Quick answer
A first edition of Running a Thousand Miles for Freedom; or, the Escape of William and Ellen Craft from Slavery by William Craft and Ellen Craft (William Tweedie, 1860) is identified by: The first edition's title page reads 'Running a Thousand Miles for Freedom; or, the Escape of William and Ellen Craft from Slavery. No American first edition of this narrative was issued in the 19th century; the 1860 London Tweedie printing is the sole and true first edition.
Checklist — a true first has these:
- The first edition's title page reads 'Running a Thousand Miles for Freedom; or, the Escape of William and Ellen Craft from SlaveryP-035941
- London: William Tweedie, 337, Strand, 1860,' and it collates iv, 111 pagesP-035942
- It carries an engraved portrait of Ellen Craft, after a daguerreotype by Hale and engraved by Joseph Andrews and S.A. Schoff, inscribed within the volume to William Lloyd Garrison and dated from Hammersmith, London, June 27, 1860P-035943
- William and Ellen Craft had fled to England after the 1850 Fugitive Slave Act made them unsafe even in the free states, so the narrative was written and first published there rather than in the United StatesP-035944
- Publisher imprint reads William Tweedie
- Not a book-club edition (see below)
| Author | William Craft and Ellen Craft |
|---|---|
| Publisher | William Tweedie |
| Year | 1860 |
| True first | American edition |
| Format | Hardcover (trade) |
| Key point | The first edition's title page reads 'Running a Thousand Miles for Freedom; or, the Escape of William and Ellen Craft from Slavery |
| Book-club edition exists? | — |
The points of issue
- The first edition's title page reads 'Running a Thousand Miles for Freedom; or, the Escape of William and Ellen Craft from Slavery
- London: William Tweedie, 337, Strand, 1860,' and it collates iv, 111 pages
- It carries an engraved portrait of Ellen Craft, after a daguerreotype by Hale and engraved by Joseph Andrews and S.A. Schoff, inscribed within the volume to William Lloyd Garrison and dated from Hammersmith, London, June 27, 1860
- William and Ellen Craft had fled to England after the 1850 Fugitive Slave Act made them unsafe even in the free states, so the narrative was written and first published there rather than in the United States
How to confirm the first-printing statement
Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Verify this is the American true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
No American first edition of this narrative was issued in the 19th century; the 1860 London Tweedie printing is the sole and true first edition.P-035945
Frequently asked questions
Is my copy of Running a Thousand Miles for Freedom; or, the Escape of William and Ellen Craft from Slavery a first edition?
A first edition of Running a Thousand Miles for Freedom; or, the Escape of William and Ellen Craft from Slavery by William Craft and Ellen Craft (William Tweedie) is identified by: The first edition's title page reads 'Running a Thousand Miles for Freedom; or, the Escape of William and Ellen Craft from Slavery.
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. No American first edition of this narrative was issued in the 19th century; the 1860 London Tweedie printing is the sole and true first edition.
Is the book-club edition the same as the first?
No. Book-club editions reprint the text but are not the true first; look for a blind-stamp on the rear board or a jacket with no printed price.
I have a first edition of Running a Thousand Miles for Freedom; or, the Escape of William and Ellen Craft from Slavery — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- Lindbergh — A. Scott Berg
- Roots: The Saga of an American Family — Alex Haley
- Battle Cry of Freedom companion — The Ants companion not needed; instead: Gulag: A History — Anne Applebaum
- A Naturalist on Lake Maracaibo — n/a; instead: The Outermost companion: Gift from the Sea — Anne Morrow Lindbergh
- The Hemingses of Monticello: An American Family — Annette Gordon-Reed
- Teaching a Stone to Talk: Expeditions and Encounters — Annie Dillard
- The Years (Les Années) — Annie Ernaux
- The Age of Jackson — Arthur M. Schlesinger Jr.
How to cite this page
New Mexico Literacy Project. “Is Running a Thousand Miles for Freedom; or, the Escape of William and Ellen Craft from Slavery by William Craft and Ellen Craft a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/running-a-thousand-miles-for-freedom-or-the-escape-of-willia. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).