Is My Copy of Ariel a First Edition?

The points of issue

• Faber first (Tabor A5a), published 11 March 1965 in an impression of about 3,100 copies; dust jacket designed by Berthold Wolpe
• The 1965 date stands alone with no 'first published' qualifier beyond it; later Faber impressions are identified by added impression statements on the copyright page
• This is the volume Ted Hughes assembled from Plath's papers, and the Faber setting carries no editorial foreword

How Faber and Faber marked a first edition

• Prior to 1968 the year was set in ROMAN NUMERALS (e.g. 'First published in mcmliv'); from 1968 onward Arabic numerals were used — a key dating tell

Full Faber and Faber first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
3. Verify this is the US true first — not a later-market or reprint edition.
4. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
5. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

The Faber (London) 1965 edition is the true first. The first US edition is Harper & Row, New York, 1966, which adds an introduction by Robert Lowell (absent from the UK first) and prints three poems not present in the UK Faber edition; the first US printing is identified by the 'D-Q' code on the copyright page. Both editions follow Ted Hughes's reordering and selection; neither matches Plath's intended manuscript, later published as 'Ariel: The Restored Edition' (Faber / HarperCollins, 2004, foreword by Frieda Hughes) — a 'first thus,' not the true first.P-037314

Telling it from reprints & book-club editions

No significant book-club edition. Tell the UK true first from the US first by the introduction (Robert Lowell's, US only) and the imprint: UK Faber 1965 versus Harper & Row 1966 (US first-printing copyright page coded 'D-Q,' priced jacket present at the flap). Later printings of either carry impression statements.P-037315

Frequently asked questions

Is my copy of Ariel a first edition?

A first edition of Ariel by Sylvia Plath (Faber and Faber) is identified by: Faber first (Tabor A5a), published 11 March 1965 in an impression of about 3,100 copies; dust jacket designed by Berthold Wolpe.

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The Faber (London) 1965 edition is the true first.

Is the book-club edition the same as the first?

No significant book-club edition. Tell the UK true first from the US first by the introduction (Robert Lowell's, US only) and the imprint: UK Faber 1965 versus Harper & Row 1966 (US first-printing copyright page coded 'D-Q,' priced jacket present at the flap). Later printings of either carry impression statements.

I have a first edition of Ariel — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.