Is My Copy of Reflections on the Revolution in France a First Edition?

The points of issue

• First edition, London: printed for J. Dodsley, 1790
• Octavo (approx. 210 x 128 mm), title with no edition statement — the immediate trap, since Dodsley's own rapid reprints of the same year also carry a plain 1790 title
• The primary first-impression point, given in Todd 53a and cited independently by two auction houses, is the imprint alignment: the "M" of the date stands directly beneath the "D" of "Dodsley"; in the second impression the "M" sits slightly to the right of that "D"
• Todd 53a further records the setting by press figures (10-x, 116 none, 171, 354-*) and by cancels at E2, F6 and H2-3 with cancellanda at B8 and E7-8
• References: Printing and the Mind of Man 239
• Rothschild 522

How to confirm the first-printing statement

Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
4. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
5. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

The Dodsley London edition of November 1790 is the true first in every sense — English is the original language and there is no competing prior edition. A Dublin edition of 1790 (Todd 53aa) followed and is a separate, later printing rather than a co-first. The work went through eleven editions within about a year, thirteen thousand copies selling in the first five weeks, so 1790-dated later impressions and editions are common and are the principal "first thus" trap: a plain 1790 title alone proves nothing without the imprint-alignment and press-figure checks.P-038199

Telling it from reprints & book-club editions

No book-club editions exist for an 18th-century pamphlet of this kind. The documented reprint tells are all within Dodsley's own 1790 sequence — resettings of the sheets, shifted press figures, and misprints introduced in the later impressions — plus the separate Dublin 1790 printing. Later 19th- and 20th-century collected-works and scholarly editions (and the modern paperback texts) are reprints of the text, not of the first edition sheets.P-038200

Frequently asked questions

Is my copy of Reflections on the Revolution in France a first edition?

A first edition of Reflections on the Revolution in France by Edmund Burke (J. Dodsley, London) is identified by: First edition, London: printed for J. Dodsley, 1790.

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The Dodsley London edition of November 1790 is the true first in every sense — English is the original language and there is no competing prior edition.

Is the book-club edition the same as the first?

No book-club editions exist for an 18th-century pamphlet of this kind. The documented reprint tells are all within Dodsley's own 1790 sequence — resettings of the sheets, shifted press figures, and misprints introduced in the later impressions — plus the separate Dublin 1790 printing. Later 19th- and 20th-century collected-works and scholarly editions (and the modern paperback texts) are reprints of the text, not of the first edition sheets.

I have a first edition of Reflections on the Revolution in France — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.