Quick answer
A first edition of The Odd Women by George Gissing (Lawrence & Bullen, 1893) is identified by: First published in three volumes by Lawrence & Bullen, 16 Henrietta Street, Covent Garden, London, in 1893, near the end of the Victorian three-volume 'triple-decker' era, which collapsed within a few years after Mudie's and W. H. Smith's June 1894 ultimatum on library purchase terms.
Checklist — a true first has these:
- First published in three volumes by Lawrence & Bullen, 16 Henrietta Street, Covent Garden, London, in 1893, near the end of the Victorian three-volume 'triple-decker' era, which collapsed within a few years after Mudie's and W. H. Smith's June 1894 ultimatum on library purchase termsP-035169
- A genuine first edition must therefore be in three separate volumes bearing the Lawrence & Bullen imprint and the 1893 date; every later printing of the novel is a single volume, making the three-volume format itself the key identifying pointP-035170
- Surviving library sets, such as the University of Illinois copy digitized by the Internet Archive, confirm the three-volume collation, with the third volume alone running to 348 pagesP-035171
- Publisher imprint reads Lawrence & Bullen
- Not a book-club edition (see below)
| Author | George Gissing |
|---|---|
| Publisher | Lawrence & Bullen |
| Year | 1893 |
| True first | — |
| Format | Hardcover (trade) |
| Key point | First published in three volumes by Lawrence & Bullen, 16 Henrietta Street, Covent Garden, London, in 1893, near the end of the Victorian… |
| Book-club edition exists? | — |
The points of issue
- First published in three volumes by Lawrence & Bullen, 16 Henrietta Street, Covent Garden, London, in 1893, near the end of the Victorian three-volume 'triple-decker' era, which collapsed within a few years after Mudie's and W. H. Smith's June 1894 ultimatum on library purchase terms
- A genuine first edition must therefore be in three separate volumes bearing the Lawrence & Bullen imprint and the 1893 date; every later printing of the novel is a single volume, making the three-volume format itself the key identifying point
- Surviving library sets, such as the University of Illinois copy digitized by the Internet Archive, confirm the three-volume collation, with the third volume alone running to 348 pages
How to confirm the first-printing statement
Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Telling it from reprints & book-club editions
Any one-volume edition, including the numerous later reprints, postdates the three-volume 1893 first; check specifically for the three-decker collation and the Lawrence & Bullen imprint.P-035172
Frequently asked questions
Is my copy of The Odd Women a first edition?
A first edition of The Odd Women by George Gissing (Lawrence & Bullen) is identified by: First published in three volumes by Lawrence & Bullen, 16 Henrietta Street, Covent Garden, London, in 1893, near the end of the Victorian three-volume 'triple-decker' era, which collapsed within a few years after Mudie's and W. H. Smith's June 1894 ultimatum on library purchase terms.
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key.
Is the book-club edition the same as the first?
Any one-volume edition, including the numerous later reprints, postdates the three-volume 1893 first; check specifically for the three-decker collation and the Lawrence & Bullen imprint.
I have a first edition of The Odd Women — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- New Grub Street
- A Mummer's Wife — George Moore
- Esther Waters — George Moore
- The Prisoner of Zenda — Anthony Hope
- Rupert of Hentzau — Anthony Hope
- The Man Who Was Thursday — G. K. Chesterton
- The Case-Book of Sherlock Holmes — Arthur Conan Doyle
- Jamaica Inn — Daphne du Maurier
How to cite this page
New Mexico Literacy Project. “Is The Odd Women by George Gissing a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/the-odd-women. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).