13 Virginia Woolf first editions are documented on this shelf, from The Voyage Out (1915) to Between the Acts (1941) across 5 different publishers. Each linked guide gives the points of issue that separate a true first printing of that Virginia Woolf title from later printings and book-club copies — the publisher and year to expect, the number-line or edition-statement conventions, and the tells that show up in online listings.
Identification only, per the house rule: no prices and no appraisals here. Checking a Virginia Woolf copy in hand? Type the title into the First-Edition Checker or photograph the copyright page with Snap & Sort.
- The Voyage Out — 1915 · Duckworth & Co.Kirkpatrick & Clarke A1a. Published 26 March 1915 in an edition of 2,000 copies — the small print run, not a printing statement, is what makes the book scarce. Bound in original green cloth with the spine lettered in gilt and the upper board lettered in black within a paneled title block; 458 pp. with the publisher's advertisements and catalogue bound in at the rear. Reported advertisement counts differ between…. The UK Duckworth 1915 is the true first and the census claim is confirmed, including the textual point. The first American edition — George H. Doran Company, New York, 1920 — is textually distinct because Woolf revised the novel for it, and both editions are collected. The revision is well evidenced: two copies of the 1915 first survive carrying Woolf's own manuscript alterations made ahead of the American issue,…. No book-club issue exists; the title predates the book clubs. The two live traps are precedence and "first thus": the Doran 1920 is regularly offered simply as a "first edition" of The Voyage Out when it is the first AMERICAN edition of a revised text, and later reissues retaining the original setting are catalogued as firsts. Any copy not bearing the Duckworth & Co., London, 1915 imprint is not the first edition.
- Monday or Tuesday — 1921 · The Hogarth PressTrue first is the Hogarth Press, London, 1921 (Kirkpatrick A5a), one of 1,000 copies, in brown quarter cloth over paper-covered boards with a front-cover design and four full-page woodcuts by Vanessa Bell, with publisher's advertisements at the rear. CORRECTION to the census note: it was NOT hand-printed by the Woolfs at Hogarth — Kirkpatrick records it was printed commercially by F. T. McDermott of the Prompt…. The Hogarth (London) 1921 edition precedes the first American edition (Harcourt, Brace, New York, 1921; Kirkpatrick A5b), which is one of 1,500 copies from a wholly reset typesetting with the Hogarth misprints corrected. This is Woolf's only story collection published in her lifetime; both editions are collected, with the Hogarth the priority true first.
- Jacob's Room — 1922 · The Hogarth PressPublished by Leonard and Virginia Woolf at the Hogarth Press, Richmond, October 1922, in a first impression of 1,200 copies printed by R. & R. Clark, Edinburgh (Kirkpatrick A6a; Woolmer 26). Bound in crocus-yellow cloth boards with a printed paper label on the spine lettered in black; leaves untrimmed. Issued in the pictorial dust jacket designed by Vanessa Bell — the first Hogarth Press book to carry a…. The Hogarth Press edition (Richmond/London, October 1922) is the true first, and the census claim is confirmed on that point. The first American edition followed from Harcourt, Brace, New York, 1923 (Kirkpatrick A6b, about 1,500 copies); it is a later separate edition, not a co-first, and carries 'Copyright, 1923' on the copyright page. The census description of 'a 40-copy signed issue' is corrected: the…. No book-club issue is documented for the 1922 first. The usual confusions are the Hogarth second impression of 1,000 copies, printed shortly after the first began selling briskly; the later Hogarth Uniform Edition (from 1929); and the 1923 Harcourt, Brace American edition, which is frequently offered as 'the first edition' when it is the first American. Check against the A6a points: 1,200-copy impression,….
- Mrs Dalloway — 1925 · Hogarth PressHogarth Press 1925 (Kirkpatrick A9a), printed by R. & R. Clark of Edinburgh in an impression of 2,000 copies. Bound in the publisher's dark red (maroon) cloth with the title gilt-lettered on the spine. The scarce first-issue dust jacket carries Vanessa Bell's floral-bouquet design and is integral to the first impression. A second impression of 1,000 copies followed in November 1925. The UK first precedes the US…. Hogarth London 1925 (Kirkpatrick A9a) is the true first; Harcourt, Brace New York 1925 (Kirkpatrick A9b) is the first US. The original Vanessa Bell jacket is integral to a complete Hogarth first. Later Hogarth impressions (the November 1925 second impression onward) and US reprints lack the first-impression standing and, in the case of reprints, the original Bell jacket; any number line or post-1925 date rules out the first.
- The Common Reader — 1925 · The Hogarth PressTrue first is the Hogarth Press, London, 1925 (Kirkpatrick A8a; Woolmer 81 — the census note's implied number is corrected here to A8a, confirmed by Christie's), one of 1,250 copies. Bound in original paper-covered boards with a green-and-brown design by Vanessa Bell on the upper board and a grey cloth spine lettered in black, in a matching Vanessa Bell dust jacket. This is the First Series; the identically…. The Hogarth (London) edition, published April 1925, precedes the first American edition (Harcourt, Brace, New York), published 14 May 1925 in 2,000 copies. Both bear 1925, but the London Hogarth is the priority true first. "First thus" trap: The Common Reader: Second Series (1932) is a distinct title, not a reprint of this book. Later Hogarth reprints and the Uniform Edition are resettings, not the 1925 first.
- To the Lighthouse — 1927 · Hogarth PressHogarth Press, London, May 1927, in a first impression of 3,000 copies (Kirkpatrick A10). Bound in blue cloth lettered in gilt on the spine, with the top edge stained yellow and a paper spine label. The true first is identified by a blank copyright page with no later impression noted on the verso, and by the presence of the cream dust jacket designed by Woolf's sister Vanessa Bell, showing a lighthouse amid waves…. Hogarth Press, London, 1927, first impression of 3,000 copies, is the true first edition. The American Harcourt, Brace 1927 issue is the first US edition and is a resetting; it does not carry the Vanessa Bell Hogarth jacket. The original cream Bell-designed dust jacket is integral to a collectible first. Later Hogarth impressions are distinguished by an impression statement on the copyright verso; the US edition is told apart by its Harcourt, Brace imprint, its reset text, and the absence of the Bell jacket. No true book-club precedes the 1927 firsts.
- Orlando — 1928 · Hogarth PressTwo near-simultaneous 1928 issues: the ordinary Hogarth trade edition and a signed limited edition of 861 copies (Crosby Gaige, New York, actually precedes by a few days). The trade first has the photographic plates of 'Orlando.' UK Hogarth trade edition in publisher's cloth with jacket. The Crosby Gaige signed limited edition (New York, 1928, 861 copies signed by Woolf) technically precedes the Hogarth London trade edition by a few days, making it the true first issue; the Hogarth edition is the first trade/UK edition. Trade reprints lack the limitation page; any unsigned copy without the Hogarth first-issue points and original jacket is a later printing.
- A Room of One's Own — 1929 · Fountain PressTwo issues, three days apart. Signed limited issue (Kirkpatrick A12a; Woolmer 215A): printed in the United States by Robert S. Josephy and published 21 October 1929; 492 numbered copies, 450 of them for sale, each signed by Woolf in purple ink on the half-title; bound in red cloth, uncut. The colophon names the Fountain Press, with distribution in America by Random House and in Great Britain by Leonard and…. The census note that the Hogarth trade is 'the reference first' is wrong on precedence and is corrected here. Per Kirkpatrick A12, the Fountain Press/Hogarth signed limited was published in New York on 21 October 1929 and preceded the English edition by three days; the Hogarth trade followed on 24 October 1929, the limited reaching the UK the same day. Harcourt, Brace issued the American trade edition in New York…. The Hogarth first impression is told from its reprints by the title verso: the first carries only the R. & R. Clark printer's imprint and no impression statement, whereas later Hogarth impressions add a printed list ('Second impression October 1929', 'Third impression November 1929', 'Fourth impression December 1929', 'Fifth impression March 1930'). One caution: that printed list on the later impressions gives….
- The Waves — 1931 · The Hogarth PressFirst edition, first issue: The Hogarth Press, London, 1931 (Kirkpatrick A16a; Woolmer 279). Octavo, in publisher's purple cloth with the spine lettered in gilt, issued in the pictorial dust jacket designed by the author's sister Vanessa Bell. The copyright page carries the statement First published in 1931 without any later impression note; the first impression was followed within the same month by a second…. The UK Hogarth Press printing of 1931 is the true first; the US Harcourt, Brace edition of 1931 is the first American edition and follows it. The first-issue Hogarth binding is purple cloth gilt-lettered on the spine, and the first-issue jacket is Vanessa Bell's design. No book-club issue is a first. The US Harcourt Brace printing is a separate, later issue; and later Hogarth impressions (a second impression appeared the same month) state their impression on the copyright page, unlike the unmarked first.
- Flush: A Biography — 1933 · The Hogarth PressTrue first is the Hogarth Press, London, 1933 (Kirkpatrick A19a), in light brown/buff cloth lettered in gilt on the spine, illustrated with six photographic plates and four line drawings by Vanessa Bell (the frontispiece spaniel modelled on Woolf's own dog Pinka). Key identifying jacket point: the first-edition dust jacket (Vanessa Bell pictorial) is printed "Large Paper Edition," and the text block is amply…. The Hogarth (London), October 1933 edition is the accepted true first and priority, preceding the first American edition (Harcourt, Brace, New York, 1933), which followed the same season. Both bear 1933 and both are collected; the Hogarth is the true first. Later Hogarth Uniform Edition copies are smaller-margined and lack the "Large Paper Edition" jacket wording — do not mistake the Uniform reissue for the 1933 first.
- The Years — 1937 · The Hogarth PressTrue first is the Hogarth Press, London, published 15 March 1937 (Kirkpatrick & Clarke A22a; Woolmer 423), 18,142 copies, in pale jade-green cloth lettered in gilt on the spine, in a cream Vanessa Bell dust jacket printed in black and brown. There is no number line and no additional printing statement (Hogarth trade firsts of this period carry none). Jacket caution is a condition matter, not an issue point: the…. The Hogarth (London), 15 March 1937 edition precedes the first American edition (Harcourt, Brace, New York, 1937, 10,000 copies, issued the following month); the London Hogarth is the priority true first. This is Woolf's last novel published in her lifetime.
- Three Guineas — 1938 · The Hogarth PressTrue first is the Hogarth Press, London, published 2 June 1938 (Kirkpatrick A23a), 16,250 copies, in pale yellow cloth lettered in gilt on the spine, with five monotone photographic plates, in a Vanessa Bell dust jacket. Key binding point of issue: only about half the first impression was issued in this yellow cloth as the first edition; the remaining sheets were bound in green cloth five years later for the…. The Hogarth (London), 2 June 1938 edition precedes the first American edition (Harcourt, Brace, New York), published 25 August 1938; the London Hogarth is the priority true first. Green-cloth copies made up from leftover 1938 sheets belong to the later Uniform Edition, not the first edition; the first is identified by the pale yellow cloth.
- Between the Acts — 1941 · The Hogarth PressTrue first edition published by The Hogarth Press, London, 1941 (posthumous — Woolf died 28 March 1941; Leonard Woolf's prefatory note stating the MS was complete but unrevised at her death is present). Kirkpatrick A26a: bound in Woolf's characteristic blue / blue-green cloth lettered in gilt on the spine, issued in the pictorial dust jacket designed by Vanessa Bell — the Bell design is the correct first-edition…. True first is the London Hogarth Press edition (Kirkpatrick A26a). The first American edition, Harcourt, Brace (New York), followed in October 1941 (Kirkpatrick A26b) and is a first-American / first-thus, not the true first. Census precedence (Hogarth London precedes Harcourt New York) confirmed. No contemporaneous UK book-club issue. The Harcourt Brace New York printing is a later first-thus; it and subsequent Hogarth reprints should not be mistaken for the 1941 London first.
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