Quick answer
A first edition of Black Beauty by Anna Sewell (Jarrold and Sons, 1877) is identified by: Published 24 November 1877 with the subtitle 'The Autobiography of a Horse,' collating 247 pages with 8 pages of publisher's advertisements at the rear.
Checklist — a true first has these:
- Published 24 November 1877 with the subtitle 'The Autobiography of a Horse,' collating 247 pages with 8 pages of publisher's advertisements at the rearP-035368
- John Carter's More Binding Variants records three bindings on the first-edition sheets: binding 'A' has the horse's head and cover border blocked in gilt, binding 'B' is identical but with the horse's head and border in black rather than gilt, and binding 'C' uses an entirely different cover block -- a gilt-titled green cloth stamped with a gold medallion of the horse's portraitP-035369
- Carter found binding 'C' comparatively common in the trade while 'A' and 'B' survive in only a handful of copies each; because a fifth edition already circulating by the end of 1878 was also issued in binding 'C,' only 'A' and 'B' can be said with certainty to represent the true 1877 first-edition state, while 'C' copies may include remaindered stock or undifferentiated 1878 reprint sheets bound up alongside genuine first-edition onesP-035370
- Publisher imprint reads Jarrold and Sons
- Not a book-club edition (see below)
| Author | Anna Sewell |
|---|---|
| Publisher | Jarrold and Sons |
| Year | 1877 |
| True first | — |
| Format | Children's / illustrated |
| Key point | Published 24 November 1877 with the subtitle 'The Autobiography of a Horse,' collating 247 pages with 8 pages of publisher's advertisements… |
| Book-club edition exists? | — |
The points of issue
- Published 24 November 1877 with the subtitle 'The Autobiography of a Horse,' collating 247 pages with 8 pages of publisher's advertisements at the rear
- John Carter's More Binding Variants records three bindings on the first-edition sheets: binding 'A' has the horse's head and cover border blocked in gilt, binding 'B' is identical but with the horse's head and border in black rather than gilt, and binding 'C' uses an entirely different cover block -- a gilt-titled green cloth stamped with a gold medallion of the horse's portrait
- Carter found binding 'C' comparatively common in the trade while 'A' and 'B' survive in only a handful of copies each; because a fifth edition already circulating by the end of 1878 was also issued in binding 'C,' only 'A' and 'B' can be said with certainty to represent the true 1877 first-edition state, while 'C' copies may include remaindered stock or undifferentiated 1878 reprint sheets bound up alongside genuine first-edition ones
How to confirm the first-printing statement
Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Telling it from reprints & book-club editions
Later Jarrold printings, including a fifth edition already circulating by the end of 1878, were issued in the same 'C' cloth binding used for much of the first edition, so binding style alone does not reliably distinguish a genuine 1877 first-edition copy from a slightly later reprint; only the rarer 'A' (gilt) or 'B' (black) horse's-head binding gives certainty of first-edition status.P-035371
Frequently asked questions
Is my copy of Black Beauty a first edition?
A first edition of Black Beauty by Anna Sewell (Jarrold and Sons) is identified by: Published 24 November 1877 with the subtitle 'The Autobiography of a Horse,' collating 247 pages with 8 pages of publisher's advertisements at the rear.
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key.
Is the book-club edition the same as the first?
Later Jarrold printings, including a fifth edition already circulating by the end of 1878, were issued in the same 'C' cloth binding used for much of the first edition, so binding style alone does not reliably distinguish a genuine 1877 first-edition copy from a slightly later reprint; only the rarer 'A' (gilt) or 'B' (black) horse's-head binding gives certainty of first-edition status.
I have a first edition of Black Beauty — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- Winnie-the-Pooh — A. A. Milne (illus. E. H. Shepard)
- Now We Are Six — A. A. Milne (illustrated by E. H. Shepard)
- The House at Pooh Corner — A. A. Milne (illustrated by E. H. Shepard)
- When We Were Very Young — A. A. Milne (illustrated by E. H. Shepard)
- White Snow, Bright Snow — Alvin Tresselt (text); Roger Duvoisin (illustrations)
- Freewater — Amina Luqman-Dawson
- Secret of the Andes — Ann Nolan Clark
- Call It Courage — Armstrong Sperry
How to cite this page
New Mexico Literacy Project. “Is Black Beauty by Anna Sewell a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/black-beauty. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).