How to identify a first printing
- Pre-mid-1960s (classic Dial, incl. early Baldwin/Mailer firsts): first edition identified by the SAME DATE appearing on both the title page and the copyright page, with no later-printing statement. Early imprints may read 'Lincoln MacVeagh / The Dial Press.'
- Mid/late-1960s to ~1980: first printings stated 'First Printing (Year)' on the copyright page, with subsequent printings explicitly noted.
- Circa 1980s onward: a descending number line/number row; presence of '1' indicates first printing. This convention began under Doubleday-era ownership, BEFORE the Random House revival — it is not exclusively a modern Random House practice.
- Modern Random House-era Dial: follows standard Random House practice — typically 'First Edition' stated with a number line descending to 1; but verify against the era the copyright page reflects rather than assuming.
Notable points & cautions
- Founded 1923 by Lincoln MacVeagh (first book imprint issued 1924) — the claim's 'Founded 1924' is off by a year; 1924 is the first publication, not the founding.
- Published James Baldwin, Norman Mailer, Thomas Berger, Elizabeth Bowen, Frank Yerby. Ownership churn: Dell (60% 1963, wholly owned 1969) -> Doubleday (1976) -> adult imprint dissolved 1985 -> revived (under Bantam/Doubleday/Dell, carried into Random House when BDD was sold) -> now Random House Publishing Group imprint within PRH. The claim's 'revived under Random House 2001' is imprecise: the revival lineage began under BDD, not Random House, and the specific 2001 date is not well-supported.
- Dial Books for Young Readers split off (children's division sold to E.P. Dutton in 1976) and is now a Penguin Random House children's imprint — a DIFFERENT line; do not conflate with the adult Dial Press. (Confirmed correct.)
- Because of the ownership churn the controlling convention depends on the printing's era — check the copyright page. (Confirmed correct.) The single most useful early-era test is the matching date on title page and copyright page, which the claimed methods omit entirely.
Imprints
First editions also appear under: Dial Books for Young Readers (children's, now separate under Penguin). Each generally follows the house convention above.
Frequently asked questions
How do I know if my Dial Press book is a first edition?
Check the copyright page. Pre-mid-1960s (classic Dial, incl. early Baldwin/Mailer firsts): first edition identified by the SAME DATE appearing on both the title page and the copyright page, with no later-printing statement. Early imprints may read 'Lincoln MacVeagh / The Dial Press.' Mid/late-1960s to ~1980: first printings stated 'First Printing (Year)' on the copyright page, with subsequent printings explicitly noted.
Does Dial Press use a number line?
Mid/late-1960s to ~1980: first printings stated 'First Printing (Year)' on the copyright page, with subsequent printings explicitly noted.
Is a book-club edition a Dial Press first edition?
No. Book-club editions reprint the text but are not the true first edition. Founded 1923 by Lincoln MacVeagh (first book imprint issued 1924) — the claim's 'Founded 1924' is off by a year; 1924 is the first publication, not the founding.
What era does this cover?
This covers Dial Press (1924–present). Conventions changed over time, so confirm the era of your copy.
Dial Press titles with documented first-edition points
Each link opens that title’s specific points of issue — the exact marks that separate a true first printing from a later one.
- An American Dream (Norman Mailer, 1965)
- Fire on the Mountain (Edward Abbey, 1962)
- Follow Me Down (Shelby Foote, 1950)
- Indemnity Only (Sara Paretsky, 1982)
- Jordan County: A Landscape in Narrative (Shelby Foote, 1954)
- Little Big Man (Thomas Berger, 1964)
- Love in a Dry Season (Shelby Foote, 1951)
- Observations (Marianne Moore, 1924)
- Roll of Thunder, Hear My Cry (Mildred D. Taylor (illus. Jerry Pinkney), 1976)
- Songmaster (Orson Scott Card, 1980)
- The Chancellor Manuscript (Robert Ludlum, 1977)
- The Eye of the Beholder (Indemnity Only) (Sara Paretsky, 1982)
- The Fire Next Time (James Baldwin, 1963)
- The Gemini Contenders (Robert Ludlum, 1976)
- The Last Picture Show (Larry McMurtry, 1966)
- The Lieutenant (Andre Dubus, 1967)
- The Matlock Paper (Robert Ludlum, 1973)
- The Rhinemann Exchange (Robert Ludlum, 1974)
- Tournament (Shelby Foote, 1949)
- Unaccompanied Sonata and Other Stories (Orson Scott Card, 1981)