Is My The Tale of Genji a First Edition?

The points of issue

• The work's original is an early-11th-century Japanese manuscript with no printed 'first edition'; the collectible first is Arthur Waley's English translation, issued in six volumes by George Allen & Unwin, London, 1925–1933: The Tale of Genji
• , The Sacred Tree
• , A Wreath of Cloud
• , Blue Trousers
• , The Lady of the Boat
• , and The Bridge of Dreams

How George Allen & Unwin, London marked a first edition

• First editions state "First published [Year]" or "First published in [Year]" on the copyright page (frequently with the printer named), later printings noted with added impression lines
• First printing = the 'First published' statement with NO subsequent-impression notation

Full George Allen & Unwin, London first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
4. Verify this is the US true first — not a later-market or reprint edition.
5. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
6. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

The true first of the work is the 11th-century manuscript, not collectible in the ordinary sense; for collectors the standard 'first' is the Waley translation — a 'first thus' (first appearance in English). Precedence runs to the London George Allen & Unwin volumes over the concurrent US Houghton Mifflin issues. The 1935 one-volume omnibus is a later 'first thus,' not the first.

Telling it from reprints & book-club editions

The 1935 one-volume Allen & Unwin omnibus, Modern Library issue, and later single-volume editions are reprints / 'first thus,' not the original six-volume issue.

Frequently asked questions

Is my copy of The Tale of Genji a first edition?

A first edition of The Tale of Genji by Murasaki Shikibu (trans. Arthur Waley) (George Allen & Unwin, London) is identified by: The work's original is an early-11th-century Japanese manuscript with no printed 'first edition'; the collectible first is Arthur Waley's English translation, issued in six volumes by George Allen & Unwin, London, 1925–1933: The Tale of Genji (1925), The Sacred Tree (1926), A Wreath of Cloud (1927), Blue Trousers (1928), The Lady of the Boat (1932), and The Bridge of Dreams (1933).

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The true first of the work is the 11th-century manuscript, not collectible in the ordinary sense; for collectors the standard 'first' is the Waley translation — a 'first thus' (first appearance in English).

Is the book-club edition the same as the first?

The 1935 one-volume Allen & Unwin omnibus, Modern Library issue, and later single-volume editions are reprints / 'first thus,' not the original six-volume issue.

I have a first edition of The Tale of Genji — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.