Quick answer
A first edition of A Cool Million by Nathanael West (Covici-Friede, 1934) is identified by: True first is Covici-Friede (New York), 1934 (full title A Cool Million: The Dismantling of Lemuel Pitkin); first edition, first printing. US Covici-Friede (1934) is the true first, preceding the first UK/English edition — Neville Spearman (London, 1954) — by two decades; the Spearman issue is in red boards lettered white on the spine.
Checklist — a true first has these:
- True first is Covici-Friede (New York), 1934 (full title A Cool Million: The Dismantling of Lemuel Pitkin); first edition, first printing
- Publisher's binding is tan cloth lettered in green on the front board and spine, in an orange pictorial dust jacket designed by William Cotton (wraparound image of a youth holding a gun, lettered in black), priced at the flap
- A scarce variant is bound in green cloth with a horizontal rule in place of the spine imprint (White records only two such copies)
- Cited in Bruccoli & Clark I:411, White 4, Hanna 3738; the printing is reported at roughly 3,000 copies
- Publisher imprint reads Covici-Friede
- Not a book-club edition (see below)
| Author | Nathanael West |
|---|---|
| Publisher | Covici-Friede |
| Year | 1934 |
| True first | US edition |
| Format | Hardcover (trade) |
| Key point | True first is Covici-Friede (New York), 1934 (full title A Cool Million: The Dismantling of Lemuel Pitkin); first edition, first printing |
| Book-club edition exists? | No |
The points of issue
- True first is Covici-Friede (New York), 1934 (full title A Cool Million: The Dismantling of Lemuel Pitkin); first edition, first printing
- Publisher's binding is tan cloth lettered in green on the front board and spine, in an orange pictorial dust jacket designed by William Cotton (wraparound image of a youth holding a gun, lettered in black), priced at the flap
- A scarce variant is bound in green cloth with a horizontal rule in place of the spine imprint (White records only two such copies)
- Cited in Bruccoli & Clark I:411, White 4, Hanna 3738; the printing is reported at roughly 3,000 copies
How Covici-Friede marked a first edition
- 1928–1937: First editions carry no statement of printing on the copyright page; every later printing states its printing (e.g. 'Second Printing'). The absence of any printing statement indicates the first printing.
Full Covici-Friede first-edition guide →
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Verify this is the US true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
US Covici-Friede (1934) is the true first, preceding the first UK/English edition — Neville Spearman (London, 1954) — by two decades; the Spearman issue is in red boards lettered white on the spine. Both are collected, with Covici-Friede the priority.
Telling it from reprints & book-club editions
No book-club edition documented in sources consulted; later combined-title reissues (with Miss Lonelyhearts) and New Directions printings are distinct from the 1934 Covici-Friede first.
Frequently asked questions
Is my copy of A Cool Million a first edition?
A first edition of A Cool Million by Nathanael West (Covici-Friede) is identified by: True first is Covici-Friede (New York), 1934 (full title A Cool Million: The Dismantling of Lemuel Pitkin); first edition, first printing.
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. US Covici-Friede (1934) is the true first, preceding the first UK/English edition — Neville Spearman (London, 1954) — by two decades; the Spearman issue is in red boards lettered white on the spine.
Is the book-club edition the same as the first?
No book-club edition documented in sources consulted; later combined-title reissues (with Miss Lonelyhearts) and New Directions printings are distinct from the 1934 Covici-Friede first.
I have a first edition of A Cool Million — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- The Dream Life of Balso Snell
- Miss Lonelyhearts
- The Day of the Locust
- In Dubious Battle — John Steinbeck
- Of Mice and Men — John Steinbeck
- Tortilla Flat — John Steinbeck
- The Red Pony — John Steinbeck
- In a Country of Mothers — A.M. Homes
How to cite this page
New Mexico Literacy Project. “Is A Cool Million by Nathanael West a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/a-cool-million. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).