Quick answer
A first edition of The Story of a Puppet, or The Adventures of Pinocchio by Carlo Collodi; translated by Mary Alice Murray (T. Fisher Unwin, 1892) is identified by: The first English-language translation of Collodi's Pinocchio, rendered by Mary Alice Murray and published in London by T. Translated from Italian.
Checklist — a true first has these:
- The first English-language translation of Collodi's Pinocchio, rendered by Mary Alice Murray and published in London by T. Fisher Unwin in 1892 as part of the publisher's 'Children's Library' series, with the half-title headed accordinglyP-035372
- It retained the original illustrations by Enrico Mazzanti that had appeared in the 1883 Italian first edition, though the title page misprints the illustrator's name as 'C. Mazzanti' -- a recognized first-issue pointP-035373
- The title page itself is printed in red and black, and the volume collates to 232 pages with a tissue-guarded frontispieceP-035374
- Publisher imprint reads T. Fisher Unwin
- Not a book-club edition (see below)
| Author | Carlo Collodi; translated by Mary Alice Murray |
|---|---|
| Publisher | T. Fisher Unwin |
| Year | 1892 |
| True first | — |
| Format | Children's / illustrated |
| Key point | The first English-language translation of Collodi's Pinocchio, rendered by Mary Alice Murray and published in London by T. Fisher Unwin in… |
| Book-club edition exists? | — |
The points of issue
- The first English-language translation of Collodi's Pinocchio, rendered by Mary Alice Murray and published in London by T. Fisher Unwin in 1892 as part of the publisher's 'Children's Library' series, with the half-title headed accordingly
- It retained the original illustrations by Enrico Mazzanti that had appeared in the 1883 Italian first edition, though the title page misprints the illustrator's name as 'C. Mazzanti' -- a recognized first-issue point
- The title page itself is printed in red and black, and the volume collates to 232 pages with a tissue-guarded frontispiece
How T. Fisher Unwin marked a first edition
- Late-Victorian house that stated editions more explicitly than the earlier three-decker firms: many firsts carry a printed title-page date, and a first shows the original date with no later-impression notice and no repri…
- Series volumes (Pseudonym Library, Autonym Library, Mermaid Series) carry series numbering; the series setting is the first appearance for many original titles but a reprint for classics — verify which for each book.
Full T. Fisher Unwin first-edition guide →
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
Translated from Italian. This is the first appearance of Pinocchio in English; the Italian original was first serialized in the Giornale per i bambini from 1881 and first published in book form by Felice Paggi of Florence in 1883.P-035375
Telling it from reprints & book-club editions
Pinocchio entered wide circulation after being reprinted in Everyman's Library in 1911 and in numerous later juvenile reprint series; those printings do not carry the T. Fisher Unwin imprint or Mazzanti's plates in their original first-edition state.P-035376
Frequently asked questions
Is my copy of The Story of a Puppet, or The Adventures of Pinocchio a first edition?
A first edition of The Story of a Puppet, or The Adventures of Pinocchio by Carlo Collodi; translated by Mary Alice Murray (T. Fisher Unwin) is identified by: The first English-language translation of Collodi's Pinocchio, rendered by Mary Alice Murray and published in London by T.
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. Translated from Italian.
Is the book-club edition the same as the first?
Pinocchio entered wide circulation after being reprinted in Everyman's Library in 1911 and in numerous later juvenile reprint series; those printings do not carry the T. Fisher Unwin imprint or Mazzanti's plates in their original first-edition state.
I have a first edition of The Story of a Puppet, or The Adventures of Pinocchio — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- Clouds of Witness — Dorothy L. Sayers
- Liza of Lambeth — W. Somerset Maugham
- Orientations — W. Somerset Maugham
- A Doll's House — Henrik Ibsen (translated by William Archer)
- Winnie-the-Pooh — A. A. Milne (illus. E. H. Shepard)
- Now We Are Six — A. A. Milne (illustrated by E. H. Shepard)
- The House at Pooh Corner — A. A. Milne (illustrated by E. H. Shepard)
- When We Were Very Young — A. A. Milne (illustrated by E. H. Shepard)
How to cite this page
New Mexico Literacy Project. “Is The Story of a Puppet, or The Adventures of Pinocchio by Carlo Collodi; translated by Mary Alice Murray a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/the-story-of-a-puppet-or-the-adventures-of-pinocchio. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).