Is My Copy of Catherine Carmier a First Edition?

The points of issue

• The first printing states 'First Edition' on the copyright page — this is the primary and decisive point, and it accords with documented Atheneum practice for the period: Atheneum stated first edition on the copyright page and did not adopt a number row until the mid-1980s, so no number line should be present on a 1964 first
• The book is an octavo, [vi], 248 pp., quarter-bound in cloth over green paper-covered boards, the spine lettered in gilt, the front cover stamped in blind, with the top edge stained red; the jacket was designed by H. Lawrence Hoffman, with the title set in Craw Clarendon and the author's name in Century Expanded italic, and should be a priced jacket with the price present at the flap
• Caution on one commonly cited point: dealers describe the spine cloth variously as blue, grey, and brown, so spine-cloth colour is not a reliable diagnostic and should not be used to reject a copy that is otherwise correct — the copyright-page statement governs

How Atheneum marked a first edition

• Copyright page 'First Edition' statement: for the independent era and into the mid-1980s, Atheneum first printings state 'First Edition' (sometimes styled 'first edition') on the copyright page. The presence of that…
• Rule for the number-line era: the lowest number present indicates the printing, so a first printing must still show a 1 in the row. If the 1 (and any lower digits) have dropped off and the line begins at 2 or higher, it…

Full Atheneum first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Read the number line — the lowest number is the printing. A line including 1 is a first printing (Random House deliberately ends at 2). Paste it into the decoder.
4. Verify this is the US true first — not a later-market or reprint edition.
5. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
6. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

US Atheneum (New York), 1964, is the true first and the only contemporaneous edition; no British edition of Gaines's first book was traced in the sources consulted. This is Gaines's first book — the first Gaines 'A' item — and a rewrite of the manuscript he wrote at seventeen and destroyed after rejection. Later Vintage/North Point paperback issues are 'first thus' reprints, not firsts.P-042854

Telling it from reprints & book-club editions

No book-club issue of Catherine Carmier is documented in the sources consulted. Because the first printing is identified by an explicit copyright-page statement rather than a number line, any copy lacking the 'First Edition' statement is a later printing or a reprint regardless of the date on the title page.P-042855

Frequently asked questions

Is my copy of Catherine Carmier a first edition?

A first edition of Catherine Carmier by Ernest J. Gaines (Atheneum) is identified by: The first printing states 'First Edition' on the copyright page — this is the primary and decisive point, and it accords with documented Atheneum practice for the period: Atheneum stated first edition on the copyright page and did not adopt a number row until the mid-1980s, so no number line should be present on a 1964 first.

How do I tell the first printing from a later one?

Check the copyright page. A number line whose lowest number is 1 marks a first printing (Random House ends at 2). US Atheneum (New York), 1964, is the true first and the only contemporaneous edition; no British edition of Gaines's first book was traced in the sources consulted.

Is the book-club edition the same as the first?

No book-club issue of Catherine Carmier is documented in the sources consulted. Because the first printing is identified by an explicit copyright-page statement rather than a number line, any copy lacking the 'First Edition' statement is a later printing or a reprint regardless of the date on the title page.

I have a first edition of Catherine Carmier — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.