Is My Copy of Learning from Las Vegas a First Edition?

The points of issue

• The true first is The MIT Press, Cambridge, MA, 1972, a large-format book (folio, roughly 10.5 x 14 in / 354 x 269 mm) elaborately designed by Muriel Cooper, bound in dark charcoal/grey cloth stamped in gold on the boards and spine and issued in a publisher's printed glassine dust jacket (printed in black and red, and very often chipped, browned, or lacking owing to its fragility)
• Textual points: it opens with 'A Significance for A&P Parking Lots' and contains 'Essays in the Ugly and Ordinary: Some Decorated Sheds' with Venturi & Rauch's own work — material dropped from all later editions
• The large-format Cooper design is the point that separates the 1972 first from the smaller 1977 revised paperback

How The MIT Press marked a first edition

• Copyright page carries a descending number line ('10 9 8 7 6 5 4 3 2 1'); the lowest number present indicates the printing — a '1' = first printing. This is MIT Press's standard modern convention.
• Older/first printings may state 'First MIT Press edition' or 'First printing, 19xx'; later printings are noted on the copyright page.

Full The MIT Press first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
3. Verify this is the US true first — not a later-market or reprint edition.
4. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
5. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

US only: MIT Press, 1972 large-format first edition is the high spot. The 1977 'revised edition' is a smaller paperback redesigned by Denise Scott Brown with a deliberately deadpan layout — a different, later edition, not the true first.P-045896

Telling it from reprints & book-club editions

MIT Press issued a facsimile of the 1972 original in 2017 (ISBN 978-0-262-03696-2) that reproduces the large-format design but adds a new Denise Scott Brown preface and a modern ISBN/printing history — identify it as the facsimile reprint, not the 1972 first. No traditional book-club edition is documented.P-045897

Frequently asked questions

Is my copy of Learning from Las Vegas a first edition?

A first edition of Learning from Las Vegas by Robert Venturi, Denise Scott Brown, Steven Izenour (The MIT Press) is identified by: The true first is The MIT Press, Cambridge, MA, 1972, a large-format book (folio, roughly 10.5 x 14 in / 354 x 269 mm) elaborately designed by Muriel Cooper, bound in dark charcoal/grey cloth stamped in gold on the boards and spine and issued in a publisher's printed glassine dust jacket (printed in black and red, and very often chipped, browned, or lacking owing to its fragility).

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. US only: MIT Press, 1972 large-format first edition is the high spot.

Is the book-club edition the same as the first?

MIT Press issued a facsimile of the 1972 original in 2017 (ISBN 978-0-262-03696-2) that reproduces the large-format design but adds a new Denise Scott Brown preface and a modern ISBN/printing history — identify it as the facsimile reprint, not the 1972 first. No traditional book-club edition is documented.

I have a first edition of Learning from Las Vegas — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.