What to Do With · Photographs & Ephemera

What to Do With Old Photographs & Albums

Boxes of old photos are the first thing tossed in a cleanout — and the most irreplaceable thing lost. Here's which ones have real value, how to keep them safe, and why none of it should hit the trash.

Most ordinary family snapshots have little resale value, but their historical value can be huge — and some old photographs are genuinely valuable: early formats like daguerreotypes, ambrotypes, and tintypes; cabinet cards and cartes de visite; real photo postcards; images by known photographers; and photos of identifiable historical people, places, or events. Don't throw any of it away. Unidentified old photos are exactly what's lost forever in cleanouts, so the right move is to keep the boxes intact and let someone sort them.

Published June 2026 · By Josh Eldred, New Mexico Literacy Project

The honest truth about photo value

Let's set expectations: the shoebox of 1980s vacation prints isn't worth money, and that's fine — its value is to your family, not a market. But scattered through old albums and estate boxes are photographs that are collectible or historically important, and the people clearing a house almost never know which is which. That uncertainty is exactly why so much gets thrown out — and why so much local history disappears. The answer isn't to become an expert overnight; it's to not discard anything until someone who knows has looked.

Which old photographs actually have value

Value comes from format, subject, photographer, and condition. The categories most likely to matter:

Early cased images (1840s–1860s)

Daguerreotypes (mirror-like image on silvered metal, in a small hinged case), ambrotypes (on glass), and tintypes (on thin iron). The earliest photography; often the most valuable, especially with identified subjects or striking content.

Card-mounted photos (1860s–1900s)

Cartes de visite (small, calling-card size) and cabinet cards (larger mounts). Common, but valuable when they show notable people, occupations, Native American subjects, or identifiable Western and New Mexico scenes.

Real photo postcards (early 1900s)

Actual photographs printed on postcard stock (“RPPC”). Town views, Main Streets, disasters, and small-town life can be sought after by local-history and postcard collectors.

Subject & photographer

Images of historical events, identifiable figures, railroads, mining, military, and work by named studio or art photographers carry value across formats. New Mexico territorial and early-statehood images are especially collectible regionally.

A quick way to tell formats apart

You don't need to master this, but it helps to recognize roughly what you're holding: a daguerreotype shifts between positive and negative as you tilt it and reflects like a mirror; an ambrotype is on glass and reads positive against its dark backing; a tintype is on metal, so a small magnet will cling to it; and cartes de visite and cabinet cards are paper photos glued to card stock, often with a studio name printed at the bottom. Format helps date the image, and date plus subject is most of what determines value.

How to keep them safe

If you're holding onto photos, a few habits protect them: handle prints by the edges; never write on the back with a ballpoint pen (use a soft pencil in the margin if you must); keep them cool, dry, and out of direct light; and get them out of old “magnetic” self-stick albums, whose adhesives and acidic pages slowly damage prints. Archival sleeves and boxes are inexpensive insurance. The same climate logic that protects books protects photos — see the preservation & storage guide.

And the most important part: don't throw the boxes out. When you bring me books from an estate or a cleanout, bring the photographs, albums, slides, and negatives too — loose paper and ephemera included. I'd far rather receive it all and make sure the irreplaceable images are saved and routed to people and archives who want them than have a box of New Mexico history go to the curb. You don't have to identify anything or separate the “good” ones. Just keep it together and bring it.

Frequently asked questions

Are old family photographs worth anything?

Most snapshots aren't worth much money but can have real historical value; early formats (daguerreotypes, tintypes), cabinet cards, real photo postcards, named photographers, and historical subjects can be genuinely valuable.

How do I identify an old photo type?

Daguerreotype = mirror-like on metal in a case; ambrotype = on glass; tintype = on iron (a magnet sticks); CDV and cabinet cards = photos mounted on card stock. Format helps date and value it.

Should I throw away photos I can't identify?

No — unidentified old photos are what's lost forever in cleanouts. Keep them together and let someone sort them; the valuable and historic ones can be saved.

Cite This Guide

Eldred, J. (June 2026). What to Do With Old Photographs & Albums. New Mexico Literacy Project.

https://newmexicoliteracyproject.org/what-to-do-with-old-photographs

Licensed under CC BY 4.0.

Don't let the history hit the curb

Bring the photos with the books.

Free pickup anywhere in the Albuquerque metro. When I pick up books from an estate or cleanout, send the albums, loose photos, slides, and negatives too. I make sure the irreplaceable images are saved — you don't have to sort or identify a thing.

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