Is My Copy of The Confidence-Man: His Masquerade a First Edition?

The points of issue

• First edition, published by Dix, Edwards & Co., New York, and deliberately released on April Fools' Day, April 1, 1857 (though not deposited for copyright until May 2) -- an apt date given the novel's subject
• Collates [6, blank], vi, 394, [2, blank] pp.; the correct first-printing copyright page carries the 'Miller & Holman' printer's imprint, and BAL notes an initial blank leaf pasted under the front endpaper in genuine first-printing copies
• Bound in publisher's cloth, spine lettered in gilt, covers blindstamped with borders and central arabesque devices, yellow endpapers
• This was the last novel Melville published in his lifetime

How to confirm the first-printing statement

Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
4. Verify this is the American true first — not a later-market or reprint edition.
5. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
6. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

The New York printing (Dix, Edwards & Co., April 1, 1857) and the London printing (Longman, Brown, Green, Longmans, & Roberts, a separate setting issued within days in early April 1857) appeared almost simultaneously; the American printing described here, catalogued as BAL 13670, is what collectors and booksellers generally treat as 'the first edition.'P-034465

Telling it from reprints & book-club editions

The novel went unreprinted for decades; later 20th-century scholarly editions (beginning with early Melville-revival reprints) are plainly modern productions and do not replicate the blindstamped arabesque cloth or the pasted-blank-leaf construction of the 1857 first printing.P-034466

Frequently asked questions

Is my copy of The Confidence-Man: His Masquerade a first edition?

A first edition of The Confidence-Man: His Masquerade by Herman Melville (Dix, Edwards & Co.) is identified by: First edition, published by Dix, Edwards & Co., New York, and deliberately released on April Fools' Day, April 1, 1857 (though not deposited for copyright until May 2) -- an apt date given the novel's subject.

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The New York printing (Dix, Edwards & Co., April 1, 1857) and the London printing (Longman, Brown, Green, Longmans, & Roberts, a separate setting issued within days in early April 1857) appeared almost simultaneously; the American printing described here, catalogued as BAL 13670, is what collectors and booksellers generally treat as 'the first edition.'

Is the book-club edition the same as the first?

The novel went unreprinted for decades; later 20th-century scholarly editions (beginning with early Melville-revival reprints) are plainly modern productions and do not replicate the blindstamped arabesque cloth or the pasted-blank-leaf construction of the 1857 first printing.

I have a first edition of The Confidence-Man: His Masquerade — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.