How to identify a first printing
- Generally inconsistent in marking first editions; subsequent printings were usually noted, so the absence of a later-printing notice is the baseline signal (always cross-check title-level point guides).
- Until the mid-1930s: a torch-design colophon on the copyright page typically marked first editions; the torch portion of the colophon was removed on subsequent printings.
- After 1935: 'First American Edition' stated on the copyright page for books first published OUTSIDE the US; NO statement made on books first published in the US (so a US-first book carries no edition statement at all).
Notable points & cautions
- Because the house was inconsistent, specific titles should always be cross-checked against title-level point guides rather than relying on the general convention.
- Do NOT confuse Coward-McCann with Reynal & Hitchcock. The torch-colophon convention is Coward-McCann's OWN and is NOT shared with Reynal & Hitchcock. Per ILAB/qbbooks, Reynal & Hitchcock made no statement on first editions until 1947 (subsequent printings noted); there is no documented R&H torch colophon. The claim of a 'shared torch-colophon convention / related design lineage' is unsupported and misleading.
Imprints
First editions also appear under: Coward-McCann, Coward, McCann & Geoghegan (later). Each generally follows the house convention above.
Frequently asked questions
How do I know if my Coward-McCann book is a first edition?
Check the copyright page. Generally inconsistent in marking first editions; subsequent printings were usually noted, so the absence of a later-printing notice is the baseline signal (always cross-check title-level point guides). Until the mid-1930s: a torch-design colophon on the copyright page typically marked first editions; the torch portion of the colophon was removed on subsequent printings.
Does Coward-McCann use a number line?
Until the mid-1930s: a torch-design colophon on the copyright page typically marked first editions; the torch portion of the colophon was removed on subsequent printings.
Is a book-club edition a Coward-McCann first edition?
No. Book-club editions reprint the text but are not the true first edition. Because the house was inconsistent, specific titles should always be cross-checked against title-level point guides rather than relying on the general convention.
What era does this cover?
This covers Coward-McCann (1928-1970s). Conventions changed over time, so confirm the era of your copy.
Coward-McCann titles with documented first-edition points
Each link opens that title’s specific points of issue — the exact marks that separate a true first printing from a later one.
- Arouse and Beware (MacKinlay Kantor, 1936)
- Author's Choice (MacKinlay Kantor, 1944)
- But Look, the Morn (MacKinlay Kantor, 1947)
- Cuba Libre (MacKinlay Kantor, 1940)
- Desolation Angels (Jack Kerouac, 1965)
- Diversey (MacKinlay Kantor, 1928)
- El Goes South (MacKinlay Kantor, 1930)
- Gentle Annie (MacKinlay Kantor, 1942)
- Ghost Story (Peter Straub, 1979)
- Glory for Me (MacKinlay Kantor, 1945)
- Happy Land (MacKinlay Kantor, 1943)
- Julia (Peter Straub, 1975)
- Legs (William Kennedy, 1975)
- Long Remember (MacKinlay Kantor, 1934)
- Marriages (Peter Straub, 1973)
- Shadowland (Peter Straub, 1980)
- The American Dream (Edward Albee, 1961)
- The Good Family (MacKinlay Kantor, 1949)
- The Jaybird (MacKinlay Kantor, 1932)
- The Joke (Milan Kundera, 1969)
- The Noise of Their Wings (MacKinlay Kantor, 1938)
- The Price of Salt (Patricia Highsmith (as Claire Morgan), 1952)
- The Romance of Rosy Ridge (MacKinlay Kantor, 1937)
- The Talented Mr. Ripley (Patricia Highsmith, 1955)
Documenting 28 Coward-McCann titles in all — browse the full title-by-title library →