Quick answer
A first edition of The Myth of Sisyphus by Albert Camus (Editions Gallimard, Paris, 1942) is identified by: French true first: 'Le Mythe de Sisyphe,' Éditions Gallimard, Paris, 1942 (collection 'Les Essais'), in the standard printed wrappers, identified by the achevé d'imprimer/first-mille printing statement; in Gallimard's usual practice a limited issue on special paper (grand papier) precedes the trade issue. The original-language French first (Gallimard, 1942) is the true first.
Checklist — a true first has these:
- French true first: 'Le Mythe de Sisyphe,' Éditions Gallimard, Paris, 1942 (collection 'Les Essais'), in the standard printed wrappers, identified by the achevé d'imprimer/first-mille printing statement; in Gallimard's usual practice a limited issue on special paper (grand papier) precedes the trade issue
- The English translation is by Justin O'Brien
- Verify the Gallimard print-run statement to separate the 1942 first issue from wartime and later reprintings
- Publisher imprint reads Editions Gallimard, Paris
- Not a book-club edition (see below)
| Author | Albert Camus |
|---|---|
| Publisher | Editions Gallimard, Paris |
| Year | 1942 |
| True first | UK edition |
| Format | Hardcover (trade) |
| Key point | French true first: 'Le Mythe de Sisyphe,' Éditions Gallimard, Paris, 1942 (collection 'Les Essais'), in the standard printed wrappers… |
| Book-club edition exists? | No |
The points of issue
- French true first: 'Le Mythe de Sisyphe,' Éditions Gallimard, Paris, 1942 (collection 'Les Essais'), in the standard printed wrappers, identified by the achevé d'imprimer/first-mille printing statement; in Gallimard's usual practice a limited issue on special paper (grand papier) precedes the trade issue
- The English translation is by Justin O'Brien
- Verify the Gallimard print-run statement to separate the 1942 first issue from wartime and later reprintings
How to confirm the first-printing statement
Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Verify this is the UK true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
The original-language French first (Gallimard, 1942) is the true first. First edition in English is the UK edition — Hamish Hamilton, London, 1955, titled simply 'The Myth of Sisyphus' — in blue cloth lettered in silver; it precedes the first American edition, Alfred A. Knopf, New York, June 1955. Title trap: the Knopf is a separately-titled, expanded book, 'The Myth of Sisyphus and Other Essays' (adding Essays 1940–1953 and a new 1955 Camus preface). Both English editions are collected; do not conflate the UK single-essay volume with the expanded US collection.
Telling it from reprints & book-club editions
No specific book-club issue tell was documented in the sources consulted. The US 'and Other Essays' text has been much reprinted; later Knopf and Vintage printings are not the June 1955 first American edition.
Frequently asked questions
Is my copy of The Myth of Sisyphus a first edition?
A first edition of The Myth of Sisyphus by Albert Camus (Editions Gallimard, Paris) is identified by: French true first: 'Le Mythe de Sisyphe,' Éditions Gallimard, Paris, 1942 (collection 'Les Essais'), in the standard printed wrappers, identified by the achevé d'imprimer/first-mille printing statement; in Gallimard's usual practice a limited issue on special paper (grand papier) precedes the trade issue.
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The original-language French first (Gallimard, 1942) is the true first.
Is the book-club edition the same as the first?
No specific book-club issue tell was documented in the sources consulted. The US 'and Other Essays' text has been much reprinted; later Knopf and Vintage printings are not the June 1955 first American edition.
I have a first edition of The Myth of Sisyphus — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- The Stranger
- The Plague (La Peste)
- The Rebel
- The Fall
- Wind, Sand and Stars — Antoine de Saint-Exupery
- In a Country of Mothers — A.M. Homes
- Jack — A.M. Homes
- The End of Alice — A.M. Homes
How to cite this page
New Mexico Literacy Project. “Is The Myth of Sisyphus by Albert Camus a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/the-myth-of-sisyphus. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).