Is My Copy of Funeral in Berlin a First Edition?

The points of issue

• Cape firsts state "First published 1964" on the copyright page with no later impression line
• Cape noted subsequent printings there, so any added impression statement rules out a first
• Bound in publisher's black cloth, gilt titling to the spine, with a blue/grey rubber-stamp "office" motif and a blind-blocked "downgraded to unclassified" box to the upper board
• The endpapers are the decisive point: black-and-white reproductions of official SS membership lists set in German blackletter, the first name on the list being Heinrich Himmler; later editions do not reproduce these endpapers
• Photographic dust jacket designed by Raymond Hawkey — monochrome, discreet typography, a photographic rather than drawn illustration, which broke with book-trade convention of the period
• Priced jacket, with the price present at the front flap on the trade issue; surviving jackets are frequently price-clipped

How Jonathan Cape marked a first edition

• First printings state "First published [Year]" or "First published in Great Britain [Year]" on the copyright page with NO additional impression lines and traditionally NO number line
• Later printings noted by added lines (e.g. 'Second impression [year]', 'Reprinted...') — their presence disqualifies a first

Full Jonathan Cape first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
3. Verify this is the UK true first — not a later-market or reprint edition.
4. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
5. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

The UK edition is the true first: Jonathan Cape, London, 17 September 1964. The first American edition followed from G.P. Putnam's Sons, New York, 1965, and is collected in its own right, but it is a first American edition only — the Cape printing precedes it by roughly a year. The two are physically unmistakable: the Putnam book has white boards with a black spine and silver lettering, red endpapers, and a grey reproduction of the Quadriga on the Brandenburg Gate to the front board echoing its jacket. Note one source defect: the Deighton Dossier dates the Putnam edition to 11 January 1966, but that is the date it also gives for the Putnam Billion-Dollar Brain and appears to be a transcription error; L.W. Currey and multiple independent dealer catalogues date the first US edition to 1965, which is followed here.P-040659

Telling it from reprints & book-club editions

Documented reprint tell: the SS-membership-list endpapers were not reproduced after the Cape first, so plain or substituted endpapers indicate a later edition. Because Cape noted subsequent impressions on the copyright page, a stated later impression is decisive on its own. UK book-club reprints (Book Club Associates and similar) are the usual trap and run to the standard signals — lighter boards and bulkier, cheaper paper, no price printed at the jacket flap, and often a small blind-stamp to the rear board.P-040660

Frequently asked questions

Is my copy of Funeral in Berlin a first edition?

A first edition of Funeral in Berlin by Len Deighton (Jonathan Cape) is identified by: Cape firsts state "First published 1964" on the copyright page with no later impression line; Cape noted subsequent printings there, so any added impression statement rules out a first.

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The UK edition is the true first: Jonathan Cape, London, 17 September 1964.

Is the book-club edition the same as the first?

Documented reprint tell: the SS-membership-list endpapers were not reproduced after the Cape first, so plain or substituted endpapers indicate a later edition. Because Cape noted subsequent impressions on the copyright page, a stated later impression is decisive on its own.

I have a first edition of Funeral in Berlin — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.