Quick answer
A first edition of Great River by Paul Horgan (Rinehart & Company, 1954) is identified by: Great River: The Rio Grande in North American History was published in two volumes by Rinehart & Company, Inc., New York, in 1954 (Volume One: Indians and Spain; Volume Two: Mexico and the United States), issued together in a publisher's slipcase. The US Rinehart & Company two-volume set (1954) is the true first edition.
Checklist — a true first has these:
- Great River: The Rio Grande in North American History was published in two volumes by Rinehart & Company, Inc., New York, in 1954 (Volume One: Indians and SpainP-024287
- Volume Two: Mexico and the United States), issued together in a publisher's slipcaseP-024288
- The first edition is bound in black cloth boards with gilt spine lettering and blue endpapers, and carries the Rinehart colophon (the circled R device) on the title and copyright pagesP-024289
- There is no printer's number line, so the copyright-page wording is the sole textual identifier and should be read carefully; a first printing shows a clean 1954 copyright with no later-printing or subsequent-impression noticeP-024290
- A separate signed limited issue of 1,000 copies, signed by Horgan at a limitation leaf, exists apart from the trade printingP-024291
- The work won the 1955 Pulitzer Prize for History and the Bancroft PrizeP-024292
- Publisher imprint reads Rinehart & Company
| Author | Paul Horgan |
|---|---|
| Publisher | Rinehart & Company |
| Year | 1954 |
| True first | US edition |
| Format | Hardcover (trade) |
| Key point | Great River: The Rio Grande in North American History was published in two volumes by Rinehart & Company, Inc., New York, in 1954 (Volume… |
| Book-club edition exists? | Yes |
The points of issue
- Great River: The Rio Grande in North American History was published in two volumes by Rinehart & Company, Inc., New York, in 1954 (Volume One: Indians and Spain
- Volume Two: Mexico and the United States), issued together in a publisher's slipcase
- The first edition is bound in black cloth boards with gilt spine lettering and blue endpapers, and carries the Rinehart colophon (the circled R device) on the title and copyright pages
- There is no printer's number line, so the copyright-page wording is the sole textual identifier and should be read carefully; a first printing shows a clean 1954 copyright with no later-printing or subsequent-impression notice
- A separate signed limited issue of 1,000 copies, signed by Horgan at a limitation leaf, exists apart from the trade printing
- The work won the 1955 Pulitzer Prize for History and the Bancroft Prize
How Rinehart & Company marked a first edition
- The primary tell of a first printing is a colophon in a circle on the copyright page: 'FR' in a circle for Farrar & Rinehart (1929-1946) and 'R' in a circle for Rinehart & Co. (1946-1960). The colophon was simply…
- Subsequent printings are identified by the ABSENCE of the colophon, not by any added printing statement. Per ILAB and Quill & Brush, subsequent printings were NOT otherwise noted on the copyright page.
Full Rinehart & Company first-edition guide →
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Read the number line — the lowest number is the printing. A line including 1 is a first printing (Random House deliberately ends at 2). Paste it into the decoder.
- Verify this is the US true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
The US Rinehart & Company two-volume set (1954) is the true first edition. The first-edition publisher is Rinehart & Company, Inc., not Farrar Straus.
Telling it from reprints & book-club editions
Book-club editions and later printings reprint the text but are not the first edition and are far less collectible. Because there is no number line, the copyright-page wording is the sole textual identifier — read it carefully. A book-club set typically lacks the slipcase, may show a blind-stamped dot on the rear board, and carries a book-club notation on the copyright page. Use the points above to be certain — see book-club edition vs. first edition.P-024294
Frequently asked questions
Is my copy of Great River a first edition?
A first edition of Great River by Paul Horgan (Rinehart & Company) is identified by: Great River: The Rio Grande in North American History was published in two volumes by Rinehart & Company, Inc., New York, in 1954 (Volume One: Indians and Spain; Volume Two: Mexico and the United States), issued together in a publisher's slipcase.
How do I tell the first printing from a later one?
Check the copyright page. A number line whose lowest number is 1 marks a first printing (Random House ends at 2). The US Rinehart & Company two-volume set (1954) is the true first edition.
Is the book-club edition the same as the first?
Book-club editions and later printings reprint the text but are not the first edition and are far less collectible. Because there is no number line, the copyright-page wording is the sole textual identifier — read it carefully. A book-club set typically lacks the slipcase, may show a blind-stamped dot on the rear board, and carries a book-club notation on the copyright page. Use the points above to be certain — see book-club edition vs. first edition.
I have a first edition of Great River — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- Lamy of Santa Fe: His Life and Times
- Nightmare Alley — William Lindsay Gresham
- Picture — Lillian Ross
- The Rose and the Yew Tree — Mary Westmacott (Agatha Christie)
- The Naked and the Dead — Norman Mailer
- The Sacred Hoop — Paula Gunn Allen
- The House at Otowi Bridge — Peggy Pond Church
- Fire in the Night — Raymond Otis
How to cite this page
New Mexico Literacy Project. “Is Great River by Paul Horgan a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/great-river-signed-first. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).