Is My Take a Girl Like You a First Edition?

The points of issue

• The true first is Victor Gollancz, London, 1960: octavo, publisher's salmon (pink) cloth lettered in gilt on the spine, 320 pp
• A first impression states only 'First published 1960' on the verso with no later-impression line; the novel sold well and same-year impressions up to a fourth exist, so confirm there is no 'Second/Third/Fourth impression' statement
• The original dust jacket is yellow paper printed in black and red in the typographic Gollancz style, with the price present at the front flap (unclipped on a first-issue jacket)
• Confirmed against Buddenbrooks and multiple independent ABAA/PBFA dealer descriptions

How Victor Gollancz marked a first edition

• Pre-1984: NO first-edition statement was made — first printings carry no 'First published' line; ONLY later printings were noted (so absence of any printing statement = likely first, presence of a reprint note = later)
• For pre-1984 titles, confirm via dust-jacket points, dated jackets, and absence of reprint notation rather than a positive statement

Full Victor Gollancz first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
4. Verify this is the UK true first — not a later-market or reprint edition.
5. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
6. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

UK Victor Gollancz (London) 1960 is the true first; the first American edition followed from Harcourt, Brace (New York) in 1961 and does not have priority.

Telling it from reprints & book-club editions

Later 1960 Gollancz impressions and any Reprint Society/World Books book-club issue are reprints; a genuine first shows no impression statement beyond 'First published 1960.'

Frequently asked questions

Is my copy of Take a Girl Like You a first edition?

A first edition of Take a Girl Like You by Kingsley Amis (Victor Gollancz) is identified by: The true first is Victor Gollancz, London, 1960: octavo, publisher's salmon (pink) cloth lettered in gilt on the spine, 320 pp.

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. UK Victor Gollancz (London) 1960 is the true first; the first American edition followed from Harcourt, Brace (New York) in 1961 and does not have priority.

Is the book-club edition the same as the first?

Later 1960 Gollancz impressions and any Reprint Society/World Books book-club issue are reprints; a genuine first shows no impression statement beyond 'First published 1960.'

I have a first edition of Take a Girl Like You — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.