Is My Maurice a First Edition?

The points of issue

• First edition, Edward Arnold, London, 1971 (posthumous
• Forster died 1970); xi, [1], 240 pp
• Bound in black cloth with the spine lettered in gilt and a red top-edge stain, and issued in a black dust jacket with the priced jacket present at the flap (unclipped)
• Cited as Kirkpatrick A39; the red top-stain distinguishes the English issue from the first American, which has a yellow top-edge stain

How to confirm the first-printing statement

Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
4. Verify this is the American true first — not a later-market or reprint edition.
5. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
6. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

Posthumous first. The English edition, Edward Arnold (London), 1971, is conventionally taken as the true first; the first American edition, W.W. Norton (New York), 1971, followed and is near-simultaneous. Both are collected, and cataloguers differ on the Kirkpatrick sub-letter (A39a vs A39b), but the London Arnold issue holds precedence by convention.

Telling it from reprints & book-club editions

The first American (W.W. Norton, New York, 1971) is distinguished by a yellow top-edge stain and full black cloth, and its jacket flap corner was clipped by the publisher as issued; later Norton printings and paperback issues postdate the 1971 firsts. No priority book-club edition is documented.

Frequently asked questions

Is my copy of Maurice a first edition?

A first edition of Maurice by E.M. Forster (Edward Arnold) is identified by: First edition, Edward Arnold, London, 1971 (posthumous; Forster died 1970); xi, [1], 240 pp.

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. Posthumous first.

Is the book-club edition the same as the first?

The first American (W.W. Norton, New York, 1971) is distinguished by a yellow top-edge stain and full black cloth, and its jacket flap corner was clipped by the publisher as issued; later Norton printings and paperback issues postdate the 1971 firsts. No priority book-club edition is documented.

I have a first edition of Maurice — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.