Is My Copy of One for the Money a First Edition?

The points of issue

• The first printing carries a complete number line on the copyright page in which the "1" is present; dealers record the Scribner-era line for this title as "1 3 5 7 9 10 8 6 4 2", the outward-running pattern then in house use, so "full line including the 1" is the test rather than a line reading 10-to-1
• Do not look for the old Scribner "A" point: Quill & Brush records the "A" as the house first-edition marker from 1930, but by 1994 Scribner's had moved to the number line, and an "A" is not expected on this book
• Binding is quarter white cloth over blue paper boards, lettered in blue on the spine, with blue endpapers and pastedowns; octavo, collating [10], 3-290, [4] pp. The jacket should be priced, with the price present at the front flap
• First appearance of Stephanie Plum

How Charles Scribner's Sons marked a first edition

• After 1973 the letter code was abandoned in favor of a descending number line ending in 1.

Full Charles Scribner's Sons first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Read the number line — the lowest number is the printing. A line including 1 is a first printing (Random House deliberately ends at 2). Paste it into the decoder.
4. Verify this is the US true first — not a later-market or reprint edition.
5. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
6. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

Charles Scribner's Sons, New York, 1994 — the US hardcover — is the true first. The UK first edition (Hamish Hamilton, London) followed in 1995 and was issued in wraps only, a paperback original in Britain, so no contemporaneous UK hardcover first exists; it is collected as the first British edition but is clearly subsequent to the US issue. Reported claims of a 1994 UK issue are not supported by the dealer records consulted, which date the Hamish Hamilton wraps to 1995.

Telling it from reprints & book-club editions

No distinct book-club issue of the Scribner first is documented in the sources consulted. The trap on this title is a different one: a Scribner's advance reading copy / uncorrected proof in pictorial stiff wrappers (sometimes accompanied by a publisher's press release) precedes the trade issue and is separately collected, but it is a proof, not the first edition, and should never be catalogued as one.P-040817

Frequently asked questions

Is my copy of One for the Money a first edition?

A first edition of One for the Money by Janet Evanovich (Charles Scribner's Sons) is identified by: The first printing carries a complete number line on the copyright page in which the "1" is present; dealers record the Scribner-era line for this title as "1 3 5 7 9 10 8 6 4 2", the outward-running pattern then in house use, so "full line including the 1" is the test rather than a line reading 10-to-1.

How do I tell the first printing from a later one?

Check the copyright page. A number line whose lowest number is 1 marks a first printing (Random House ends at 2). Charles Scribner's Sons, New York, 1994 — the US hardcover — is the true first.

Is the book-club edition the same as the first?

No distinct book-club issue of the Scribner first is documented in the sources consulted. The trap on this title is a different one: a Scribner's advance reading copy / uncorrected proof in pictorial stiff wrappers (sometimes accompanied by a publisher's press release) precedes the trade issue and is separately collected, but it is a proof, not the first edition, and should never be catalogued as one.

I have a first edition of One for the Money — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.