Is My Copy of The History of Tom Jones, a Foundling a First Edition?

The points of issue

• London: printed for A. Millar, 1749; six volumes, duodecimo
• The entire first printing of 2,000 copies was taken up by the London trade before the announced publication date of 10 February 1749; publication followed on 28 February 1749, and three further editions appeared by September 1749 — roughly 10,000 copies in the year
• Because the 1749 editions are near-identical in appearance, collation is the ONLY test
• First edition, first issue points:
• the ERRATA LEAF present after the contents in Volume I, with the errata UNCORRECTED throughout the text (the second issue corrected them and made minor textual alterations)
• Volume I, p. 21, catchword "lected" (the second issue reads "who")

How to confirm the first-printing statement

Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
4. Verify this is the UK true first — not a later-market or reprint edition.
5. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
6. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

A. Millar, London, 1749, six volumes, is the true first — English author, London publisher, no earlier or foreign-language edition to displace it, so no UK/US or original-language precedence question arises. The first American edition is much later and is not the collected form. The real trap here is not geography but MADE-UP SETS: because four editions were printed in 1749 with matching title-pages, "first edition" sets are routinely assembled from mixed 1749 sheets, and a set is only a first edition if every volume passes its own collation. A set lacking the Volume I errata leaf, or with the errata corrected in the text, is not a first issue no matter what the title-pages say.

Telling it from reprints & book-club editions

No book-club edition exists for a 1749 imprint. Documented reprint tells: (1) any second/third/fourth 1749 Millar edition — identified by the corrected errata, the "who" catchword at Vol. I p. 21, and B5 signed in Vol. VI — these are the single most common thing mistaken for the first; (2) 19th-century multi-volume sets and the standard Victorian illustrated editions (Cruikshank and successors); (3) 20th-century subscription and press reprints — Limited Editions Club / Heritage Press, Folio Society, Franklin Library — identifiable by modern paper, publisher's decorated cloth or leatherette, a colophon leaf, and a 20th-century copyright notice. A genuine 1749 Millar set has no copyright page; it will be in contemporary calf or a later fine binding.P-038080

Frequently asked questions

Is my copy of The History of Tom Jones, a Foundling a first edition?

A first edition of The History of Tom Jones, a Foundling by Henry Fielding (A. Millar, London) is identified by: London: printed for A. Millar, 1749; six volumes, duodecimo.

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. A. Millar, London, 1749, six volumes, is the true first — English author, London publisher, no earlier or foreign-language edition to displace it, so no UK/US or original-language precedence question arises.

Is the book-club edition the same as the first?

No book-club edition exists for a 1749 imprint.

I have a first edition of The History of Tom Jones, a Foundling — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.