Quick answer
A first edition of True Grit by Charles Portis (Simon & Schuster, 1968) is identified by: First printing is STATED: the copyright page carries the 1968 copyright and the words "First printing" (Simon & Schuster used a stated-first-printing convention in this period — there is no number line). US Simon & Schuster (1968) is the true first, identified by "First printing" on the copyright page.
Checklist — a true first has these:
- First printing is STATED: the copyright page carries the 1968 copyright and the words "First printing" (Simon & Schuster used a stated-first-printing convention in this period — there is no number line)P-036523
- A copy WITHOUT the "First printing" line is a later printing or a book-club copy, not the trade firstP-036524
- Bound in blue-gray cloth, spine stamped in red and gilt, top edge stained yellow, mustard-yellow endpapersP-036525
- 215 pp. First-issue dust jacket designed by Paul Davis, its price printed at the front flap (price present / unclipped)
- Publisher imprint reads Simon & Schuster
- Not a book-club edition (see below)
| Author | Charles Portis |
|---|---|
| Publisher | Simon & Schuster |
| Year | 1968 |
| True first | US edition |
| Format | Hardcover (trade) |
| Key point | First printing is STATED: the copyright page carries the 1968 copyright and the words "First printing" (Simon & Schuster used a… |
| Book-club edition exists? | Yes |
The points of issue
- First printing is STATED: the copyright page carries the 1968 copyright and the words "First printing" (Simon & Schuster used a stated-first-printing convention in this period — there is no number line)
- A copy WITHOUT the "First printing" line is a later printing or a book-club copy, not the trade first
- Bound in blue-gray cloth, spine stamped in red and gilt, top edge stained yellow, mustard-yellow endpapers
- 215 pp. First-issue dust jacket designed by Paul Davis, its price printed at the front flap (price present / unclipped)
How Simon & Schuster marked a first edition
- ERA 2 — Mid-century, pre-number-line (1937–mid-1973): Still negative identification — a first printing carries no later-printing notice, while second and subsequent printings are consistently marked (dated, sometimes…
Full Simon & Schuster first-edition guide →
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Read the number line — the lowest number is the printing. A line including 1 is a first printing (Random House deliberately ends at 2). Paste it into the decoder.
- Verify this is the US true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
US Simon & Schuster (1968) is the true first, identified by "First printing" on the copyright page. Uncorrected advance reading copies / proofs in wrappers preceded the trade edition. The UK Jonathan Cape edition followed in 1969 (a separate British proof also exists); the US trade first precedes the UK edition. Signed Portis copies are scarce.P-036527
Telling it from reprints & book-club editions
The Book Club Edition is the prime confusion. It is distinguished by: (1) NO "First printing" statement on the copyright page; (2) a small blind-stamp (dot/square) impressed on the lower rear board near the spine; (3) a dust jacket issued WITHOUT a printed price at the flap (book-club jackets were printed unpriced — not the same as a price-clipped trade jacket); and often smaller, thinner boards and paper. BCE copies are common; the target is the stated-"First printing" trade copy in the priced Paul Davis jacket.P-036528
Frequently asked questions
Is my copy of True Grit a first edition?
A first edition of True Grit by Charles Portis (Simon & Schuster) is identified by: First printing is STATED: the copyright page carries the 1968 copyright and the words "First printing" (Simon & Schuster used a stated-first-printing convention in this period — there is no number line).
How do I tell the first printing from a later one?
Check the copyright page. A number line whose lowest number is 1 marks a first printing (Random House ends at 2). US Simon & Schuster (1968) is the true first, identified by "First printing" on the copyright page.
Is the book-club edition the same as the first?
The Book Club Edition is the prime confusion. It is distinguished by: (1) NO "First printing" statement on the copyright page; (2) a small blind-stamp (dot/square) impressed on the lower rear board near the spine; (3) a dust jacket issued WITHOUT a printed price at the flap (book-club jackets were printed unpriced — not the same as a price-clipped trade jacket); and often smaller, thinner boards and paper.
I have a first edition of True Grit — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- Norwood
- The Dog of the South
- A Meeting by the River — Christopher Isherwood
- A Single Man — Christopher Isherwood
- Down There on a Visit — Christopher Isherwood
- Ramakrishna and His Disciples — Christopher Isherwood
- The Bride Wore Black — Cornell Woolrich
- A Heartbreaking Work of Staggering Genius — Dave Eggers
How to cite this page
New Mexico Literacy Project. “Is True Grit by Charles Portis a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/true-grit. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).