Quick answer
A first edition of A Key to Uncle Tom's Cabin by Harriet Beecher Stowe (John P. Jewett & Company, 1853) is identified by: First edition, 1853: tall 8vo, 262 pp. of text (including the index) followed by two pages of publisher's advertisements; stereotyped by Hobart & Robbins (New England Type and Stereotype Foundery, Boston) -- their imprint on the copyright page -- and printed by Damrell & Moore of Boston. The true first is the 1853 Boston edition (John P. Jewett & Company; Cleveland: Jewett, Proctor and Worthington).
Checklist — a true first has these:
- First edition, 1853: tall 8vo, 262 pp. of text (including the index) followed by two pages of publisher's advertisements; stereotyped by Hobart & Robbins (New England Type and Stereotype Foundery, Boston) -- their imprint on the copyright page -- and printed by Damrell & Moore of BostonP-037532
- Issued simultaneously under the Boston imprint of John P. Jewett & Company and the Cleveland imprint of Jewett, Proctor and WorthingtonP-037533
- Bound in brown publisher's cloth, spine lettered in bright gilt, boards blind-stamped, with yellow endpapersP-037534
- Compiled by Stowe as a documentary companion presenting the facts and documents behind Uncle Tom's CabinP-037535
- Publisher imprint reads John P. Jewett & Company
- Not a book-club edition (see below)
| Author | Harriet Beecher Stowe |
|---|---|
| Publisher | John P. Jewett & Company |
| Year | 1853 |
| True first | British edition |
| Format | Hardcover (trade) |
| Key point | First edition, 1853: tall 8vo, 262 pp. of text (including the index) followed by two pages of publisher's advertisements; stereotyped by… |
| Book-club edition exists? | No |
The points of issue
- First edition, 1853: tall 8vo, 262 pp. of text (including the index) followed by two pages of publisher's advertisements; stereotyped by Hobart & Robbins (New England Type and Stereotype Foundery, Boston) -- their imprint on the copyright page -- and printed by Damrell & Moore of Boston
- Issued simultaneously under the Boston imprint of John P. Jewett & Company and the Cleveland imprint of Jewett, Proctor and Worthington
- Bound in brown publisher's cloth, spine lettered in bright gilt, boards blind-stamped, with yellow endpapers
- Compiled by Stowe as a documentary companion presenting the facts and documents behind Uncle Tom's Cabin
How to confirm the first-printing statement
Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Verify this is the British true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
The true first is the 1853 Boston edition (John P. Jewett & Company; Cleveland: Jewett, Proctor and Worthington). Same-year (1853) London editions -- notably Sampson Low, Son & Co. (the first English edition), plus other British reprints such as Clarke, Beeton & Co. -- followed the American edition and do NOT precede it. This documentary 'Key' is a separate book from the novel Uncle Tom's Cabin (1852) and should not be conflated with it; unlike the novel, the Key was not serialized in the National Era.P-037536
Telling it from reprints & book-club editions
No book club. The Key was reprinted promptly (later Jewett printings and multiple 1853 London reprints). A genuine American first shows the 262-pp. collation, the Hobart & Robbins stereotype line, and the paired Boston (Jewett) / Cleveland (Jewett, Proctor and Worthington) imprint; later reprints and the London editions carry different imprints or resettings and are not the first.P-037537
Frequently asked questions
Is my copy of A Key to Uncle Tom's Cabin a first edition?
A first edition of A Key to Uncle Tom's Cabin by Harriet Beecher Stowe (John P. Jewett & Company) is identified by: First edition, 1853: tall 8vo, 262 pp. of text (including the index) followed by two pages of publisher's advertisements; stereotyped by Hobart & Robbins (New England Type and Stereotype Foundery, Boston) -- their imprint on the copyright page -- and printed by Damrell & Moore of Boston.
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The true first is the 1853 Boston edition (John P. Jewett & Company; Cleveland: Jewett, Proctor and Worthington).
Is the book-club edition the same as the first?
No book club. The Key was reprinted promptly (later Jewett printings and multiple 1853 London reprints). A genuine American first shows the 262-pp. collation, the Hobart & Robbins stereotype line, and the paired Boston (Jewett) / Cleveland (Jewett, Proctor and Worthington) imprint; later reprints and the London editions carry different imprints or resettings and are not the first.
I have a first edition of A Key to Uncle Tom's Cabin — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- Uncle Tom's Cabin; or, Life Among the Lowly
- Dred: A Tale of the Great Dismal Swamp
- A Journey in the Seaboard Slave States — Frederick Law Olmsted
- The Cotton Kingdom — Frederick Law Olmsted
- Southern Horrors: Lynch Law in All Its Phases — Ida B. Wells
- Our Nig; or, Sketches from the Life of a Free Black — Harriet E. Wilson
- The Garies and Their Friends — Frank J. Webb
- Twenty-Two Years a Slave, and Forty Years a Freeman — Austin Steward
How to cite this page
New Mexico Literacy Project. “Is A Key to Uncle Tom's Cabin by Harriet Beecher Stowe a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/a-key-to-uncle-toms-cabin. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).