Is My A Touch of the Poet a First Edition?

The points of issue

• Yale University Press, New Haven, 1957 (posthumous), stated as first edition
• Bound in green cloth, the boards stamped in gilt on the front and spine
• The white pictorial dust jacket was designed by Burt Jackson and should carry its original printed price on the front flap
• In the standard Atkinson bibliography of O'Neill (reference A44), the earliest binding state 'a' is distinguished by the absence of a small clover stamp; copies with the clover represent a later binding

How Yale University Press marked a first edition

• Older/standard convention: the copyright page of a REPRINT states the date of first publication and lists subsequent printings/editions; a copy whose copyright page carries only the copyright line (no reprint or later-pr…
• Revised editions always state the date of the original edition plus the revision — so any 'Second edition'/'Revised edition'/'Reprinted' language rules out a first printing of the first edition.

Full Yale University Press first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
4. Verify this is the US true first — not a later-market or reprint edition.
5. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
6. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

The US Yale edition is the standard-cited first, published as a stated first edition. Jonathan Cape published a London edition the same year (1957) in blue cloth with silver spine lettering; the two are distinguished by imprint and binding rather than a clear priority.

Telling it from reprints & book-club editions

No book club of note. Confirm the Yale imprint, the green gilt-stamped cloth, and Atkinson binding state 'a' (no clover stamp), with the priced Burt Jackson jacket present.

Frequently asked questions

Is my copy of A Touch of the Poet a first edition?

A first edition of A Touch of the Poet by Eugene O'Neill (Yale University Press) is identified by: Yale University Press, New Haven, 1957 (posthumous), stated as first edition.

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The US Yale edition is the standard-cited first, published as a stated first edition.

Is the book-club edition the same as the first?

No book club of note. Confirm the Yale imprint, the green gilt-stamped cloth, and Atkinson binding state 'a' (no clover stamp), with the priced Burt Jackson jacket present.

I have a first edition of A Touch of the Poet — what should I do?

If you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than lost. To sell, see the author’s collecting guide. Either way, nothing collectible ends up in a landfill.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.