Is My Not After Midnight, and Other Stories a First Edition?

The points of issue

• Gollancz used no 'first edition' statement in this period; the first impression is identified by a copyright page reading 'First published 1971 by Victor Gollancz Ltd' with no impression or reprint line beneath it, later printings adding 'Second impression' and similar notes (Quill & Brush publisher guide)
• Collated octavo, 285 pp., in the publisher's cloth blocked in gilt on the spine; dealer catalogues describe the cloth as red
• The pictorial dust wrapper carries a jacket painting by Flavia Tower, the author's daughter, with an author photograph on the rear panel; a first-issue jacket is unclipped, a priced jacket with the price present at the front flap
• Advance proof copies in printed wrappers are also recorded in the trade

How Victor Gollancz, London marked a first edition

• Pre-1984: NO first-edition statement was made — first printings carry no 'First published' line; ONLY later printings were noted (so absence of any printing statement = likely first, presence of a reprint note = later)
• For pre-1984 titles, confirm via dust-jacket points, dated jackets, and absence of reprint notation rather than a positive statement

Full Victor Gollancz, London first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
4. Verify this is the UK true first — not a later-market or reprint edition.
5. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
6. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

The true first is the UK Victor Gollancz edition, London, 1971, titled 'Not After Midnight, and Other Stories'. The US edition (Doubleday, Garden City, 1971) was retitled 'Don't Look Now' after the collection's best-known story and, per L.W. Currey's cataloguing, appeared later the same year — it is a first American edition, not a simultaneous issue, so the census note calling the two simultaneous is not supported and is corrected here. Both are collected: the Gollancz for precedence, the Doubleday as the first appearance under the title by which the work is now generally known.

Telling it from reprints & book-club editions

The US 'Don't Look Now' was distributed through the Doubleday/Book-of-the-Month club channels and club copies are common. Standard Doubleday book-club tells apply: a blind stamp (small impressed square, circle or dot) at the lower rear board near the spine, no price at the jacket flap, lighter bulk and cheaper boards than the trade issue, and often a club code printed on the rear jacket panel. Gollancz copies carrying an added impression line beneath the 'First published 1971' statement are later printings, not firsts.

Frequently asked questions

Is my copy of Not After Midnight, and Other Stories a first edition?

A first edition of Not After Midnight, and Other Stories by Daphne du Maurier (Victor Gollancz, London) is identified by: Gollancz used no 'first edition' statement in this period; the first impression is identified by a copyright page reading 'First published 1971 by Victor Gollancz Ltd' with no impression or reprint line beneath it, later printings adding 'Second impression' and similar notes (Quill & Brush publisher guide).

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The true first is the UK Victor Gollancz edition, London, 1971, titled 'Not After Midnight, and Other Stories'.

Is the book-club edition the same as the first?

The US 'Don't Look Now' was distributed through the Doubleday/Book-of-the-Month club channels and club copies are common. Standard Doubleday book-club tells apply: a blind stamp (small impressed square, circle or dot) at the lower rear board near the spine, no price at the jacket flap, lighter bulk and cheaper boards than the trade issue, and often a club code printed on the rear jacket panel. Gollancz copies carrying an added impression line beneath the 'First published 1971' statement are late

I have a first edition of Not After Midnight, and Other Stories — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.