Quick answer
A first edition of Two on a Tower by Thomas Hardy (Sampson Low, Marston, Searle & Rivington, 1882) is identified by: First published in three volumes by Sampson Low, Marston, Searle & Rivington in October 1882, in an edition of 1,000 copies, following serialization in the Atlantic Monthly (May-December 1882). American editions from Henry Holt and John W. Lovell followed the same year; the three-volume Sampson Low London edition of October 1882 is the true first.
Checklist — a true first has these:
- First published in three volumes by Sampson Low, Marston, Searle & Rivington in October 1882, in an edition of 1,000 copies, following serialization in the Atlantic Monthly (May-December 1882)P-034841
- The first-edition binding is green diagonal fine-ribbed cloth, lettered in gilt on the spine and blocked in blind on both boards within a three-rule border, with pale-yellow endpapersP-034842
- Reviewers attacked the novel as irreligious and immoral for its plot involving a bishop's marriage to the pregnant widowed heroine, and Hardy toned down the offending passages beginning with the second edition of 1883P-034843
- Sadleir ranked the book the seventh scarcest of Hardy's first editionsP-034844
- Publisher imprint reads Sampson Low, Marston, Searle & Rivington
- Not a book-club edition (see below)
| Author | Thomas Hardy |
|---|---|
| Publisher | Sampson Low, Marston, Searle & Rivington |
| Year | 1882 |
| True first | American edition |
| Format | Hardcover (trade) |
| Key point | First published in three volumes by Sampson Low, Marston, Searle & Rivington in October 1882, in an edition of 1,000 copies, following… |
| Book-club edition exists? | — |
The points of issue
- First published in three volumes by Sampson Low, Marston, Searle & Rivington in October 1882, in an edition of 1,000 copies, following serialization in the Atlantic Monthly (May-December 1882)
- The first-edition binding is green diagonal fine-ribbed cloth, lettered in gilt on the spine and blocked in blind on both boards within a three-rule border, with pale-yellow endpapers
- Reviewers attacked the novel as irreligious and immoral for its plot involving a bishop's marriage to the pregnant widowed heroine, and Hardy toned down the offending passages beginning with the second edition of 1883
- Sadleir ranked the book the seventh scarcest of Hardy's first editions
How Sampson Low, Marston, Searle & Rivington marked a first edition
- No printed edition statement on 19th-century firsts: use title-page date plus absence of any later-printing notice, and read the exact partnership style in the imprint (the firm's name changed repeatedly, which helps…
- Dated inserted advertisements or catalogue, usually at the rear; a first should not advertise later books.
Full Sampson Low, Marston, Searle & Rivington first-edition guide →
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Verify this is the American true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
American editions from Henry Holt and John W. Lovell followed the same year; the three-volume Sampson Low London edition of October 1882 is the true first.P-034845
Telling it from reprints & book-club editions
Later Sampson Low or collected-edition printings carry Hardy's toned-down 1883 revisions; only the 1882 three-volume set has the original unrevised text.P-034846
Frequently asked questions
Is my copy of Two on a Tower a first edition?
A first edition of Two on a Tower by Thomas Hardy (Sampson Low, Marston, Searle & Rivington) is identified by: First published in three volumes by Sampson Low, Marston, Searle & Rivington in October 1882, in an edition of 1,000 copies, following serialization in the Atlantic Monthly (May-December 1882).
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. American editions from Henry Holt and John W. Lovell followed the same year; the three-volume Sampson Low London edition of October 1882 is the true first.
Is the book-club edition the same as the first?
Later Sampson Low or collected-edition printings carry Hardy's toned-down 1883 revisions; only the 1882 three-volume set has the original unrevised text.
I have a first edition of Two on a Tower — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
How to cite this page
New Mexico Literacy Project. “Is Two on a Tower by Thomas Hardy a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/two-on-a-tower. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).