Quick answer
A first edition of Never Let Me Go by Kazuo Ishiguro (Faber and Faber, 2005) is identified by: Faber & Faber London 2005. Faber London 2005 is the true first; Alfred A.
Checklist — a true first has these:
- Faber & Faber London 2005P-017821
- First printing with the full number line '10 9 8 7 6 5 4 3 2 1' on the copyright page (ending in '1')P-017822
- Bound in publisher's dark green paper-covered boards, stamped in ecru to the spine, with mustard endpapers; dust jacket carries its printed priceP-017823
- UK first precedes the US Knopf 2005 editionP-017824
- Publisher imprint reads Faber and Faber
- Not a book-club edition (see below)
| Author | Kazuo Ishiguro |
|---|---|
| Publisher | Faber and Faber |
| Year | 2005 |
| True first | US edition |
| Format | Hardcover (trade) |
| Key point | Faber & Faber London 2005 |
| Book-club edition exists? | — |
The points of issue
- Faber & Faber London 2005
- First printing with the full number line '10 9 8 7 6 5 4 3 2 1' on the copyright page (ending in '1')
- Bound in publisher's dark green paper-covered boards, stamped in ecru to the spine, with mustard endpapers; dust jacket carries its printed price
- UK first precedes the US Knopf 2005 edition
How Faber and Faber marked a first edition
- Prior to 1968 the year was set in ROMAN NUMERALS (e.g. 'First published in mcmliv'); from 1968 onward Arabic numerals were used — a key dating tell
Full Faber and Faber first-edition guide →
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Read the number line — the lowest number is the printing. A line including 1 is a first printing (Random House deliberately ends at 2). Paste it into the decoder.
- Verify this is the US true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
Faber London 2005 is the true first; Alfred A. Knopf New York 2005 is the first US.P-017825
Telling it from reprints & book-club editions
A number line not ending in '1' indicates a later printing; the US edition carries the Knopf imprint. A signed limited Faber issue, the members' green paper-covered edition (issued without a jacket), and film-tie-in printings are all distinct from the trade first.P-017826
Frequently asked questions
Is my copy of Never Let Me Go a first edition?
A first edition of Never Let Me Go by Kazuo Ishiguro (Faber and Faber) is identified by: Faber & Faber London 2005.
How do I tell the first printing from a later one?
Check the copyright page. A number line whose lowest number is 1 marks a first printing (Random House ends at 2). Faber London 2005 is the true first; Alfred A.
Is the book-club edition the same as the first?
A number line not ending in '1' indicates a later printing; the US edition carries the Knopf imprint. A signed limited Faber issue, the members' green paper-covered edition (issued without a jacket), and film-tie-in printings are all distinct from the trade first.
I have a first edition of Never Let Me Go — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
How to cite this page
New Mexico Literacy Project. “Is Never Let Me Go by Kazuo Ishiguro a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/never-let-me-go. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).