Quick answer
A first edition of Little Tim and the Brave Sea Captain by Edward Ardizzone (Oxford University Press, 1936) is identified by: No edition statement — Oxford University Press stated nothing on first editions until the late 1980s but did note subsequent printings, so absence of any later-impression statement is the governing point. This is not separate UK and US editions but a single Oxford University Press edition of 1936 issued under one imprint reading London, New York, Toronto, with the sheets printed in the United States.
Checklist — a true first has these:
- No edition statement — Oxford University Press stated nothing on first editions until the late 1980s but did note subsequent printings, so absence of any later-impression statement is the governing pointP-042785
- The title page must carry the imprint sequence "London, New York, Toronto"; this is the accepted first-printing pointP-042786
- Large format quarto/folio, [66] pp., printed on one side of the leaf only; original pictorial boards with titles to the front cover in redP-042787
- Colour offset lithography throughout — an early and important example of the process; the sheets were printed in the United States and the text was hand-lettered by Grace Allen Hogarth, an editor in the OUP New York officeP-042788
- The first-issue dust wrapper has blank flaps with no reviews printed on them; wrappers are fragile and frequently chipped or absentP-042789
- This was Ardizzone's first book as both author and illustrator; the complete colour draft is held by the Victoria and Albert MuseumP-042790
- Publisher imprint reads Oxford University Press
| Author | Edward Ardizzone |
|---|---|
| Publisher | Oxford University Press |
| Year | 1936 |
| True first | UK edition |
| Format | Children's / illustrated |
| Key point | No edition statement — Oxford University Press stated nothing on first editions until the late 1980s but did note subsequent printings, so… |
| Book-club edition exists? | — |
The points of issue
- No edition statement — Oxford University Press stated nothing on first editions until the late 1980s but did note subsequent printings, so absence of any later-impression statement is the governing point
- The title page must carry the imprint sequence "London, New York, Toronto"; this is the accepted first-printing point
- Large format quarto/folio, [66] pp., printed on one side of the leaf only; original pictorial boards with titles to the front cover in red
- Colour offset lithography throughout — an early and important example of the process; the sheets were printed in the United States and the text was hand-lettered by Grace Allen Hogarth, an editor in the OUP New York office
- The first-issue dust wrapper has blank flaps with no reviews printed on them; wrappers are fragile and frequently chipped or absent
- This was Ardizzone's first book as both author and illustrator; the complete colour draft is held by the Victoria and Albert Museum
How Oxford University Press marked a first edition
- Until the late 1980s OUP made NO affirmative first-edition statement; first printings carried only the copyright/publication line, while LATER printings were noted ('Reprinted 19xx,' 'Second impression') on the…
Full Oxford University Press first-edition guide →
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Verify this is the UK true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
This is not separate UK and US editions but a single Oxford University Press edition of 1936 issued under one imprint reading London, New York, Toronto, with the sheets printed in the United States. There is therefore no UK-vs-US precedence contest — the 1936 OUP issue is the true first. The major trap is the 1955 edition (Oxford University Press in the UK; Henry Z. Walck, Inc., New York in the US), which was completely redesigned and redrawn with additional text: a "first thus" of a different work, not a reprint of the 1936 text.
Telling it from reprints & book-club editions
A 1944 wrappered issue exists and is not the first. The 1955 Walck / OUP redrawn second edition — quarto, 26 cm, 48 pp., light red publisher's cloth in a colour pictorial dust wrapper — is the commonest misidentification and is frequently offered as a first. Puffin and later paperback issues are reprints.P-042792
Frequently asked questions
Is my copy of Little Tim and the Brave Sea Captain a first edition?
A first edition of Little Tim and the Brave Sea Captain by Edward Ardizzone (Oxford University Press) is identified by: No edition statement — Oxford University Press stated nothing on first editions until the late 1980s but did note subsequent printings, so absence of any later-impression statement is the governing point.
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. This is not separate UK and US editions but a single Oxford University Press edition of 1936 issued under one imprint reading London, New York, Toronto, with the sheets printed in the United States.
Is the book-club edition the same as the first?
A 1944 wrappered issue exists and is not the first. The 1955 Walck / OUP redrawn second edition — quarto, 26 cm, 48 pp., light red publisher's cloth in a colour pictorial dust wrapper — is the commonest misidentification and is frequently offered as a first. Puffin and later paperback issues are reprints.
I have a first edition of Little Tim and the Brave Sea Captain — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- A Sand County Almanac — Aldo Leopold
- The Strange Career of Jim Crow — C. Vann Woodward
- A Preface to Paradise Lost — C.S. Lewis
- Rehabilitations and Other Essays — C.S. Lewis
- The Abolition of Man — C.S. Lewis
- The Personal Heresy: A Controversy (with E.M.W. Tillyard) — C.S. Lewis
- What Hath God Wrought: The Transformation of America, 1815-1848 — Daniel Walker Howe
- Patriotic Gore: Studies in the Literature of the American Civil War — Edmund Wilson
How to cite this page
New Mexico Literacy Project. “Is Little Tim and the Brave Sea Captain by Edward Ardizzone a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/little-tim-and-the-brave-sea-captain. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).