Is My The Woman in White a First Edition?

The points of issue

• Three volumes, Sampson Low, Son & Co., London, 1860 (following serialization in All the Year Round)
• The two reliable first-issue points are: the original cloth with the figure of the woman stamped in WHITE on the spine (later issues have her stamped in blind), and the 16-page publisher's catalogue at the rear of volume III dated August 1860 (catalogues dated later, such as November 1860, indicate a later issue)
• References: Sadleir 605a
• Wolff 1377

How to confirm the first-printing statement

Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
3. Verify this is the American true first — not a later-market or reprint edition.
4. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
5. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

The London Sampson Low 1860 three-decker is the true first; the Harper American edition of 1860 is secondary. Precedence and issue are established by the August 1860 rear catalogue in volume III and the woman-stamped-in-white spine, not by the year alone.P-033067

Telling it from reprints & book-club editions

Later British issues carry the woman stamped in blind on the spine and rear catalogues dated after August 1860; corrected-text and one-volume reprints are later still.P-033068

Frequently asked questions

Is my copy of The Woman in White a first edition?

A first edition of The Woman in White by Wilkie Collins (Sampson Low, Son & Co.) is identified by: Three volumes, Sampson Low, Son & Co., London, 1860 (following serialization in All the Year Round).

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The London Sampson Low 1860 three-decker is the true first; the Harper American edition of 1860 is secondary.

Is the book-club edition the same as the first?

Later British issues carry the woman stamped in blind on the spine and rear catalogues dated after August 1860; corrected-text and one-volume reprints are later still.

I have a first edition of The Woman in White — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.