2 Hart Crane first editions are documented on this shelf, from White Buildings (1926) to The Bridge (1930) across 2 different publishers. Each linked guide gives the points of issue that separate a true first printing of that Hart Crane title from later printings and book-club copies — the publisher and year to expect, the number-line or edition-statement conventions, and the tells that show up in online listings.
Identification only, per the house rule: no prices and no appraisals here. Checking a Hart Crane copy in hand? Type the title into the First-Edition Checker or photograph the copyright page with Snap & Sort.
- White Buildings — 1926 · Boni & LiverightBoni & Liveright first edition, 1926, foreword by Allen Tate; cloth in dust jacket. Edition of 500 copies. The recognized first-issue point is the title-page misprint reading 'Allan Tate' (instead of 'Allen'); only a small portion of the run (roughly the review copies) carries the misspelling, which was corrected during the run. Crane's first book; the original jacket is scarce. US true first and Crane's debut. The first-issue point is the 'Allan Tate' title-page error; the corrected 'Allen Tate' state is also within the 1926 first edition. Original jacket is rare; signed copies are very scarce (Crane died 1932). No book-club edition. The trap is later reissues or copies lacking the original jacket, not a book club.
- The Bridge — 1930 · Black Sun PressTrue first is the Black Sun Press (Paris) limited edition, 1930, with three Walker Evans photogravures: 50 copies on Japan vellum signed by Crane and 200 numbered copies on Holland Van Gelder paper. The New York Liveright trade edition followed in 1930 as the first American trade issue (dark blue cloth, jacket with a Walker Evans photograph). Bibliographic crux: the Black Sun Press Paris limited (with the three Walker Evans photographs) is the true first; the Liveright New York edition is the first trade and first American issue. The Evans plates marked his debut as a published photographer. No book-club edition; the crux is the Black Sun Press limited (true first, Evans photogravures) versus the Liveright trade first.
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