The first printing was 3,000 copies (Rolph B10)
• The jacket should be present, unclipped, with the price still at the front flap
• Dent reprinted quickly and the common trap is a later impression: copies dated 1947 and 1949 are recorded, and dealers offer "third impression of the first edition" copies in the identical orange cloth, so the copyright page — not the binding — is the test

How to confirm the first-printing statement

Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
4. Verify this is the American true first — not a later-market or reprint edition.
5. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
6. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

Dent (London), 1946 is the only first edition of this collection. No separately published American edition is recorded: an Open Library sweep of the title returns Dent imprints only (plus much later fine-press printings), and no US issue appears in the trade. American readers met these poems — including "Fern Hill" and "A Refusal to Mourn the Death, by Fire, of a Child in London" — in New Directions' Selected Writings of Dylan Thomas (New York, 1946) and later in Collected Poems 1934–1952 (New Directions, 1953). Those are "first thus" books and are not first editions of Deaths and Entrances; the census claim is confirmed.

Telling it from reprints & book-club editions

No book-club edition documented. The documented later-issue tells are Dent's own reprints — the 1947 and 1949 printings and the 1965 and later Dent reissues — which add a reprint or impression line to the copyright page; jackets on later impressions carry a different flap price from the first.

Frequently asked questions

Is my copy of Deaths and Entrances a first edition?

A first edition of Deaths and Entrances by Dylan Thomas (J. M. Dent & Sons Ltd, London) is identified by: First edition, first impression: small octavo, 66 pp., bound in orange cloth with the backstrip lettered in gilt, the copyright page reading "First published 1946" with no added impression or reprint line.

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. Dent (London), 1946 is the only first edition of this collection.

Is the book-club edition the same as the first?

No book-club edition documented. The documented later-issue tells are Dent's own reprints — the 1947 and 1949 printings and the 1965 and later Dent reissues — which add a reprint or impression line to the copyright page; jackets on later impressions carry a different flap price from the first.

I have a first edition of Deaths and Entrances — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.