Quick answer
A first edition of The Franchise Affair by Josephine Tey (Peter Davies, 1948) is identified by: London: Peter Davies, 1948; the first printing's copyright page reads 'First published 1948' with no reprint or Popular Edition notice. UK Peter Davies 1948 is the true first; the first American edition is New York: Macmillan, 1949.
Checklist — a true first has these:
- London: Peter Davies, 1948; the first printing's copyright page reads 'First published 1948' with no reprint or Popular Edition notice
- Dealer catalogs record the first-issue dust jacket, illustrated by Ray Russell, as unclipped with the original price present at the flap; jacketed firsts of both the London and New York editions are notably scarce
- Trade descriptions of the cloth conflict (blue cloth with an iron-gate design stamped on the front cover is reported, as is red cloth), so the copyright-page statement and first-issue jacket are the reliable tests, not binding color
- Publisher imprint reads Peter Davies
- Not a book-club edition (see below)
| Author | Josephine Tey |
|---|---|
| Publisher | Peter Davies |
| Year | 1948 |
| True first | UK edition |
| Format | Hardcover (trade) |
| Key point | London: Peter Davies, 1948; the first printing's copyright page reads 'First published 1948' with no reprint or Popular Edition notice |
| Book-club edition exists? | — |
The points of issue
- London: Peter Davies, 1948; the first printing's copyright page reads 'First published 1948' with no reprint or Popular Edition notice
- Dealer catalogs record the first-issue dust jacket, illustrated by Ray Russell, as unclipped with the original price present at the flap; jacketed firsts of both the London and New York editions are notably scarce
- Trade descriptions of the cloth conflict (blue cloth with an iron-gate design stamped on the front cover is reported, as is red cloth), so the copyright-page statement and first-issue jacket are the reliable tests, not binding color
How to confirm the first-printing statement
Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Verify this is the UK true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
UK Peter Davies 1948 is the true first; the first American edition is New York: Macmillan, 1949. Both are collected, with the London edition taking precedence.
Telling it from reprints & book-club editions
Peter Davies issued a cheaper 'Popular Edition' in 1950 whose jacket carries review blurbs and a lower flap price; that jacket is sometimes found wrapping first-printing sheets, so always match the jacket to the copyright page.
Frequently asked questions
Is my copy of The Franchise Affair a first edition?
A first edition of The Franchise Affair by Josephine Tey (Peter Davies) is identified by: London: Peter Davies, 1948; the first printing's copyright page reads 'First published 1948' with no reprint or Popular Edition notice.
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. UK Peter Davies 1948 is the true first; the first American edition is New York: Macmillan, 1949.
Is the book-club edition the same as the first?
Peter Davies issued a cheaper 'Popular Edition' in 1950 whose jacket carries review blurbs and a lower flap price; that jacket is sometimes found wrapping first-printing sheets, so always match the jacket to the copyright page.
I have a first edition of The Franchise Affair — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- The Daughter of Time
- One Hand Clapping — Anthony Burgess
- The Red House Mystery — A. A. Milne
- The Bigger They Come (UK: Lam to the Slaughter) — A.A. Fair (Erle Stanley Gardner)
- Old Bones — Aaron Elkins
- 4.50 from Paddington (US: What Mrs. McGillicuddy Saw!) — Agatha Christie
- A Caribbean Mystery — Agatha Christie
- A Murder Is Announced — Agatha Christie
How to cite this page
New Mexico Literacy Project. “Is The Franchise Affair by Josephine Tey a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/the-franchise-affair. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).