Quick answer
A first edition of Around the World in Eighty Days by Jules Verne (Sampson Low, Marston, Low & Searle, 1873) is identified by: The first illustrated English edition was published by Sampson Low, Marston, Low & Searle, London, translated by George M. The Sampson Low London edition (sheets of 1873) precedes the American Osgood edition of the same year, which was bound from sheets printed in London by Gilbert & Rivington from the Sampson Low setting, given a separate James R.
Checklist — a true first has these:
- The first illustrated English edition was published by Sampson Low, Marston, Low & Searle, London, translated by George M. Towle, with sheets printed in 1873P-036149
- True first-issue copies carry a title page dated 1873, which is extremely scarce; the overwhelming majority of surviving copies from the identical setting instead carry a title page dated 1874, and many of these 1874-dated copies still carry a publisher's catalogue or rear advertisements dated 1873 bound in, indicating the sheets themselves derive from the 1873 printing regardless of the title-page yearP-036150
- The first-edition binding is publisher's pictorial cloth decorated in gilt and black, recorded in blue cloth boardsP-036151
- Publisher imprint reads Sampson Low, Marston, Low & Searle
- Not a book-club edition (see below)
| Author | Jules Verne |
|---|---|
| Publisher | Sampson Low, Marston, Low & Searle |
| Year | 1873 |
| True first | American edition |
| Format | Hardcover (trade) |
| Key point | The first illustrated English edition was published by Sampson Low, Marston, Low & Searle, London, translated by George M. Towle, with… |
| Book-club edition exists? | — |
The points of issue
- The first illustrated English edition was published by Sampson Low, Marston, Low & Searle, London, translated by George M. Towle, with sheets printed in 1873
- True first-issue copies carry a title page dated 1873, which is extremely scarce; the overwhelming majority of surviving copies from the identical setting instead carry a title page dated 1874, and many of these 1874-dated copies still carry a publisher's catalogue or rear advertisements dated 1873 bound in, indicating the sheets themselves derive from the 1873 printing regardless of the title-page year
- The first-edition binding is publisher's pictorial cloth decorated in gilt and black, recorded in blue cloth boards
How to confirm the first-printing statement
Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
- Verify this is the American true first — not a later-market or reprint edition.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
The Sampson Low London edition (sheets of 1873) precedes the American Osgood edition of the same year, which was bound from sheets printed in London by Gilbert & Rivington from the Sampson Low setting, given a separate James R. Osgood & Co., Boston title page for the US market.P-036152
Telling it from reprints & book-club editions
Later Sampson Low reprints, including the reset early-20th-century 'Sampson Low, Marston & Company Ld' printings, use plainer bindings and postdate the 1873/1874-title-page first issue.P-036153
Frequently asked questions
Is my copy of Around the World in Eighty Days a first edition?
A first edition of Around the World in Eighty Days by Jules Verne (Sampson Low, Marston, Low & Searle) is identified by: The first illustrated English edition was published by Sampson Low, Marston, Low & Searle, London, translated by George M.
How do I tell the first printing from a later one?
Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The Sampson Low London edition (sheets of 1873) precedes the American Osgood edition of the same year, which was bound from sheets printed in London by Gilbert & Rivington from the Sampson Low setting, given a separate James R.
Is the book-club edition the same as the first?
Later Sampson Low reprints, including the reset early-20th-century 'Sampson Low, Marston & Company Ld' printings, use plainer bindings and postdate the 1873/1874-title-page first issue.
I have a first edition of Around the World in Eighty Days — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap — an unclipped, priced jacket matters. Confirm the points of issue above against your copy, and use the free First Edition Checker to decode the printing. To sell, the author’s collecting guide covers the market. And if you are clearing books in the Albuquerque area, the New Mexico Literacy Project offers free pickup, any condition, and makes sure collectible copies are identified rather than discarded.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
- Vingt mille lieues sous les mers (Twenty Thousand Leagues Under the Seas)
- A Journey to the Centre of the Earth
- The Mysterious Island
- How I Found Livingstone: Travels, Adventures, and Discoveries in Central Africa — Henry M. Stanley
- Interview with the Vampire — Anne Rice
- Death Instinct — Bentley Little
- Dispatch — Bentley Little
- Dominion — Bentley Little
How to cite this page
New Mexico Literacy Project. “Is Around the World in Eighty Days by Jules Verne a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/around-the-world-in-eighty-days. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).