Is My Copy of Charlie and the Chocolate Factory a First Edition?

The points of issue

• US Alfred A. Knopf, 1964 (published September 1964; first printing 10,000 copies)
• The copyright page states 'FIRST EDITION,' but the decisive first-printing point is the colophon on the last printed page: a genuine first printing has a SIX-line colophon whose final line reads 'Paper manufactured by S. D. Warren Co.'; later printings drop that sentence, leaving a FIVE-line colophon (the 'First Edition' wording can persist, so verify the colophon)
• First-state dust jacket has NO SBN/ISBN on the lower rear panel; price present on the front flap
• Illustrated by Joseph Schindelman
• The original text describes the Oompa-Loompas as African pygmies (revised in 1973 after criticism), so unrevised text supports an early copy

How Alfred A. Knopf marked a first edition

• c.1933/1934 onward (stated 'First Edition' era — the core rule): Knopf began consistently printing 'FIRST EDITION' on the copyright page of first printings, or 'FIRST AMERICAN EDITION' when the book had already appeared…

Full Alfred A. Knopf first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
4. Verify this is the US true first — not a later-market or reprint edition.
5. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
6. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

The US Alfred A. Knopf edition (1964) is the true first, preceding the UK George Allen & Unwin edition (1967, illustrated by Faith Jaques, issued without a jacket) by three years. Identify the first printing by the six-line colophon ('Paper manufactured by S. D. Warren Co.') on the last page and the SBN-less first-state jacket, not by the 'First Edition' statement alone.P-037173

Telling it from reprints & book-club editions

Any copy with a FIVE-line colophon (the 'S. D. Warren' line dropped) is a reprint, even if the copyright page still reads 'First Edition.' A jacket bearing an SBN/ISBN on the rear panel is a later state. Book-club editions lack the jacket price and use cheaper paper. Many post-1973 printings carry the revised Oompa-Loompa text; the UK line uses Faith Jaques's illustrations rather than Schindelman's.P-037174

Frequently asked questions

Is my copy of Charlie and the Chocolate Factory a first edition?

A first edition of Charlie and the Chocolate Factory by Roald Dahl (illus. Joseph Schindelman) (Alfred A. Knopf) is identified by: US Alfred A. Knopf, 1964 (published September 1964; first printing 10,000 copies).

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The US Alfred A. Knopf edition (1964) is the true first, preceding the UK George Allen & Unwin edition (1967, illustrated by Faith Jaques, issued without a jacket) by three years.

Is the book-club edition the same as the first?

Any copy with a FIVE-line colophon (the 'S. D. Warren' line dropped) is a reprint, even if the copyright page still reads 'First Edition.' A jacket bearing an SBN/ISBN on the rear panel is a later state. Book-club editions lack the jacket price and use cheaper paper. Many post-1973 printings carry the revised Oompa-Loompa text; the UK line uses Faith Jaques's illustrations rather than Schindelman's.

I have a first edition of Charlie and the Chocolate Factory — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.