Is My Past and Present a First Edition?

The points of issue

• First edition, London: Chapman and Hall, 1843, octavo, vi+399pp, bound in black ribbed, blind-stamped cloth with the title lettered in gilt on the spine and pale yellow endpapers
• Chapman and Hall succeeded James Fraser -- publisher of Carlyle's The French Revolution
• , Chartism
• , and On Heroes
• -- as Carlyle's principal London publisher beginning with this title, and remained so for the rest of his career
• An American edition from Little and Brown, Boston, followed about a month later the same year, edited with a prefatory note by Ralph Waldo Emerson

How Chapman and Hall marked a first edition

• No edition statement on early firsts: identify by title-page date, absence of later-printing wording, and (for serialized novels) by the original part-issue versus the bound volume.
• For Dickens part-issues (Pickwick, Nicholas Nickleby, Martin Chuzzlewit, Our Mutual Friend, Edwin Drood), correct plates/etchings, advertisement slips, and wrapper states are the diagnostic points; Pickwick is the classi…

Full Chapman and Hall first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
4. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
5. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

London (Chapman and Hall) was published in April 1843, preceding the Boston (Little and Brown) edition of May 1843 by about a month.P-035837

Frequently asked questions

Is my copy of Past and Present a first edition?

A first edition of Past and Present by Thomas Carlyle (Chapman and Hall) is identified by: First edition, London: Chapman and Hall, 1843, octavo, vi+399pp, bound in black ribbed, blind-stamped cloth with the title lettered in gilt on the spine and pale yellow endpapers.

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. London (Chapman and Hall) was published in April 1843, preceding the Boston (Little and Brown) edition of May 1843 by about a month.

Is the book-club edition the same as the first?

No. Book-club editions reprint the text but are not the true first; look for a blind-stamp on the rear board or a jacket with no printed price.

I have a first edition of Past and Present — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.