How to identify a first printing
- PRE-1928 (early independent house): Putnam printed NO first-edition statement. Identify a first by matching the copyright-page year to the title-page year with no reprint/later-printing notice on the copyright page. After the 1930 merger with Minton, Balch & Co. the 'G. P. Putnam's Sons' imprint name persisted, so a post-1930 imprint line alone does not date or rank a copy.
- US, 1928–1959: still NO positive first-edition statement — firsts are identified by ABSENCE. Later printings add a dated 'First printed' (and subsequent-printing) notice beneath the copyright notice; a copyright page lacking any such reprint line indicates a first. Putnam avoided 'Second Edition' unless the text was materially revised.
- UK arm (G. P. Putnam's Sons, Ltd.), 1928–1947: DIFFERENT convention from New York — the London title page (or its verso) states 'First published' with the month and year for a first; later printings carry a 'Reprinted' line with its own month and year. Do NOT apply the US absence-rule to a British-printed Putnam.
- US, 1960–1988: first editions remain UNSTATED. Every printing after the first carries the words 'Second impression' (or 'Third impression,' etc.) on the copyright page; a copyright page with no 'impression' statement is the first printing. This is the dominant mid-century adult-trade tell — e.g. Puzo's 'The Godfather' (1969) is a first only when the copyright page bears no 'Second impression' line (confirmed against dealer point-guides).
- NUMBER-LINE ADOPTION (CONTESTED DATE): Putnam moved to a printer's-key number line on the copyright page. A complete ascending line 1 2 3 4 5 6 7 8 9 10 (all ten numerals present, lowest = 1) indicates a first printing, and the lowest surviving digit gives the printing — the line ENDS IN 1 for a Putnam first (unlike Random House, whose full line ends in 2). Sources DISAGREE on the start date: Quill & Brush dates it to 1985 ('Since 1985, have used a number row'); BooksTellYouWhy/ILAB date the 1-to-10 line to 1989–1992. Treat the mid-1980s through early-1990s as a transition zone and confirm against a second source.
- MODERN PENGUIN ERA (1993–present): with the shift to Putnam & Grosset / Penguin house style, many firsts are marked only by the copyright year, but a printer's-key number line remains the primary tell — a first must include the '1' (whether the line runs ascending 1…10 or in the fanned form 1 3 5 7 9 10 8 6 4 2, which is a generic trade pattern, not Putnam-specific). Some 1993+ titles instead carry an alphabetical code, where a full 'A B C D E F G H' = first printing and the lowest surviving letter gives the printing. Where an explicit 'First Edition' line ALSO appears, confirm it against the number line/letter code, since Putnam has been inconsistent about deleting the words on later printings.
- CHILDREN'S / PHILOMEL branch (distinct from adult trade): Philomel Books and some Putnam juveniles state 'First Impression' alongside a number code for a first; on later printings the 'First Impression' line is deleted and the lowest number in the code gives the printing. Do NOT generalize this 'First Impression' wording to the adult trade line — though note it does surface on a few specific adult titles (e.g. Mailer's 'Why Are We in Vietnam?', 1967, whose first carries a stated 'First Impression').
- CROSS-CHECK RULE: because Putnam's practice changed at least four times and the number-line start date is contested, verify any single-copy determination against Zempel & Verkler ('First Editions: A Guide to Identification') and McBride ('A Pocket Guide to the Identification of First Editions'), and against title-specific point guides (FEDPO / dealer records) for high-value titles.
Notable points & cautions
- 'First Impression' is NOT the standard adult G. P. Putnam's Sons tell — it is the Philomel/children's-imprint wording, which also happens to appear on a handful of specific adult titles (e.g. Mailer's 'Why Are We in Vietnam?', 1967). The mainstream adult-trade tells are the ABSENCE of a later-'impression' line (1960–1988) and, from the mid-1980s/early-1990s on, a number line (or A–H letter code) — not a blanket 'First Impression' statement.
- Book-club editions are the most common trap: a Putnam BCE is flagged by a clipped/absent dust-jacket price, 'Book Club Edition' on the jacket flap, and a small blind-stamp (dot/square/circle/maple-leaf deboss) on the lower rear board near the spine. These BCE blind-stamps are a general book-club-industry mark, not a Putnam house device, and Putnam club copies generally lack the copyright-page number line. Do NOT confuse this with a rear-GUTTER alphanumeric code — that gutter code is Doubleday's system (mid-1958 to mid-1987), signalling a Doubleday product, not Putnam.
- Do not mistake a house colophon for a printing indicator: Putnam's historic 'Knickerbocker Press' seated-figure device is a branding mark and by itself confirms neither a first printing nor an edition — only the 'impression' statements, the number line, or the A–H letter code are true printing tells.
- Era-boundary ambiguity to disclose: reputable references disagree on when the number line began — Quill & Brush dates it to 1985 while BooksTellYouWhy/ILAB date the 1-to-10 line to 1989–1992 (treating 1993+ as a separate Penguin-style regime). Any book from the mid-1980s to early-1990s is a transition zone; confirm against a second source.
- Corporate-history flags affecting the imprint line: 1930 merger with Minton, Balch & Co. (imprint name persisted); Berkley acquired 1965; MCA bought Putnam 1975; merged into Penguin Group in 1996 (Penguin Putnam Inc.), now under Penguin Random House (2013). A 'G. P. Putnam's Sons' imprint on a post-1996 book is a Penguin-era product following the modern number-line/letter-code convention, not the mid-century 'impression' rule.
Imprints
First editions also appear under: Wiley & Putnam (1838–1848 founding partnership; dissolved when Putnam went solo), G. P. Putnam's Sons, Ltd. (London / UK arm, distinct 'First published' convention), Coward-McCann (sister imprint under the Putnam Publishing Group), Berkley Books (mass-market, acquired 1965), Philomel Books (children's — uses a 'First Impression' + number-code convention), The Putnam & Grosset Group (children's, 1990s house-style umbrella), Penguin Putnam Inc. (1996 merged corporate entity). Each generally follows the house convention above.
Frequently asked questions
How do I know if my G. P. Putnam's Sons book is a first edition?
Check the copyright page. PRE-1928 (early independent house): Putnam printed NO first-edition statement. Identify a first by matching the copyright-page year to the title-page year with no reprint/later-printing notice on the copyright page. After the 1930 merger with Minton, Balch & Co. the 'G. P. Putnam's Sons' imprint name persisted, so a post-1930 imprint line alone does not date or rank a copy. US, 1928–1959: still NO positive first-edition statement — firsts are identified by ABSENCE. Later printings add a dated 'First printed' (and subsequent-printing) notice beneath the copyright notice; a copyright page lacking any such reprint line indicates a first. Putnam avoided 'Second Edition' unless the text was materially revised.
Does G. P. Putnam's Sons use a number line?
US, 1928–1959: still NO positive first-edition statement — firsts are identified by ABSENCE. Later printings add a dated 'First printed' (and subsequent-printing) notice beneath the copyright notice; a copyright page lacking any such reprint line indicates a first. Putnam avoided 'Second Edition' unless the text was materially revised.
Is a book-club edition a G. P. Putnam's Sons first edition?
No. Book-club editions reprint the text but are not the true first edition. 'First Impression' is NOT the standard adult G. P. Putnam's Sons tell — it is the Philomel/children's-imprint wording, which also happens to appear on a handful of specific adult titles (e.g. Mailer's 'Why Are We in Vietnam?', 1967). The mainstream adult-trade tells are the ABSENCE of a later-'impression' line (1960–1988) and, from the mid-1980s/early-1990s on, a number line (or A–H letter code) — not a blanket 'First Impression' statement.
What era does this cover?
This covers G. P. Putnam's Sons (1838–present (independent trade house 1838–1996; Penguin / Penguin Random House imprint 1996–present)). Conventions changed over time, so confirm the era of your copy.
G. P. Putnam's Sons titles with documented first-edition points
Each link opens that title’s specific points of issue — the exact marks that separate a true first printing from a later one.
- "P" Is for Peril (Sue Grafton, 2001)
- "Q" Is for Quarry (Sue Grafton, 2002)
- "R" Is for Ricochet (Sue Grafton, 2004)
- "S" Is for Silence (Sue Grafton, 2005)
- "T" Is for Trespass (Sue Grafton, 2007)
- "U" Is for Undertow (Sue Grafton, 2009)
- "V" Is for Vengeance (Sue Grafton, 2011)
- "W" Is for Wasted (Sue Grafton, 2013)
- "X" (Sue Grafton, 2015)
- "Y" Is for Yesterday (Sue Grafton, 2017)
- A Dangerous Man (Robert Crais, 2019)
- Advertisements for Myself (Norman Mailer, 1959)
- Against All Enemies (Tom Clancy, 2011)
- All Tomorrow's Parties (William Gibson, 1999)
- Armageddon in Retrospect (Kurt Vonnegut, 2008)
- At Risk (Patricia Cornwell, 2006)
- Bad Blood (John Sandford, 2010)
- Bagombo Snuff Box: Uncollected Short Fiction (Kurt Vonnegut, 1999)
- Beauty Beast (MacKinlay Kantor, 1968)
- Black Mountain Breakdown (Lee Smith, 1980)
- Black Notice (Patricia Cornwell, 1999)
- Blow Fly (Patricia Cornwell, 2003)
- Book of the Dead (Patricia Cornwell, 2007)
- Broken Prey (John Sandford, 2005)
Documenting 211 G. P. Putnam's Sons titles in all — browse the full title-by-title library →