Quick answer
A first edition of Twenty Love Poems and a Song of Despair (Veinte poemas de amor y una canción desesperada) by Pablo Neruda (Editorial Nascimento, 1924) is identified by: The true first is the original-language Spanish edition, printed by Editorial Nascimento in Santiago in June 1924, when Neruda was 19 — it was his SECOND book (after Crepusculario, 1923), a point sellers who call it his "first book" get wrong. The true first edition is the 1924 Spanish Veinte poemas de amor y una canción desesperada (Editorial Nascimento, Santiago, June 1924).
Checklist — a true first has these:
- The true first is the original-language Spanish edition, printed by Editorial Nascimento in Santiago in June 1924, when Neruda was 19 — it was his SECOND book (after Crepusculario, 1923), a point sellers who call it his "first book" get wrongP-023924
- Neruda specifically requested an unusually large, square format that "wasted" paper, so the first edition is a square 8vo issued in original printed paper wrappers; because it is a fragile softcover, the presence of intact original printed wrappers (surviving copies are often preserved inside a later custom binding or chemise) is the central collecting pointP-023925
- The imprint reads Editorial Nascimento, Santiago, 1924, with a plain unillustrated text setting and no frontispieceP-023926
- Exact collation is not firmly fixed in the trade (archival descriptions run to roughly 40-odd pages), so treat any precise leaf count and any claimed priority states cautiouslyP-023927
- Publisher imprint reads Editorial Nascimento
- Not a book-club edition (see below)
| Author | Pablo Neruda |
|---|---|
| Publisher | Editorial Nascimento |
| Year | 1924 |
| True first | — |
| Format | Poetry |
| Key point | The true first is the original-language Spanish edition, printed by Editorial Nascimento in Santiago in June 1924, when Neruda was 19 — it… |
| Book-club edition exists? | Yes |
The points of issue
- The true first is the original-language Spanish edition, printed by Editorial Nascimento in Santiago in June 1924, when Neruda was 19 — it was his SECOND book (after Crepusculario, 1923), a point sellers who call it his "first book" get wrong
- Neruda specifically requested an unusually large, square format that "wasted" paper, so the first edition is a square 8vo issued in original printed paper wrappers; because it is a fragile softcover, the presence of intact original printed wrappers (surviving copies are often preserved inside a later custom binding or chemise) is the central collecting point
- The imprint reads Editorial Nascimento, Santiago, 1924, with a plain unillustrated text setting and no frontispiece
- Exact collation is not firmly fixed in the trade (archival descriptions run to roughly 40-odd pages), so treat any precise leaf count and any claimed priority states cautiously
How to confirm the first-printing statement
Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
The true first edition is the 1924 Spanish Veinte poemas de amor y una canción desesperada (Editorial Nascimento, Santiago, June 1924). A precedence trap: Neruda later revised the text for a subsequent Nascimento edition in 1932 (often called the "definitive" edition), altering wording in several poems, so the 1924 Nascimento printing is the only true first-issue text — later Nascimento printings carry the revised version. The first English-language edition is Twenty Love Poems and a Song of Despair, translated by poet W. S. Merwin, published by Jonathan Cape (London) in 1969 as a bilingual (Spanish recto / English verso) volume, issued simultaneously in wrappers (white wrappers in a pink printed dust jacket) and in hardcover; the first U.S. edition followed the same year, 1969, from Grossman Publishers (New York).P-023928
Telling it from reprints & book-club editions
This title is overwhelmingly encountered in later Nascimento/Losada Spanish printings and in modern paperback reprints (Losada, Cátedra, Seix Barral, etc.); none of these are the first edition. No prominent U.S. book-club edition exists for the original Spanish work. For the English Merwin translation, watch for later Cape reprints (including the "Cape Editions, 38" series printing), Penguin Twentieth-Century Classics and Penguin Classics dual-language editions, and Chronicle/New Directions printings — all later than the 1969 Cape/Grossman first. The commonest trap overall is a genuine early Nascimento Spanish copy that is actually the 1932 revised edition rather than the 1924 first.P-023929
Frequently asked questions
Is my copy of Twenty Love Poems and a Song of Despair (Veinte poemas de amor y una canción desesperada) a first edition?
A first edition of Twenty Love Poems and a Song of Despair (Veinte poemas de amor y una canción desesperada) by Pablo Neruda (Editorial Nascimento) is identified by: The true first is the original-language Spanish edition, printed by Editorial Nascimento in Santiago in June 1924, when Neruda was 19 — it was his SECOND book (after Crepusculario, 1923), a point sellers who call it his "first book" get wrong.
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The true first edition is the 1924 Spanish Veinte poemas de amor y una canción desesperada (Editorial Nascimento, Santiago, June 1924).
Is the book-club edition the same as the first?
This title is overwhelmingly encountered in later Nascimento/Losada Spanish printings and in modern paperback reprints (Losada, Cátedra, Seix Barral, etc.); none of these are the first edition. No prominent U.S. book-club edition exists for the original Spanish work.
I have a first edition of Twenty Love Poems and a Song of Despair (Veinte poemas de amor y una canción desesperada) — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- Canto General
- Moy Sand and Gravel — Paul Muldoon
- How I Learned to Drive — Paula Vogel
- Ozone Journal — Peter Balakian
- High Windows — Philip Larkin
- The Less Deceived — Philip Larkin
- The North Ship — Philip Larkin
- The Whitsun Weddings — Philip Larkin
How to cite this page
New Mexico Literacy Project. “Is Twenty Love Poems and a Song of Despair (Veinte poemas de amor y una canción desesperada) by Pablo Neruda a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/twenty-love-poems-and-a-song-of-despair. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).