Quick answer
A first edition of Redburn: His First Voyage by Herman Melville (Richard Bentley, 1849) is identified by: The true first edition is Richard Bentley's London printing of 29 September 1849, two volumes, which preceded Harper & Brothers' New York edition of 14 November 1849 by about six weeks. London (Bentley, 29 September 1849) precedes the New York Harper & Brothers edition (14 November 1849), giving the English two-volume edition bibliographic priority.
Checklist — a true first has these:
- The true first edition is Richard Bentley's London printing of 29 September 1849, two volumes, which preceded Harper & Brothers' New York edition of 14 November 1849 by about six weeksP-035996
- The American Harper printing can itself be identified in its earliest state by fourteen pages of publisher's advertisements at the rear (later states carry eighteen), together with unbroken 'perfect' type at pages 37, 153, 275, 290, and 387P-035997
- Because the Harper & Brothers warehouse fire of December 1853 destroyed unsold Redburn stock, complete first-edition sets in the earliest advertisement state are correspondingly scarceP-035998
- Publisher imprint reads Richard Bentley
- Not a book-club edition (see below)
| Author | Herman Melville |
|---|---|
| Publisher | Richard Bentley |
| Year | 1849 |
| True first | — |
| Format | Hardcover (trade) |
| Key point | The true first edition is Richard Bentley's London printing of 29 September 1849, two volumes, which preceded Harper & Brothers' New York… |
| Book-club edition exists? | — |
The points of issue
- The true first edition is Richard Bentley's London printing of 29 September 1849, two volumes, which preceded Harper & Brothers' New York edition of 14 November 1849 by about six weeks
- The American Harper printing can itself be identified in its earliest state by fourteen pages of publisher's advertisements at the rear (later states carry eighteen), together with unbroken 'perfect' type at pages 37, 153, 275, 290, and 387
- Because the Harper & Brothers warehouse fire of December 1853 destroyed unsold Redburn stock, complete first-edition sets in the earliest advertisement state are correspondingly scarce
How to confirm the first-printing statement
Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
London (Bentley, 29 September 1849) precedes the New York Harper & Brothers edition (14 November 1849), giving the English two-volume edition bibliographic priority.P-035999
Telling it from reprints & book-club editions
In 1853 Bentley bound up his unsold Redburn sheets under a new cancel title page in uniform red cloth as a remainder issue, alongside similar red-cloth remainder reissues of White-Jacket and The Whale (Moby-Dick); copies bearing this 1853 title page and red cloth are the later remainder issue, not the true 1849 first.P-036000
Frequently asked questions
Is my copy of Redburn: His First Voyage a first edition?
A first edition of Redburn: His First Voyage by Herman Melville (Richard Bentley) is identified by: The true first edition is Richard Bentley's London printing of 29 September 1849, two volumes, which preceded Harper & Brothers' New York edition of 14 November 1849 by about six weeks.
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. London (Bentley, 29 September 1849) precedes the New York Harper & Brothers edition (14 November 1849), giving the English two-volume edition bibliographic priority.
Is the book-club edition the same as the first?
In 1853 Bentley bound up his unsold Redburn sheets under a new cancel title page in uniform red cloth as a remainder issue, alongside similar red-cloth remainder reissues of White-Jacket and The Whale (Moby-Dick); copies bearing this 1853 title page and red cloth are the later remainder issue, not the true 1849 first.
I have a first edition of Redburn: His First Voyage — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
How to cite this page
New Mexico Literacy Project. “Is Redburn: His First Voyage by Herman Melville a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/redburn-his-first-voyage. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).