Is My Death Comes for the Archbishop a First Edition?

The points of issue

• Alfred A. Knopf (Borzoi), New York, 1927
• The trade first is bound in green boards with printed paper labels on the front panel and spine
• The key first-issue points are two uncorrected typographical errors present in the earliest printing: 'happned' for 'happened' on page 20 and 'suppper' for 'supper' on page 57; both were corrected in later printings
• First-issue copies have no top-edge stain
• Alongside the 20,000-copy trade printing, Knopf also issued a small signed limited edition (on Japan vellum and on rag paper), which is a separate, earlier issue

How Alfred A. Knopf marked a first edition

• 1915–c.1933 (no stated-edition era): first printings carry NO first-edition notation at all. Identify by EXCLUSION — a genuine first has none of the later-printing legends ('Second Printing,' 'Third Printing,' etc.) that…
• c.1933/1934 onward (stated 'First Edition' era — the core rule): Knopf began consistently printing 'FIRST EDITION' on the copyright page of first printings, or 'FIRST AMERICAN EDITION' when the book had already appeared…

Full Alfred A. Knopf first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
3. Verify this is the UK true first — not a later-market or reprint edition.
4. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
5. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

The Knopf 1927 signed limited edition is the prized first state, the 50 Japan-vellum copies being the most desirable, followed by the 175 rag-paper copies; the trade first follows the same year. The UK (Heinemann) edition is a separate first. A separate 'Death Comes for the Archbishop' entry already exists in the dataset; this entry adds the signed-limited states for deeper collectors.P-037461

Telling it from reprints & book-club editions

Book-club editions and later printings reprint the text but are not the first edition and are far less collectible. Borzoi colophon and “A Note on the Type” page authenticate genuine Knopf production rather than a book club reprint. Use the points above to be certain — see book-club edition vs. first edition.P-037462

Frequently asked questions

Is my copy of Death Comes for the Archbishop a first edition?

A first edition of Death Comes for the Archbishop by Willa Cather (Alfred A. Knopf) is identified by: Knopf (Borzoi), New York, 1927.

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The Knopf 1927 signed limited edition is the prized first state, the 50 Japan-vellum copies being the most desirable, followed by the 175 rag-paper copies; the trade first follows the same year.

Is the book-club edition the same as the first?

Book-club editions and later printings reprint the text but are not the first edition and are far less collectible. Borzoi colophon and “A Note on the Type” page authenticate genuine Knopf production rather than a book club reprint. Use the points above to be certain — see book-club edition vs. first edition.

I have a first edition of Death Comes for the Archbishop — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.