How to identify a first printing
- British convention: a first printing carries a complete number line ending in 1 on the copyright page (e.g. '1 3 5 7 9 10 8 6 4 2' or '10 9 8 7 6 5 4 3 2 1'); lowest digit = printing
- Usually NO 'First edition' statement — identify via the full number line plus the 'First published in [year] by Andersen Press' line
Notable points & cautions
- UK independent founded in 1976 by Klaus Flugge; named for Hans Christian Andersen
- Elmer (David McKee) and the Little Princess / Preston Pig titles are flagship collectibles — UK Andersen firsts are identified by the complete number line
- US editions reach the market via Lerner (Andersen Press USA) and are later co-editions, not the true UK first
Imprints
First editions also appear under: Andersen Press, Andersen Press USA (US distribution via Lerner). Each generally follows the house convention above.
Frequently asked questions
How do I know if my Andersen Press book is a first edition?
Check the copyright page. British convention: a first printing carries a complete number line ending in 1 on the copyright page (e.g. '1 3 5 7 9 10 8 6 4 2' or '10 9 8 7 6 5 4 3 2 1'); lowest digit = printing Usually NO 'First edition' statement — identify via the full number line plus the 'First published in [year] by Andersen Press' line
Does Andersen Press use a number line?
Usually NO 'First edition' statement — identify via the full number line plus the 'First published in [year] by Andersen Press' line
Is a book-club edition a Andersen Press first edition?
No. Book-club editions reprint the text but are not the true first edition. UK independent founded in 1976 by Klaus Flugge; named for Hans Christian Andersen
What era does this cover?
This covers Andersen Press (1976–present). Conventions changed over time, so confirm the era of your copy.
Andersen Press titles with documented first-edition points
Each link opens that title’s specific points of issue — the exact marks that separate a true first printing from a later one.
- Junk (US title: Smack) (Melvin Burgess, 1996)