Is My Orlando the Marmalade Cat: A Camping Holiday a First Edition?

The points of issue

• First published by Country Life, London, 1938 — the first title in the Orlando series, accepted by Noel Carrington
• Very large folio format, approximately 14.25 x 10.5 inches, in pictorial paper boards illustrated in colour by Hale (green pictorial boards with a white spine) and patterned endpapers of a footprint design
• Contains a colour lithographed illustrated title page, frontispiece, and some 30 pages of text and brightly coloured lithographed illustrations
• No edition statement is present; the first issue carries the Country Life, London imprint alone, without the joint Transatlantic Arts / New York imprint found on later printings
• Note a common misattribution: Hale did not autolithograph this first title — she took over the colour separations and autolithography herself only from the second book onward, initially on zinc plates and post-war on Plastocowell sheets

How to confirm the first-printing statement

Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
3. Verify this is the UK true first — not a later-market or reprint edition.
4. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
5. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

UK-only true first: Country Life, London, 1938. No simultaneous American edition was published, so there is no UK-vs-US precedence question here; the book reached New York only through later Country Life & Transatlantic Arts joint issues. Later Puffin and Frederick Warne reissues are "first thus" and carry no precedence.

Telling it from reprints & book-club editions

Printings from the 1940s onward bear the joint Country Life & Transatlantic Arts imprint with London & New York on the title page — a reliable reprint tell; a documented 1948 third printing of the 1938 first is so imprinted and is found in a pictorial dust jacket. The 1938 first is routinely found without a wrapper. Later Warne facsimile and Puffin picture-book reissues are reprints.

Frequently asked questions

Is my copy of Orlando the Marmalade Cat: A Camping Holiday a first edition?

A first edition of Orlando the Marmalade Cat: A Camping Holiday by Kathleen Hale (Country Life) is identified by: First published by Country Life, London, 1938 — the first title in the Orlando series, accepted by Noel Carrington.

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. UK-only true first: Country Life, London, 1938.

Is the book-club edition the same as the first?

Printings from the 1940s onward bear the joint Country Life & Transatlantic Arts imprint with London & New York on the title page — a reliable reprint tell; a documented 1948 third printing of the 1938 first is so imprinted and is found in a pictorial dust jacket. The 1938 first is routinely found without a wrapper. Later Warne facsimile and Puffin picture-book reissues are reprints.

I have a first edition of Orlando the Marmalade Cat: A Camping Holiday — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.