Quick answer
A first edition of McTeague: A Story of San Francisco by Frank Norris (Doubleday & McClure Co., 1899) is identified by: First issue is identified by the word 'moment' as the final word on page 106; the second issue instead ends that page with 'him.' The first issue is bound in red cloth decorated and lettered in white on the upper cover and spine; octavo, 442 pages plus advertisements. The true first edition is the 1899 Doubleday & McClure Co. (New York) printing, first issue (page 106 ending in 'moment').
Checklist — a true first has these:
- First issue is identified by the word 'moment' as the final word on page 106; the second issue instead ends that page with 'him.' The first issue is bound in red cloth decorated and lettered in white on the upper cover and spine; octavo, 442 pages plus advertisementsP-034678
- The novel is considered a landmark of American literary naturalism and was adapted into Erich von Stroheim's celebrated 1924 silent film GreedP-034679
- Publisher imprint reads Doubleday & McClure Co.
- Not a book-club edition (see below)
| Author | Frank Norris |
|---|---|
| Publisher | Doubleday & McClure Co. |
| Year | 1899 |
| True first | British edition |
| Format | Hardcover (trade) |
| Key point | First issue is identified by the word 'moment' as the final word on page 106; the second issue instead ends that page with 'him.' The first… |
| Book-club edition exists? | — |
The points of issue
- First issue is identified by the word 'moment' as the final word on page 106; the second issue instead ends that page with 'him.' The first issue is bound in red cloth decorated and lettered in white on the upper cover and spine; octavo, 442 pages plus advertisements
- The novel is considered a landmark of American literary naturalism and was adapted into Erich von Stroheim's celebrated 1924 silent film Greed
How to confirm the first-printing statement
Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Verify this is the British true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
The true first edition is the 1899 Doubleday & McClure Co. (New York) printing, first issue (page 106 ending in 'moment'). English publisher Grant Richards required Norris to rewrite a chapter 6 passage concerning the heroine's young brother before issuing the British edition, so the unrevised chapter 6 wording is unique to the American printing.P-034680
Telling it from reprints & book-club editions
The Grant Richards-mandated revision to the chapter 6 passage became the standard printed text; Norris's original wording was not restored in newly printed editions until 1941.P-034681
Frequently asked questions
Is my copy of McTeague: A Story of San Francisco a first edition?
A first edition of McTeague: A Story of San Francisco by Frank Norris (Doubleday & McClure Co.) is identified by: First issue is identified by the word 'moment' as the final word on page 106; the second issue instead ends that page with 'him.' The first issue is bound in red cloth decorated and lettered in white on the upper cover and spine; octavo, 442 pages plus advertisements.
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The true first edition is the 1899 Doubleday & McClure Co. (New York) printing, first issue (page 106 ending in 'moment').
Is the book-club edition the same as the first?
The Grant Richards-mandated revision to the chapter 6 passage became the standard printed text; Norris's original wording was not restored in newly printed editions until 1941.
I have a first edition of McTeague: A Story of San Francisco — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- Moran of the Lady Letty: A Story of Adventure off the California Coast
- The Octopus: A Story of California
- The Luck of Roaring Camp and Other Sketches — Bret Harte
- Tales of the Argonauts, and Other Sketches — Bret Harte
- The Grandissimes: A Story of Creole Life — George Washington Cable
- Dr. Sevier — George Washington Cable
- The Damnation of Theron Ware — Harold Frederic
- The Conjure Woman — Charles W. Chesnutt
How to cite this page
New Mexico Literacy Project. “Is McTeague: A Story of San Francisco by Frank Norris a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/mcteague-a-story-of-san-francisco. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).