Quick answer
A first edition of Sons and Lovers by D.H. Lawrence (Gerald Duckworth, 1913) is identified by: Duckworth London 1913. Duckworth London 1913 is the true first; Mitchell Kennerley New York 1913 is the first US.
Checklist — a true first has these:
- Duckworth London 1913P-005412
- First issue in the publisher's blue/green cloth with Duckworth imprint and the '1913' dateP-005413
- 16-page catalogue of advertisements often presentP-005414
- UK first precedes US Mitchell Kennerley 1913P-005415
- Publisher imprint reads Gerald Duckworth
- Not a book-club edition (see below)
| Author | D.H. Lawrence |
|---|---|
| Publisher | Gerald Duckworth |
| Year | 1913 |
| True first | US edition |
| Format | Hardcover (trade) |
| Key point | Duckworth London 1913 |
| Book-club edition exists? | — |
The points of issue
- Duckworth London 1913
- First issue in the publisher's blue/green cloth with Duckworth imprint and the '1913' date
- 16-page catalogue of advertisements often present
- UK first precedes US Mitchell Kennerley 1913
How Gerald Duckworth marked a first edition
- Duckworth is NOT separately listed in the standard publisher-by-publisher first-edition guides (verified absent from the QBBooks A–G 'First Edition Identification by Publisher' table), so there is no documented…
- For the interwar/mid-century period (the Anthony Powell era: Afternoon Men 1931, Venusberg 1932, From a View to a Death 1933, Agents and Patients 1936) the first edition is normally shown on the copyright/verso page by…
Full Gerald Duckworth first-edition guide →
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Verify this is the US true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
Duckworth London 1913 is the true first; Mitchell Kennerley New York 1913 is the first US. The UK first is the standard collectible.P-005416
Telling it from reprints & book-club editions
US Kennerley and later reprints distinguished by imprint; modern editions carry number lines absent from the 1913 first.P-005417
Frequently asked questions
Is my copy of Sons and Lovers a first edition?
A first edition of Sons and Lovers by D.H. Lawrence (Gerald Duckworth) is identified by: Duckworth London 1913.
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. Duckworth London 1913 is the true first; Mitchell Kennerley New York 1913 is the first US.
Is the book-club edition the same as the first?
US Kennerley and later reprints distinguished by imprint; modern editions carry number lines absent from the 1913 first.
I have a first edition of Sons and Lovers — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
How to cite this page
New Mexico Literacy Project. “Is Sons and Lovers by D.H. Lawrence a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/sons-and-lovers. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).