Quick answer
A first edition of Salvage the Bones by Jesmyn Ward (Bloomsbury, 2011) is identified by: Copyright page reads 'First U.S. The US Bloomsbury edition (2011) is the true first; it won the 2011 National Book Award.
Checklist — a true first has these:
- Copyright page reads 'First U.S. edition 2011' with a complete number line ending in 1; bound in white boards stamped in black with a green, black and white dust jacket carrying the printed priceP-014453
- Issued before Ward's wider fame; first printing modestP-014454
- Publisher imprint reads Bloomsbury
- Not a book-club edition (see below)
| Author | Jesmyn Ward |
|---|---|
| Publisher | Bloomsbury |
| Year | 2011 |
| True first | US edition |
| Format | Hardcover (trade) |
| Key point | Copyright page reads 'First U.S. edition 2011' with a complete number line ending in 1; bound in white boards stamped in black with a… |
| Book-club edition exists? | No |
The points of issue
- Copyright page reads 'First U.S. edition 2011' with a complete number line ending in 1; bound in white boards stamped in black with a green, black and white dust jacket carrying the printed price
- Issued before Ward's wider fame; first printing modest
How Bloomsbury marked a first edition
- First printings carry a full descending number line "10 9 8 7 6 5 4 3 2 1" on the copyright page; the lowest number (1) present = first printing
Full Bloomsbury first-edition guide →
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Read the number line — the lowest number is the printing. A line including 1 is a first printing (Random House deliberately ends at 2). Paste it into the decoder.
- Verify this is the US true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
The US Bloomsbury edition (2011) is the true first; it won the 2011 National Book Award. As the earliest of Ward's award-winning novels with a small print run, the first printing is scarce.P-014455
Telling it from reprints & book-club editions
No book-club edition; confirm via the 'First U.S. edition 2011' statement and the number line to 1. Post-award printings drop the trailing numbers and add National Book Award winner blurbs.P-014456
Frequently asked questions
Is my copy of Salvage the Bones a first edition?
A first edition of Salvage the Bones by Jesmyn Ward (Bloomsbury) is identified by: Copyright page reads 'First U.S.
How do I tell the first printing from a later one?
Check the copyright page. A number line whose lowest number is 1 marks a first printing (Random House ends at 2). The US Bloomsbury edition (2011) is the true first; it won the 2011 National Book Award.
Is the book-club edition the same as the first?
No book-club edition; confirm via the 'First U.S. edition 2011' statement and the number line to 1. Post-award printings drop the trailing numbers and add National Book Award winner blurbs.
I have a first edition of Salvage the Bones — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
How to cite this page
New Mexico Literacy Project. “Is Salvage the Bones by Jesmyn Ward a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/salvage-the-bones. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).