https://newmexicoliteracyproject.org/ancient-city-press-first-editions-collecting https://newmexicoliteracyproject.org/images/weaving-colcha-hispanic-southwest-cover.webp First edition cover of Weaving and Colcha from the Hispanic Southwest Authentic Designs edited by William Wroth, Ancient City Press Santa Fe 1985, showing blue and red Hispanic weaving design pattern on cream background, photographed at New Mexico Literacy Project https://newmexicoliteracyproject.org/images/weaving-colcha-hispanic-southwest-back-cover.webp Back cover of Weaving and Colcha from the Hispanic Southwest showing full description of contents, editor biography for William Wroth of the Taylor Museum Colorado Springs Fine Arts Center, and ISBN 0-941270-27-0 https://newmexicoliteracyproject.org/images/weaving-colcha-hispanic-southwest-copyright-first-edition.webp Copyright page of Weaving and Colcha from the Hispanic Southwest showing First Edition stated, copyright 1985 by Ancient City Press P.O. Box 5401 Santa Fe New Mexico 87502, Library of Congress Catalogue Number 85-071306, ISBN 0-941270-27-0, designed by Mary Powell, cover design by Stephen Tongier https://newmexicoliteracyproject.org/images/santos-brief-history-charles-carrillo.webp Interior page of Weaving and Colcha from the Hispanic Southwest showing Santos A Brief History essay by Charles Carrillo, discussing religious folk art images of New Mexico and southern Colorado known as santos, bultos and retablos https://newmexicoliteracyproject.org/images/weaving-colcha-interior-text.webp Title page of Weaving and Colcha from the Hispanic Southwest showing full title, Edited by William Wroth, Ancient City Press Santa Fe New Mexico imprint https://newmexicoliteracyproject.org/archive/benavides-memorial-1630 https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-benavides-memorial-1630.webp Black hardcover book with gold cursive script reading 'The Memorial of Fray Alonso de Benavides 1630', a 20th-century scholarly reprint, donated to NMLP. https://newmexicoliteracyproject.org/archive/brothers-santa-fe-chihuahua-glasgow-1993 https://newmexicoliteracyproject.org/images/archive/brothers-santa-fe-chihuahua-glasgow-1993/cover-dustjacket.webp Hardcover dust jacket of Brothers on the Santa Fe and Chihuahua Trails with elegant script title and a 19th-century color lithograph of cavalry skirmish around a Mexican flag in the high desert mountains. https://newmexicoliteracyproject.org/images/archive/brothers-santa-fe-chihuahua-glasgow-1993/dust-jacket-flap.webp Front dust jacket flap with publisher's description summarizing the spring 1846 trip, the May 1846 declaration of war, the brothers' two-year absence, and the previously unpublished letters and journals https://newmexicoliteracyproject.org/images/archive/brothers-santa-fe-chihuahua-glasgow-1993/signed-title-page-gardner.webp Title page signed by Mark L. Gardner in dark ink beneath the University Press of Colorado imprint, with the editorial credit and Marc Simmons foreword line visible above https://newmexicoliteracyproject.org/images/archive/brothers-santa-fe-chihuahua-glasgow-1993/signature-detail.webp Close-up of the Mark L. Gardner signature in dark ink across the title-page text https://newmexicoliteracyproject.org/images/archive/brothers-santa-fe-chihuahua-glasgow-1993/copyright-page-first-edition.webp Copyright page showing 1993 by Mark L. Gardner, FIRST EDITION designation, full printing line 10 9 8 7 6 5 4 3 2 1, ISBN 0-87081-291-2, Library of Congress Cataloging-in-Publication Glasgow Edward James 1820-1908, Brothers on the Santa Fe and Chihuahua Trails 1846-1848 https://newmexicoliteracyproject.org/images/archive/brothers-santa-fe-chihuahua-glasgow-1993/about-author-flap.webp Back dust jacket flap with author photograph of Mark L. Gardner in glasses and bolo tie, plus biographical text describing him as a Cascade Colorado historian appointed to the Santa Fe National Historic Trail Advisory Council in 1988 https://newmexicoliteracyproject.org/images/archive/brothers-santa-fe-chihuahua-glasgow-1993/glasgow-trail-register-inscription.webp A photograph of an actual stone trail-register inscription reading T J HATCHER E J GLASGOW with surrounding text noting that Edward James Glasgow's name was painted on a Lexington outcropping known as the Inscription Wall on his Santa Fe trip with W. J. Glasgow in 1844 https://newmexicoliteracyproject.org/images/archive/brothers-santa-fe-chihuahua-glasgow-1993/back-cover-dust-jacket.webp Back of dust jacket with full color lithograph of an Mexican-American War-era battle scene with mountains in background, troops attacking in formation, ISBN barcode 9780870812910 https://newmexicoliteracyproject.org/archive/c135-boeing-johnson https://newmexicoliteracyproject.org/images/archive/c135-boeing-johnson/cover.webp Boeing C-135 Series Structural Repair Illustration Catalog cover with line-drawing illustrations of multiple C-135 airframe variants in formation flight, spiral-binding visible at left edge, with handwritten provenance 'Ralph F. Johnson C-135 Structures' in the upper right corner https://newmexicoliteracyproject.org/images/archive/c135-boeing-johnson/interior-1.webp Interior page of the Boeing C-135 manual showing structural illustrations https://newmexicoliteracyproject.org/images/archive/c135-boeing-johnson/interior-2.webp Interior page of the Boeing C-135 manual https://newmexicoliteracyproject.org/images/archive/c135-boeing-johnson/interior-3.webp Interior page of the Boeing C-135 manual https://newmexicoliteracyproject.org/archive/canones-kutsche-vanness-1981 https://newmexicoliteracyproject.org/images/archive/canones-kutsche-vanness-1981/cover.webp The front cover of the Sheffield Publishing 1988 paperback reissue of Cañones: Values, Crisis, and Survival in a Northern New Mexico Village by Paul Kutsche and John R. Van Ness. Cover layout is plain academic-press paperback: title in serif type at top, authors below, with a black-and-white photograph of the village of Cañones taking up the central two-thirds of the cover — adobe houses and outbuildings clustered in the high-desert landscape of Río Arriba County, with juniper and piñon hills behind. https://newmexicoliteracyproject.org/images/archive/canones-kutsche-vanness-1981/signed-title-page.webp The title page of the Sheffield Publishing 1988 paperback reissue of Cañones with the signature 'Paul Kutsche' written in dark ink across the area above the byline 'PAUL KUTSCHE and JOHN R. VAN NESS'. The title 'CAÑONES: Values, Crisis, and Survival in a Northern New Mexico Village' is set in serif display capitals above the signature; the Sheffield Publishing imprint is set at the foot of the page. https://newmexicoliteracyproject.org/images/archive/canones-kutsche-vanness-1981/copyright-page.webp The copyright page of the 1988 Sheffield Publishing reissue, showing the original 1981 copyright held by Paul Kutsche and John R. Van Ness, the 1988 Sheffield Publishing reissue notice, the ISBN 0-88133-336-0, and Library of Congress Cataloging in Publication Data including the original LCCN from the 1981 UNM Press edition. https://newmexicoliteracyproject.org/archive/cocinas-de-nm-collection https://newmexicoliteracyproject.org/images/archive/cocinas-de-nm-collection/three-cookbooks-overview.webp Three saddle-stitched soft-cover cookbooks lying side-by-side: a tan Cocinas de New Mexico cover with a stylized vegetables-and-corn illustration, a green Bernalillo County Extension Service New Mexico Holiday Show cookbook with a woman cooking at a table, and an orange Cocinas de New Mexico variant with a chile ristra illustration. https://newmexicoliteracyproject.org/images/archive/cocinas-de-nm-collection/cocinas-orange-and-green-covers.webp Orange Cocinas de New Mexico cover with chile ristra illustration overlapping a green New Mexico Holiday Show cover https://newmexicoliteracyproject.org/images/archive/cocinas-de-nm-collection/psc-of-nm-yellow-cookbook.webp A yellow Public Service Company of New Mexico cookbook with the sombrero-character utility-company logo https://newmexicoliteracyproject.org/images/archive/cocinas-de-nm-collection/interior-recipe-pages.webp Interior recipe pages of a Cocinas de New Mexico cookbook held open by hand, showing mid-century typewriter-typeface recipes for traditional dishes https://newmexicoliteracyproject.org/archive/curiosities/dogs-in-the-field-kirmse https://newmexicoliteracyproject.org/images/archive/curiosities/dogs-in-the-field-kirmse/cover.webp The cover of Dogs in the Field by Marguerite Kirmse, a tan cloth hardcover with burgundy leather corners and a red rectangular leather label centered on the front board printed 'Dogs in the Field by Marguerite Kirmse' https://newmexicoliteracyproject.org/images/archive/curiosities/dogs-in-the-field-kirmse/signature-detail.webp Pencil signature 'Marguerite Kirmse' on a flyleaf, opposite an etched dog portrait https://newmexicoliteracyproject.org/images/archive/curiosities/dogs-in-the-field-kirmse/title-page.webp Title page of Dogs in the Field https://newmexicoliteracyproject.org/images/archive/curiosities/dogs-in-the-field-kirmse/interior-plate-1.webp Interior etched plate of a dog by Marguerite Kirmse https://newmexicoliteracyproject.org/archive/curiosities/golf-in-italy-enit-1930s https://newmexicoliteracyproject.org/images/archive/curiosities/golf-in-italy-enit-1930s/cover-art-deco.webp The Art Deco cover of Golf in Italy, with a stylized golfer in a red sweater and yellow knickers swinging a club against a green field with a row of classical Roman ruins in the background, illustrator signature in the lower right reading 'Mariwiwo' or similar https://newmexicoliteracyproject.org/images/archive/curiosities/golf-in-italy-enit-1930s/title-page.webp Title page reading 'ENTE NAZIONALE INDUSTRIE TURISTICHE / GOLF IN ITALY / FERROVIE DELLO STATO' https://newmexicoliteracyproject.org/images/archive/curiosities/golf-in-italy-enit-1930s/back-cover-enit.webp Back cover with the ENIT royal-crown logo and the imprint 'Printed in Italy by the ENIT (Italian State Tourist Department)' https://newmexicoliteracyproject.org/images/archive/curiosities/golf-in-italy-enit-1930s/interior-rome-aegean-maps.webp Interior page with hand-drawn course maps for Rome (Acquasanta) and the Aegean Sea / Rhodes regions https://newmexicoliteracyproject.org/images/archive/curiosities/golf-in-italy-enit-1930s/interior-northern-italy-courses.webp Interior spread with course maps for Franciacorta (Brescia), Gardone Riviera, Madonna di Campiglio, and Mendola https://newmexicoliteracyproject.org/archive/curiosities/holy-island-yeshe-losal-2007 https://newmexicoliteracyproject.org/images/archive/curiosities/holy-island-yeshe-losal-2007/cover.webp The cover of Holy Island showing a photographic landscape of the island off the coast of Scotland with reflective waters at low tide and dramatic clouds above; the title HOLY ISLAND in white Celtic-style typography. https://newmexicoliteracyproject.org/images/archive/curiosities/holy-island-yeshe-losal-2007/upaya-library-inscription.webp The front free endpaper with handwritten inscription Upaya Library and With love to everyone at Upaya from Laini from time on Holy Isle in blue ballpoint https://newmexicoliteracyproject.org/images/archive/curiosities/holy-island-yeshe-losal-2007/title-page.webp Half-title page reading holy island in lowercase Celtic-style typography with a small ornament of a stylized island and Tibetan script https://newmexicoliteracyproject.org/images/archive/curiosities/holy-island-yeshe-losal-2007/copyright-page.webp Copyright page showing 2007 Kagyu Samye Ling Monastery copyright, Eskdalemuir Langholm Dumfries Galloway Scotland address, ISBN 9780906181249, June 2007 print date, and ROKPA Trust Registered Charity No. 1059293 https://newmexicoliteracyproject.org/images/archive/curiosities/holy-island-yeshe-losal-2007/interior-eriskay-ponies.webp Interior page spread with photographs of Eriskay ponies grazing the meadow, Saanen goats and Soay sheep on the rocky shore, and prayer flags above grazing animals near the retreat gate https://newmexicoliteracyproject.org/images/archive/curiosities/holy-island-yeshe-losal-2007/yeshe-losal-rinpoche-portrait.webp Page from the Future chapter with a small black-and-white portrait of Yeshe Losal Rinpoche smiling, wearing dark robes and a mala, plus a diagram of the planned retreat-pod design with protective berm and local heather and grass vegetation surrounding the structure, with text describing fifteen-year care of the island, plans for boreholes and wind energy https://newmexicoliteracyproject.org/images/archive/curiosities/holy-island-yeshe-losal-2007/back-cover.webp Back cover with photograph of two ponies on the moorland and the text Located off the West coast of Scotland near the Isle of Arran, Holy Island has an ancient spiritual heritage stretching back to the 6th century. Visitors are welcome all year round; with the Upaya Library cataloging label Holy Island / Yeshe Losal / T-SCO and barcode 2003424447541 https://newmexicoliteracyproject.org/archive/curiosities/ideal-p90-toni-doll https://newmexicoliteracyproject.org/images/archive/curiosities/ideal-p90-toni-doll/full-body-lavender-dress-standing.webp A small hard-plastic doll standing on integrated flat-soled stand feet, photographed full-length on a plain white background. The doll has a flesh-toned hard plastic body with jointed arms that hang naturally at the sides with palms slightly turned forward. The head has a side-parted platinum-blonde nylon wig styled in a softly waved short bob, large blue sleep eyes with painted lashes, pink-blush cheeks, and small bright red painted lips. The doll is wearing a sleeveless party dress with a pale lavender silky taffeta bodice and a wide V-neck sailor-collar, over a layered skirt made of pale lavender net or tulle stitched in horizontal teal-green concentric rows, with the underlayer of the skirt visible as lavender taffeta. The dress is calf length and slightly stiff with the petticoat layers, the kind of party-dress styling Ideal Toy Company built into its mass-market Toni line in the early 1950s. https://newmexicoliteracyproject.org/images/archive/curiosities/ideal-p90-toni-doll/head-portrait-awake.webp A close-up portrait of the Toni doll's head photographed from the front. The face is hard plastic in a smooth pale flesh-pink finish. Features include large round blue sleep eyes with finely painted upper and lower lashes radiating from each eye, soft pink-blush cheeks blended in oval circles, a small pertly modeled nose, and a small bright red painted bow-mouth set in a closed-lip expression. The wig is platinum blonde in side-parted short-bob nylon fiber, slightly tousled, the hairline meeting the forehead at a natural curve. The pale lavender taffeta V-neck sailor-collar of the dress is visible at the bottom edge of the frame. https://newmexicoliteracyproject.org/images/archive/curiosities/ideal-p90-toni-doll/neck-mark-p90-ideal-doll-usa.webp A close-up of the back of the Toni doll's head and the upper back, photographed with the platinum-blonde wig pulled up by a thumb to expose the hard-plastic surface underneath. Two separate molded-in markings are visible, both clearly raised text in the original plastic. The upper marking on the back of the head reads, in three lines: P - 90 (top), IDEAL DOLL (middle), MADE IN U.S.A. (bottom). The neck joint with the body is visible below this marking. The lower marking on the upper back of the body, between the shoulder blades, reads, in two lines: IDEAL DOLL (top), P-90 (bottom). The lavender taffeta V-neck of the dress is visible to the left and bottom of the frame. https://newmexicoliteracyproject.org/images/archive/curiosities/ideal-p90-toni-doll/back-view-blonde-hairstyle.webp The Toni doll laid on its back, photographed from above, showing the platinum-blonde wig swept up in the back into a softly tucked side roll. The dress is visible from behind: pale lavender taffeta bodice with the sailor-collar back, full layered tulle skirt with teal stitched rows fanning out below. Both arms of the doll are extended out from the body. The overall styling of the wig and dress reads as the late-1940s mass-market doll-fashion aesthetic. https://newmexicoliteracyproject.org/images/archive/curiosities/ideal-p90-toni-doll/side-view-profile-right.webp The Toni doll standing in side profile, photographed from the right side. The hard-plastic body is visible from this angle as a continuous flesh-pink color from neck to feet; the doll's right arm hangs at the side with the palm slightly forward, while the head is in profile with the platinum-blonde wig in soft waves over the temple. The lavender taffeta dress with the layered tulle skirt is visible in side profile, falling to mid-calf. The doll is supported on the integrated flat-soled hard-plastic standing feet. https://newmexicoliteracyproject.org/images/archive/curiosities/ideal-p90-toni-doll/head-portrait-sleeping.webp A close-up of the Toni doll's head with the sleep eyes closed, photographed with the doll laid on its back. The closed eyelids are visible as horizontal slits painted with fine black lash detail; the underlayer of painted lower-lash detail shows in soft greyish black at the lower lid line. The cheeks are flushed soft pink. The bow-mouth is painted bright red in a small closed shape with a defined Cupid's bow. The platinum-blonde wig falls naturally on either side of the temples. A faint hairline shadow above one eyebrow indicates a small molded variation in the plastic surface. https://newmexicoliteracyproject.org/images/archive/curiosities/ideal-p90-toni-doll/full-body-lying-front.webp The Toni doll lying on its back, photographed from above. The head is tilted slightly to the left with the platinum-blonde wig spreading on either side of the head, the lips parted slightly open as the doll's mouth-painting is visible from above. The lavender taffeta bodice with V-neck sailor collar is visible at the upper torso, the layered tulle skirt fans out around the lower body, and one arm extends out to the side. The hard-plastic flesh-tone is uniform across the visible torso, arms, and legs. https://newmexicoliteracyproject.org/images/archive/curiosities/ideal-p90-toni-doll/side-view-profile-left.webp A second lying-down view of the Toni doll from the left side. One arm of the doll is raised in front of the face with the palm visible, casting a small shadow on the cheek. The platinum-blonde wig falls in a soft side-tuck against the white background. The lavender taffeta dress with the layered tulle skirt is visible in side profile. The hard-plastic legs extend out from under the dress at the bottom of the frame. https://newmexicoliteracyproject.org/images/archive/curiosities/ideal-p90-toni-doll/back-mark-ideal-doll-p90.webp A view of the lower body of the Toni doll with the lavender taffeta dress pulled up to expose the hard-plastic legs and abdomen. The flesh-toned hard-plastic surface is intact and smooth, with the molded-in belly button visible at the abdomen and the molded outline of the hip joint visible at the upper thigh. The legs are jointed at the hip and the seam between the upper body and the leg is visible as a faint horizontal line. The feet are visible at the bottom of the frame with the integrated flat soles. The tulle skirt fans out to either side of the doll's lower torso. https://newmexicoliteracyproject.org/images/archive/curiosities/ideal-p90-toni-doll/body-undress-belly-button-legs.webp A view from above of the Toni doll lying on its back with the dress pulled fully down off the upper body and exposing the hard-plastic torso. The skin tone is uniform pale flesh-pink across the chest, abdomen, and upper legs. The molded breast and shoulder anatomy is subtle but visible. The arms are jointed at the shoulder and visible folded against the sides of the torso. The platinum-blonde wig is visible above the head, slightly disarrayed from the undressing. https://newmexicoliteracyproject.org/archive/curiosities/ https://newmexicoliteracyproject.org/images/archive/curiosities/golf-in-italy-enit-1930s/cover-art-deco.webp The Art Deco cover of Golf in Italy, 1930s, Italian state tourist department brochure with stylized golfer in red and yellow against classical ruins https://newmexicoliteracyproject.org/images/archive/curiosities/pulp-fiction-tarantino-1993/title-page-may-1993-last-draft.webp Title page of the Pulp Fiction screenplay May 1993 last draft, brass-fastener bound https://newmexicoliteracyproject.org/images/archive/curiosities/sex-death-fly-fishing-gierach/cover.webp Cover of John Gierach's Sex, Death, and Fly-Fishing, Simon and Schuster hardcover https://newmexicoliteracyproject.org/images/archive/curiosities/dogs-in-the-field-kirmse/cover.webp Cover of Dogs in the Field by Marguerite Kirmse, tan cloth with red leather title label https://newmexicoliteracyproject.org/images/archive/curiosities/ninja-hayes-1992/cover.webp Stephen K. Hayes ninjutsu spiral-bound training manual, Nine Gates Press 1992 https://newmexicoliteracyproject.org/images/archive/curiosities/holy-island-yeshe-losal-2007/cover.webp Cover of Holy Island booklet by Yeshe Losal Rinpoche, Kagyu Samye Ling Monastery 2007, with photographic landscape of the Scottish island https://newmexicoliteracyproject.org/images/archive/curiosities/medicine-woman-andrews-1981/cover-blue-paperback.webp Blue cover of Lynn V. Andrews Medicine Woman Harper and Row 1983 first paperback with elderly Indigenous woman portrait and perched crow illustration by Dan Reeves https://newmexicoliteracyproject.org/images/archive/curiosities/kestner-jdk-247-character-baby/full-body-christening-gown.webp A German bisque-headed character baby doll in a long white lace-trimmed christening gown, lying full-length on a plain white surface, with a short brown mohair wig, blue sleep eyes, and an open mouth with two upper teeth https://newmexicoliteracyproject.org/images/archive/curiosities/ideal-p90-toni-doll/full-body-lavender-dress-standing.webp A 14-inch Ideal Toy Co. hard-plastic Toni doll standing in a pale lavender taffeta and tulle party dress, with a platinum-blonde nylon wig in a side-parted short bob, blue sleep eyes, pink cheeks, and small red painted lips https://newmexicoliteracyproject.org/archive/curiosities/kestner-jdk-247-character-baby https://newmexicoliteracyproject.org/images/archive/curiosities/kestner-jdk-247-character-baby/full-body-christening-gown.webp A German bisque character baby doll seen full-length, photographed lying on a plain white surface. The doll has a bisque socket head with a chubby cheeked face, blue sleep eyes, slightly parted open mouth showing two upper teeth, and a short blonde-to-light-brown mohair wig in a side-parted natural style. The head sits on a composition bent-limb baby body. The doll is dressed in a long flowing white cotton-lawn christening gown with elaborate machine-embroidered net-lace insertion at the collar and at the cuffs of the slightly puffed sleeves, fastened at the chest with a single mother-of-pearl button, the gown long enough that it spills down beyond the doll's feet into a generous train. The overall size is consistent with a Kestner character baby in the 9- or 10-size class, approximately 22 to 24 inches head-to-toe. https://newmexicoliteracyproject.org/images/archive/curiosities/kestner-jdk-247-character-baby/head-portrait-awake.webp A close-up portrait of the doll's head photographed from the front. The doll's face is rounded with chubby modeled cheeks, a small upturned nose, deep blue sleep eyes with finely painted lashes radiating around each eye, faint single-stroke brows in light brown, and an open mouth showing two small molded upper teeth with a slightly visible orange-pink tongue. The lips are colored a deep matte coral. The mohair wig is light brown and slightly tousled, swept across the forehead in a center-to-side part. A scalloped white cotton-and-lace collar of the christening gown is visible at the bottom of the frame and a single mother-of-pearl button closes the gown at the chest. https://newmexicoliteracyproject.org/images/archive/curiosities/kestner-jdk-247-character-baby/mold-mark-247-jdk-full.webp A close-up of the back of the doll's bisque socket head, with the wig and pate gauze pulled aside by a thumb to expose the unglazed bisque underneath. Three lines of incised marking are visible. The top line reads as the numerals 2 4 7, modeled in the slightly serifed continuous-curve font Kestner used for mold numbers in the 1910s. The bottom line reads J . D . K . with periods between each capital. Two round dark stringing holes are visible flanking the marks, the standard location for the elastic stringing that holds the head, body, and limbs in tension. The bisque itself shows the warm pinkish-flesh tone typical of high-grade Kestner character bisque. https://newmexicoliteracyproject.org/images/archive/curiosities/kestner-jdk-247-character-baby/mold-mark-jdk-close.webp A second very close detail of the back-of-head mark, framed even tighter on the J. D. K. line at the bottom. The capitals are nearly Roman in proportion with small flat-stop periods between each letter and a clear narrow space before the next letter. The pinkish-tan bisque surface shows a small amount of factory tooling around the lower edge of the marking. https://newmexicoliteracyproject.org/images/archive/curiosities/kestner-jdk-247-character-baby/mold-mark-size-marking.webp A third mark close-up, this one a more frontal angle on the same back-of-head incised marking, with the wig pulled back from the right side and a thumb at the upper right edge. The same '247' and 'J.D.K.' marks are visible, with a small additional numeral above the 247 that reads approximately as a 9. The two stringing holes are again clearly visible. https://newmexicoliteracyproject.org/images/archive/curiosities/kestner-jdk-247-character-baby/body-knit-romper-front.webp The doll lying on its back with the long christening gown pulled up to expose the lower body. The body is a composition bent-limb baby body in a warm pinkish-flesh paint, modeled with smooth rounded thighs and chubby calves and bent-leg knees, with composition feet showing modeled small toes. The doll is wearing an ivory-cream knit cotton or wool diaper-style romper covering the hips and upper thighs, fastened with two small pearl buttons at the crotch front. A faint factory mold-line is visible running down the center of the upper thigh. The feet show painted-on red detail at the toe-line where the toes meet the foot, a survival of the original paintwork. https://newmexicoliteracyproject.org/images/archive/curiosities/kestner-jdk-247-character-baby/composition-legs-feet.webp A second view of the composition lower body and legs in the knit romper. The composition surface shows the characteristic mild discoloration of hundred-year-old composition: faint craquelure of the paint, some small areas of darker tone where dirt has settled into surface depressions, and the painted toe-line detail surviving on both feet. The mold seam at the inner thigh is visible as a thin pale line. https://newmexicoliteracyproject.org/images/archive/curiosities/kestner-jdk-247-character-baby/hand-detail-painted-fingers.webp A close-up of the doll's right hand resting on its chest above the lace insertion of the christening gown. The hand is composition in a warm flesh tone with each finger separately modeled. Painted-on detail is clearly visible: fine red lines at the joints of each finger, and pronounced red lines at the base of each fingernail. Some of the fingertips show darker oxidation against the original paint, a survival of original paintwork rather than later restoration. https://newmexicoliteracyproject.org/images/archive/curiosities/kestner-jdk-247-character-baby/back-view-wig-back.webp The back of the doll's head and upper body. The mohair wig sits naturally over the bisque, with the side part visible at the crown and the hair sweeping forward and down to a slightly tousled fringe at the nape of the neck. The lace-trimmed collar of the white christening gown is visible below. The doll is laid on its back on a plain white surface. The overall presentation suggests the wig has been on this head for a long time and has not been redressed or recently restyled. https://newmexicoliteracyproject.org/images/archive/curiosities/kestner-jdk-247-character-baby/head-portrait-sleeping.webp A front-on close-up of the doll's head with the sleep eyes closed, photographed from slightly above with the doll laid on its back. The closed eyelids show the fine painted lower-lash detail crisply, the eye-paint a soft greyish-blue along the lash line. The chubby cheeks are flushed pinker than the surrounding cheek paint, the open mouth shows the two upper teeth and a glimpse of orange tongue, and the mohair wig falls naturally on either side of the temples. The lace-trimmed collar of the christening gown is visible at the bottom of the frame. https://newmexicoliteracyproject.org/images/archive/curiosities/kestner-jdk-247-character-baby/body-knit-romper-back.webp A view of the lower body from behind, with the christening gown pulled up. The knit cotton or wool romper is the same ivory cream as in the front-view photo, covering the hips and upper thighs, with the same scalloped lace edge at the leg openings. The composition lower body shows the same flesh-tone painted finish, with the mold seam down the back of the upper thigh visible as a faint pale line. The composition shows some surface mottling from age but no significant damage. https://newmexicoliteracyproject.org/images/archive/curiosities/kestner-jdk-247-character-baby/body-belly-detail.webp A view of the doll's lower torso, abdomen, and inner thigh, with the romper pulled aside. The composition surface is intact and pink-flesh-toned with the typical mild surface mottling of a hundred-year-old composition body. There is a small molded indication of an umbilicus. No cracks or chips are visible. https://newmexicoliteracyproject.org/archive/curiosities/medicine-woman-andrews-1981 https://newmexicoliteracyproject.org/images/archive/curiosities/medicine-woman-andrews-1981/cover-blue-paperback.webp The front cover of the Harper & Row paperback edition of Medicine Woman by Lynn V. Andrews. The cover design is a mass-market 1980s mystical paperback layout: a deep blue ground frames the central illustration, which is a large head-and-shoulders portrait of an elderly Indigenous woman with deeply lined dark skin, long parted gray hair, and a contemplative expression, set against a cloud-mottled blue sky; in the lower foreground is a single perched black crow with a wide open beak, lit with a small red eye. Across the top in display capitals reads MEDICINE WOMAN with two small square ornaments flanking the title. Across the bottom in narrower display capitals reads LYNN V. ANDREWS. The cover illustration is credited inside to Dan Reeves. https://newmexicoliteracyproject.org/images/archive/curiosities/medicine-woman-andrews-1981/back-cover-blurbs.webp The back cover of the 1983 Harper & Row paperback of Medicine Woman, with a 'WOMEN'S STUDIES' header at the top left, the title MEDICINE WOMAN in large display capitals across the top, and below it a stack of pull-quote blurbs from reviews: the San Francisco Examiner-Chronicle review, a long block summarizing the narrative ('Medicine Woman is the autobiographical account of a woman's search for identity in a Native American culture'), the San Francisco Review of Books quote comparing Andrews to Carlos Castaneda and proposing they have initiated 'a new genre of contemporary literature: Visionary Autobiography', the N. Scott Momaday blurb identifying him as 'author of House Made of Dawn', and the Stan Steiner blurb identifying him as 'author of The New Indians'. An italicized author-bio paragraph below describes Lynn V. Andrews as living in southern California, involved in film-making, art collecting, and women's activities, devoting time to 'writing, lecturing, and following Agnes Whistling Elk's instruction'. The publisher line at lower left reads HARPER & ROW, PUBLISHERS, Cover illustration by Dan Reeves. The retail price modest value, ISBN 0-06-250026-0, and shelving barcode 10066883 are at the lower right. https://newmexicoliteracyproject.org/images/archive/curiosities/medicine-woman-andrews-1981/copyright-lccn-cree-subject-heading.webp The copyright page of the 1983 Harper & Row paperback of Medicine Woman. The page is set in tight monospace-adjacent type. At top, a credit line acknowledges the use of lines from Robinson Jeffers' poem 'Tear Life to Pieces' (from The Beginning and the End and Other Poems: The Last Works of Robinson Jeffers, Random House 1963). The next block reads: 'MEDICINE WOMAN. Copyright 1981 by Lynn V. Andrews. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address Harper & Row, Publishers, Inc., 10 East 53rd Street, New York, NY 10022. Published simultaneously in Canada by Fitzhenry & Whiteside, Limited, Toronto.' Below in a centered line: 'FIRST HARPER & ROW PAPERBACK EDITION PUBLISHED IN 1983.' Then in a clearly demarcated boxed block: 'Library of Congress Cataloging in Publication Data / Andrews, Lynn V. / MEDICINE WOMAN / 1. Cree Indians—Religion and mythology. 2. Indians of North America—Great Plains—Religion and mythology. 3. Andrews, Lynn V. 4. Whistling Elk, Agnes. I. Title. / E99.D1A53 1981 299'.78 81-47546 / ISBN 0-06-250026-0 AACR2'. At the bottom: '84 85 86 87 10 9 8 7 6'. https://newmexicoliteracyproject.org/images/archive/curiosities/medicine-woman-andrews-1981/title-page.webp The title page of the Harper & Row paperback edition of Medicine Woman, showing the title 'MEDICINE WOMAN' in an Old West Tombstone-style serif display face across the top, 'Lynn V. Andrews' in italic script below, 'Illustrations by Daniel Reeves' in smaller text under the author line, and at bottom the Harper & Row publisher logo (a small ship icon labeled 1817) followed by 'Harper & Row, Publishers, San Francisco / Cambridge, Hagerstown, New York, Philadelphia / London, Mexico City, São Paulo, Sydney'. https://newmexicoliteracyproject.org/archive/curiosities/ninja-hayes-1992 https://newmexicoliteracyproject.org/images/archive/curiosities/ninja-hayes-1992/cover.webp Spiral-bound ninjutsu training manual by Stephen K. Hayes, Nine Gates Press 1992 imprint https://newmexicoliteracyproject.org/images/archive/curiosities/ninja-hayes-1992/copyright-page.webp Copyright page reading 'Copyright 1992 Stephen K. Hayes, all rights reserved, Nine Gates Press, ISBN 0-963247-9-5, P.O. Box 160 Germantown Ohio 45327-0160 USA' https://newmexicoliteracyproject.org/images/archive/curiosities/ninja-hayes-1992/back-cover-author.webp Back cover with author photo of Stephen K. Hayes and biographical text describing his Bujinkan and Mikkyo esoteric credentials https://newmexicoliteracyproject.org/images/archive/curiosities/ninja-hayes-1992/interior-stance.webp Interior page of the Hayes manual showing instructional photographs https://newmexicoliteracyproject.org/archive/curiosities/pulp-fiction-tarantino-1993 https://newmexicoliteracyproject.org/images/archive/curiosities/pulp-fiction-tarantino-1993/title-page-may-1993-last-draft.webp The title page of the Pulp Fiction screenplay, brass-fastener bound, reading 'PULP FICTION written and directed by Quentin Tarantino, stories by Quentin Tarantino and Roger Roberts Avery, THREE STORIES ABOUT ONE STORY, May 1993 last draft, with revision codes Blue revised 8/18/93 and Pink revised 9/8/93' https://newmexicoliteracyproject.org/images/archive/curiosities/pulp-fiction-tarantino-1993/interior-1.webp Interior page of the Pulp Fiction screenplay https://newmexicoliteracyproject.org/images/archive/curiosities/pulp-fiction-tarantino-1993/interior-2.webp Interior page of the Pulp Fiction screenplay https://newmexicoliteracyproject.org/images/archive/curiosities/pulp-fiction-tarantino-1993/ebay-screenshot-1.webp eBay listing screenshot showing the Pulp Fiction screenplay listed by New Mexico Literacy Project at three-figure collector prices https://newmexicoliteracyproject.org/archive/curiosities/sex-death-fly-fishing-gierach https://newmexicoliteracyproject.org/images/archive/curiosities/sex-death-fly-fishing-gierach/spine.webp The spine of Sex, Death, and Fly-Fishing by John Gierach, Simon and Schuster hardcover, with two-tone teal cloth and dark-blue cloth back https://newmexicoliteracyproject.org/images/archive/curiosities/sex-death-fly-fishing-gierach/cover.webp Front cover of Sex, Death, and Fly-Fishing by John Gierach https://newmexicoliteracyproject.org/images/archive/curiosities/sex-death-fly-fishing-gierach/title-page.webp Title page of Sex, Death, and Fly-Fishing https://newmexicoliteracyproject.org/images/archive/curiosities/sex-death-fly-fishing-gierach/signed-flyleaf.webp The flyleaf with John Gierach's signature in bold black ink https://newmexicoliteracyproject.org/images/archive/curiosities/sex-death-fly-fishing-gierach/copyright-page.webp Copyright page of the Gierach hardcover https://newmexicoliteracyproject.org/archive/devils-highway-summers-1937 https://newmexicoliteracyproject.org/images/archive/devils-highway-summers-1937/cover-red-cloth.webp The front cover of The Devil's Highway by Richard A. Summers, bound in deep terracotta-red book cloth with the title 'VIL'S HIGHWAY' partly obscured by a thick black redaction bar where the Albuquerque Public Library has covered the original publisher's stenciled title block; black double-rule below the title; lower edge of the cover plain. A small remnant of a green book-cloth library reinforcement strip is visible at the bottom-left corner where the spine wraps onto the front board. https://newmexicoliteracyproject.org/images/archive/devils-highway-summers-1937/title-page-kino-frontispiece.webp The two-page title-page spread of The Devil's Highway. The left page is a black-mass woodcut-style Nils Hogner illustration showing two robed Spanish-mission figures and a third indigenous figure standing in a field of head-high corn stalks with an adobe-walled structure behind them, rendered in heavy black silhouettes; below the illustration in a small italic block runs the caption 'The contentment of my children here is food and drink to me.' The right page is the title page: 'THE / DEVIL'S HIGHWAY / By Richard A. Summers / Illustrated by Nils Hogner / New York / THOMAS NELSON AND SONS / 1937'. Below the title page, a small rectangular stamp reads 'Yours to Keep / Withdrawn/ABCL' and below that a purple oval stamp reads 'ALBUQUERQUE PUBLIC LIBRARY' with a smaller 'SC' badge inside a circle. https://newmexicoliteracyproject.org/images/archive/devils-highway-summers-1937/front-pastedown-pimeria-alta-map.webp The inside front cover of The Devil's Highway, showing on the left a salmon-ground decorative endpaper map of the Pimería Alta region. Hand-drawn black-line cartography depicts: the Gila River across the top, San Cosme de Tucsón / Modern Tucson and San Xavier del Bac labeled in the upper section, a row of mountains along the New Mexico border on the right; California and the Sea of California labeled across the lower left; Sonora labeled along the bottom; named Spanish mission stations including Sonoita, Caborca, Tubatama, Tubutama, Sáric, San Ignacio, Cocospera (Mision Catedral noted), Magdalena, San Pedro, San Xavier del Bac, Dolores, Cucurpe, Opodepe, San Juan; the tribal labels 'APACHES', 'PUMAS', and 'YUMAS' set in display capitals across the upper portion with the parenthetical 'MODERN NAMES IN PARENTHESES' explanatory legend, and 'ALBUQUERQUE PUBLIC LIBRARY' stamped in a rectangular block at the upper left corner. To the right is the front pastedown, also salmon-pink, plain except for an upside-down 'ALBUQUERQUE PUBLIC LIBRARY' stamp at the lower edge. https://newmexicoliteracyproject.org/images/archive/devils-highway-summers-1937/copyright-page-1937-abq-library.webp The copyright page of The Devil's Highway. Centered text reads: 'COPYRIGHT 1937 / By Thomas Nelson and Sons'. Three blank lines below, in small caps: 'PRINTED IN THE UNITED STATES OF AMERICA'. At the foot of the page, upside down, a purple ALBUQUERQUE PUBLIC LIBRARY rectangular stamp and an accession-number marking '306488' written in pencil. https://newmexicoliteracyproject.org/images/archive/devils-highway-summers-1937/spine-nelson.webp The spine of The Devil's Highway photographed in close detail. The deep terracotta-red cloth runs the length of the spine. At the top, in a small black-stenciled rectangular block: 'THE / DEVIL'S HIGH- / WAY' over a thin horizontal rule then 'SUMMERS'. The body of the spine is plain red cloth, faded near the head and foot from shelf wear. At the foot of the spine in a small black block: 'NELSON' (for the publisher Thomas Nelson and Sons). About one-third up from the foot of the spine, a clear plastic-laminated rectangular Albuquerque Public Library call-number label is affixed, with the visible call number partly obscured by adhesive yellowing but the library label is unmistakably the Albuquerque institutional format. https://newmexicoliteracyproject.org/images/archive/devils-highway-summers-1937/rear-endpaper-map.webp The inside back cover of The Devil's Highway, showing a second salmon-ground decorative cartographic endpaper. The map depicts the Pimería Alta from a slightly different vantage point than the front endpaper: the Gila River runs across the top, a row of black-stippled mountain ranges runs down the right side framing the territory, Sonora and the Sea of California are labeled across the lower portion, and named Spanish mission and town stations including Caborca, San Xavier del Bac, Cocóspera, Magdalena, Dolores, San Pedro, San Ignacio, and Cucurpe are positioned across the territory. A black-line compass rose with a fleur-de-lis north arrow occupies the center-right. The right margin shows the rear-endpaper pastedown, plain salmon, with no markings. https://newmexicoliteracyproject.org/archive/dictionary-nm-spanish-cobos-2003 https://newmexicoliteracyproject.org/images/archive/dictionary-nm-spanish-cobos-2003/cover-dustjacket.webp The blue dust jacket of A Dictionary of New Mexico and Southern Colorado Spanish by Rubén Cobos, with stylized alphabet motif on the cover, Revised & Expanded Edition. https://newmexicoliteracyproject.org/images/archive/dictionary-nm-spanish-cobos-2003/signed-inscribed.webp The signature page reading 'For Susan, one of Helen's dear friends' in cursive ink, signed Rubén Cobos https://newmexicoliteracyproject.org/images/archive/dictionary-nm-spanish-cobos-2003/title-page.webp The title page reading A Dictionary of New Mexico and Southern Colorado Spanish, Revised and Expanded Edition, by Rubén Cobos, Museum of New Mexico Press, Santa Fe https://newmexicoliteracyproject.org/images/archive/dictionary-nm-spanish-cobos-2003/copyright-page.webp The copyright page showing copyright 2003 Rubén Cobos, Second Edition Revised and Expanded, ISBN 0-89013-452-9 cloth and 0-89013-453-7 paper, LCCN 2003114603 https://newmexicoliteracyproject.org/archive/embroideries-rebecca-james-1963 https://newmexicoliteracyproject.org/images/archive/embroideries-rebecca-james-1963/title-page.webp The title page of the 1963 Museum of International Folk Art catalog Embroideries by Rebecca James, with a small printed feather ornament beneath the typography. https://newmexicoliteracyproject.org/images/archive/embroideries-rebecca-james-1963/foreword-e-boyd.webp The foreword by E. Boyd, dated Santa Fe 1963, discussing the history of needlework, Rebecca Salsbury James's interest in the old New Mexico colcha stitch, and her revival work in Taos https://newmexicoliteracyproject.org/images/archive/embroideries-rebecca-james-1963/colcha-stitch-essay.webp A two-page spread with one of Rebecca James's embroidered pictures on the left page and the opening of her essay The Colcha Knot Stitch by Rebecca James on the right page, discussing the history of NM colcha embroidery beginning before 1685 https://newmexicoliteracyproject.org/archive/family-affair-griggs-mesilla-1968 https://newmexicoliteracyproject.org/images/archive/family-affair-griggs-mesilla-1968/cover.webp A small orange paperback cookbook with purple yarn binding titled 'A Family Affair: A Few Favorite Recipes of Mrs. Griggs' by Josephine C. Griggs and Elaine N. Smith, with a pen-and-ink illustration of a wood-burning stove with chiles drying overhead. https://newmexicoliteracyproject.org/images/archive/family-affair-griggs-mesilla-1968/colophon-mesilla-restaurants.webp The colophon page reading 'Full Stomach Happy Heart — A Family Affair' with the Mesilla pioneer family origin story, four children's names, and three restaurant distribution points including El Pinto Restaurant Albuquerque, Griggs Restaurant El Paso, and La Posta Restaurant Rancho Cordova California, with a watercolor illustration of an adobe house https://newmexicoliteracyproject.org/archive/fetishes-branson-1976 https://newmexicoliteracyproject.org/images/archive/fetishes-branson-1976/cover.webp The cover of Fetishes and Carvings of the Southwest by Oscar T. Branson, with a turquoise-covered Zuni fetish jar and a small carved figure on a red background. https://newmexicoliteracyproject.org/images/archive/fetishes-branson-1976/signed-title-page.webp The title page reading 'FETISHES and Carvings of the Southwest by Oscar T. Branson' with inscription 'To Diana Best of Luck Oscar T. Branson' https://newmexicoliteracyproject.org/images/archive/fetishes-branson-1976/cover-description-third-printing.webp The page facing the title page noting 'THIRD PRINTING' and a description of the front cover crucified turquoise-covered fetish jar https://newmexicoliteracyproject.org/images/archive/fetishes-branson-1976/interior-tewa-crucita.webp An interior spread showing a painted illustration of an older Tewa carver, possibly Crucita, with text about Native American carvers https://newmexicoliteracyproject.org/archive/fiesta-fare-momaday-1956 https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-fiesta-fare-momaday-1956.webp The cover of Fiesta Fare: Mexican, Spanish and Southwestern Recipes, a 1956 Albuquerque 250th-anniversary commemorative cookbook with a black-and-blue illustration of a Mexican-dressed woman cooking and a man in a sombrero, signed Al Momaday in the lower right. https://newmexicoliteracyproject.org/archive/fish-drum-leo-romero-1989 https://newmexicoliteracyproject.org/images/archive/fish-drum-leo-romero-1989/cover.webp The cover of Fish Drum Magazine Issue 4 in turquoise and black, with bold typography reading LEO ROMERO'S DESERT NIGHTS, FISH DRUM MAGAZINE, a few dollars, ISSUE NO. 4, and a stylized linocut illustration of a figure with mountains in the background. https://newmexicoliteracyproject.org/images/archive/fish-drum-leo-romero-1989/signed-with-original-art.webp The colophon page of Fish Drum 4 with Leo Romero's signature in the upper right, an inscription For Rey, an original two-face drawing by Romero in dark ink, and a second Leo signature at lower right; donor annotation 'out of print signed by author' in pencil at top https://newmexicoliteracyproject.org/archive/gallery-of-dudes-sprague-1967 https://newmexicoliteracyproject.org/images/archive/gallery-of-dudes-sprague-1967/cover-dustjacket.webp The cream-and-orange dust jacket of Marshall Sprague's 'A Gallery of Dudes', published by Little, Brown 1967, with two illustrated dude figures. https://newmexicoliteracyproject.org/images/archive/gallery-of-dudes-sprague-1967/signed-half-title-with-inscription.webp The half-title page with a pencil inscription 'To my dear, dear Daddy from Sammie Lee 1968 Christmas' and below it the signature Marshall Sprague in ink https://newmexicoliteracyproject.org/images/archive/gallery-of-dudes-sprague-1967/copyright-page-first-edition.webp The copyright page showing 'Copyright 1966, 1967 by Marshall Sprague', LCCN 66-21991, and the words 'FIRST EDITION' https://newmexicoliteracyproject.org/archive/hardhat-stetson-anderson-1999 https://newmexicoliteracyproject.org/images/archive/hardhat-stetson-anderson-1999/cover.webp The cover of Hardhat and Stetson with bold yellow and black typography, two black-and-white photographs of Robert O. Anderson — one in a hardhat with the ARCO logo, one in a cowboy Stetson — and the byline by Paul E. Patterson. https://newmexicoliteracyproject.org/images/archive/hardhat-stetson-anderson-1999/signed-title-page.webp Title page of Hardhat and Stetson with the inscription 'Hey, Zeke, I hope you enjoy my story' and the signature of Paul E. Patterson in dark ink, with the Sunstone Press logo and Santa Fe imprint below https://newmexicoliteracyproject.org/images/archive/hardhat-stetson-anderson-1999/copyright-page-first-edition.webp Copyright page showing 1999 by Paul E. Patterson, FIRST EDITION, printing line 10 9 8 7 6 5 4 3 2 1, ISBN 0-86534-301-2, Library of Congress Cataloging-in-Publication record HD9570 A53 P38 1999, Sunstone Press P.O. Box 2321 Santa Fe NM 87504-2321 https://newmexicoliteracyproject.org/images/archive/hardhat-stetson-anderson-1999/interior-ranch-photos.webp Interior page from the Diamond A Cattle Company chapter showing 1970s photographs of cattle drives at Lorencito Canyon and South Valley Ranch in Stonewall, Colorado, including Pat Archuleta and Paul Patterson at a chuck box with Ernest Burkhart in the photo credits https://newmexicoliteracyproject.org/images/archive/hardhat-stetson-anderson-1999/diamond-a-ranch-fall-work-1970.webp Two interior photographs from Diamond A Ranch fall cattle work in 1970: top photograph captioned 'Cooking for round-up crew, Diamond A Ranch — fall work, Ernest Burkhart, 1970, Photograph by author', bottom photograph captioned 'Dinner out of the chuck-box. Diamond A Ranch fall cattle work. Gail Shell, Pat Archuleta, and Paul Patterson, 1970. Photograph by author.' https://newmexicoliteracyproject.org/images/archive/hardhat-stetson-anderson-1999/back-cover.webp Back cover of Hardhat and Stetson with publisher's blurb describing Anderson's 1986 induction to the U.S. Business Hall of Fame, the company's 28-ranch Diamond A history, and the 1986 ARCO retirement, with author bio of Paul E. Patterson and ISBN 0-86534-301-2 https://newmexicoliteracyproject.org/archive/healing-herbs-curtin-1965 https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/cover-front-green-cloth.webp The front cover of Healing Herbs of the Upper Rio Grande by L. S. M. Curtin, plain dark green book-cloth binding with no surface lettering — the classic Southwest Museum library hardcover, photographed at an angle against a neutral white surface with the small remnant of an Albuquerque Public Library spine label visible at the lower right edge. https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/front-pastedown-map-title-vii.webp The inside front cover of the book showing a salmon-pink ground decorative endpaper map of the Upper Rio Grande valley with hand-drawn black-line landmarks: a compass rose with cardinal points, two coat-of-arms cartouches (Spanish heraldry of Castile and León), the river running south through clusters of cottonwood and piñon hills, and the named villages including Albuquerque, San Pedro, Madrid, Galisteo, Santa Fe, Tesuque, San Ildefonso, Chimayó, Las Trampas, Truchas, Santa Cruz, El Rito, and the Cordova / San Juan / Ohkay Owingeh area. To the right, a plain salmon-pink front pastedown with the typed words 'TITLE VII' at the top corner and 'El Rito' written in pencil in the center as a reader's chapter marker. https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/title-page-spread.webp The two-page title spread of Healing Herbs of the Upper Rio Grande. Left page: 'HEALING / OF THE UPPER / L S M CURTIN / Drawings by P G Napolitano / SOUTHWEST / LOS ANGELES'. Right page: 'HERBS / RÍO GRANDE / El Rito' with a P. G. Napolitano line drawing of cholla and prickly-pear cactus, and 'MUSEUM / CALIFORNIA' beneath it. Several pencil marginalia in the right margin: 'a faint dealer price code', 'Oct 1984', 'SW 581.6 Cur', '234'. A faint reverse-image bleed-through of the previous page is visible on both spreads. https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/frontispiece-medica-napolitano.webp The frontispiece line drawing by P. G. Napolitano showing a Spanish New Mexican curandera in a long dark shawl walking through a field of standing corn stalks, holding a freshly gathered bunch of herbs in her right hand. The figure is drawn in plain pen-and-ink with strong black-massed treatment of the shawl and hair, against a softer rendered cornfield. The caption above reads: 'Médica of the Río Grande Valley.' https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/copyright-second-printing-1974.webp The copyright page of this copy, showing in centered text: 'Copyright 1965 by Southwest Museum, Los Angeles, California. Do not quote without proper acknowledgment of title, author and publisher.' Four lines below: 'Second printing, 1974'. Below that, the section heading 'Cacti of the Río Grande' marks the start of the first chapter group. The light bleed-through of the title-page Napolitano cactus drawing is visible through the paper. https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/palo-amarillo-palo-duro-interior.webp A two-page interior spread showing the entries for PALO AMARILLO (Fremont's Barberry, Barberry Family — a yellow-flowered desert holly used as a tonic, fever bath, jaundice remedy, and protective amulet placed across the chest) and PALO DURO (Mountain Mahogany, Rose Family — a hard, fine-textured wood used in red-dye preparation for wool tinting in Spanish weaving). Multi-paragraph entries with named informants and citations to comparative sources. https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/limoncillo-linasa-lirio-interior.webp A two-page interior spread showing entries for LIMONCILLO (Aster Family, a lemon-scented prairie herb used for stomach complaints), LINASA (Linseed / Wild Flax / Flax Family, used as a poultice for infected wounds and mumps and a treatment for general swellings and rheumatic pain), and LIRIO (Iris Family, a poisonous root that village curanderas in northern New Mexico used in carefully measured doses to treat sore throat, smallpox lesions, and the 'dropsie / waterish humours' — with Curtin's parallel citation to a sixteenth-century English herbal documenting the same preparation). https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/miguel-lamy-and-wife-frontispiece.webp The frontispiece photograph at page 1 of the book, showing a sepia-toned period photograph of an elderly Spanish New Mexican man (Miguel Lamy) sitting on a stone bench against the adobe wall of a village house with his wife seated beside him in a long dark shawl, both looking off-camera. The caption beneath reads: 'Miguel Lamy and Wife.' https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/spine-call-number-sw-581-6.webp The spine of the book photographed in close detail, showing the dark green book-cloth with the title 'HEALING OF THE UPPER RIO GRANDE / SOUTHWEST MUSEUM' stamped in silver running vertically along the spine and 'HERBS / L S M / CURTIN' stamped in the lower portion. A small white Albuquerque Public Library call-number label is affixed near the foot of the spine reading: 'SW / 581.6 / Cur'. https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/back-cover.webp The back cover of the book, plain dark green book-cloth identical to the front cover, with no surface lettering. A small remnant of what was once an Albuquerque Public Library patron-circulation pocket is visible along the right edge near the spine, partly torn away when the book was withdrawn from circulation. https://newmexicoliteracyproject.org/archive/ https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/cover-front-green-cloth.webp Green book-cloth front cover of L. S. M. Curtin Healing Herbs of the Upper Rio Grande Southwest Museum 1965 Second Printing 1974 Albuquerque Public Library Title VII discard https://newmexicoliteracyproject.org/images/archive/devils-highway-summers-1937/title-page-kino-frontispiece.webp Title page and Nils Hogner frontispiece of The Devil's Highway by Richard A. Summers Thomas Nelson and Sons 1937 first edition Pimeria Alta Father Kino mission frontier novel Albuquerque Public Library Withdrawn ABCL discard https://newmexicoliteracyproject.org/images/archive/family-affair-griggs-mesilla-1968/cover.webp Cover of A Family Affair: A Few Favorite Recipes of Mrs. Griggs, 1968 Mesilla pioneer family cookbook tied to El Pinto Restaurant Albuquerque https://newmexicoliteracyproject.org/images/archive/c135-boeing-johnson/cover.webp Cover of Boeing C-135 Series Structural Repair Illustration Catalog with hand-drawn line illustrations of C-135 aircraft variants in formation, with handwritten provenance Ralph F. Johnson C-135 Structures https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/cover-and-text.webp UNM Press 1989 first edition of Letters from the New World by Diego de Vargas, edited by Kessell, Hendricks, and Dodge, open to copyright page and contents https://newmexicoliteracyproject.org/images/archive/embroideries-rebecca-james-1963/title-page.webp Title page of the 1963 Museum of International Folk Art Santa Fe exhibition catalog Embroideries by Rebecca James https://newmexicoliteracyproject.org/images/archive/reluctant-frontiersman-larkin-1990/cover.webp UNM Press 1990 first edition cover of Reluctant Frontiersman: James Ross Larkin on the Santa Fe Trail 1856-57, edited by Barton H. Barbour with foreword by Marc Simmons https://newmexicoliteracyproject.org/images/archive/fish-drum-leo-romero-1989/cover.webp Cover of Fish Drum Magazine Issue 4 with turquoise and black design featuring Leo Romero's Desert Nights, Santa Fe small press 1989 https://newmexicoliteracyproject.org/images/archive/hardhat-stetson-anderson-1999/cover.webp Cover of Hardhat and Stetson by Paul E. Patterson, biography of Robert O. Anderson, Sunstone Press 1999 first edition https://newmexicoliteracyproject.org/images/archive/brothers-santa-fe-chihuahua-glasgow-1993/cover-dustjacket.webp Hardcover dust jacket of Brothers on the Santa Fe and Chihuahua Trails Glasgow Gardner Simmons University Press of Colorado 1993 first edition https://newmexicoliteracyproject.org/images/archive/ranchers-ramblers-renegades-simmons-1984/cover.webp Soft-cover Marc Simmons Ranchers Ramblers and Renegades Ancient City Press Santa Fe 1984 first edition https://newmexicoliteracyproject.org/images/archive/women-nm-frontier-foote/cover.webp Cover of Women of the New Mexico Frontier 1846-1912 by Cheryl J. Foote UNM Press https://newmexicoliteracyproject.org/images/archive/mysterious-valley-obrien-1996/cover.webp Mass-market paperback cover of The Mysterious Valley by Christopher O'Brien St. Martin's 1996 first edition UFO/cattle-mutilation San Luis Valley https://newmexicoliteracyproject.org/images/archive/cocinas-de-nm-collection/three-cookbooks-overview.webp Three saddle-stitched Cocinas de New Mexico and New Mexico Holiday Show cookbooks lying side-by-side, scarce regional NM food-history ephemera https://newmexicoliteracyproject.org/images/archive/manhattan-project-kelly-2007/cover.webp Black hardcover dust jacket of The Manhattan Project edited by Cynthia C. Kelly with mushroom cloud cover photo, Black Dog and Leventhal 2007 first edition signed presentation copy https://newmexicoliteracyproject.org/images/archive/pershings-mission-braddy-1973-signed/cover.webp Yellow dust jacket of Pershing's Mission in Mexico by Haldeen Braddy showing dual silhouette portraits of John J. Pershing in cavalry hat and Pancho Villa in sombrero with 1916 between them, Texas Western Press El Paso UTEP, Carl Hertzog designed https://newmexicoliteracyproject.org/images/archive/dictionary-nm-spanish-cobos-2003/cover-dustjacket.webp Cover of A Dictionary of New Mexico and Southern Colorado Spanish by Rubén Cobos, 2003 Museum of NM Press https://newmexicoliteracyproject.org/images/archive/gallery-of-dudes-sprague-1967/cover-dustjacket.webp Dust jacket of A Gallery of Dudes by Marshall Sprague, Little Brown 1967 first edition https://newmexicoliteracyproject.org/images/archive/canones-kutsche-vanness-1981/cover.webp Cover of Cañones: Values, Crisis, and Survival in a Northern New Mexico Village by Paul Kutsche and John R. Van Ness https://newmexicoliteracyproject.org/images/archive/master-weavers-winter-2011/cover-dustjacket.webp The Master Weavers by Mark Winter, 2011 Historic Toadlena Trading Post https://newmexicoliteracyproject.org/archive/irene-fisher-bathtub-bullets https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-irene-fisher-bathtub-bullets.webp Two cream-paper trade paperback books side by side: 'Bathtub and Silver Bullet' on the left and 'More Bathtubs Fewer Bullets' on the right, both by Irene Fisher. The matched pair share a coordinated design — pen-and-ink illustrations of adobe houses with surrounding cottonwood and chile-string vegetation on cream-colored cardstock covers. The Albuquerque Historical Society and Tumbleweed Press Placitas imprint is visible on the cover of the first volume. https://newmexicoliteracyproject.org/archive/laurentian-ayers-wool-blanket-lvl-2026 https://newmexicoliteracyproject.org/images/archive/laurentian-ayers-wool-blanket-lvl-2026/folded-blanket-with-label.webp Folded cream and sage-green Laurentian Pure Wool blanket by Ayers of Lachute, with twin forest-green stripes and the original yellowed woven label (red Mothproof banner, Product of Canada) visible on the green section. https://newmexicoliteracyproject.org/archive/letters-new-world-vargas-1989 https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/cover-front.webp The front cover of Letters from the New World by Diego de Vargas, with elegant calligraphic title typography over a faint reproduction of period Spanish manuscript script and the editor names John L. Kessell, Rick Hendricks, and Meredith D. Dodge. https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/half-title.webp Half-title page reading Letters from the New World https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/title-page-vargas-portrait.webp Title page facing the only known portrait of Diego de Vargas, an oil painting from the Capilla de San Isidro in Madrid showing Vargas in 17th-century Spanish formal dress with curled hair, lace cuffs, and ornamented sash; caption notes the photograph was taken by Estudio Portillo Madrid in April 1985 courtesy of J. Manuel Espinosa and the Museum of New Mexico https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/cover-and-text.webp The book open to the copyright page and table of contents showing the 1989 first edition Letters from the New World by Vargas, edited by Kessell, Hendricks, and Dodge https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/copyright-page.webp Library of Congress Cataloging-in-Publication Data for Letters from the New World, ISBN 0-8263-1354-X, with classification F799 V284 1992 and CIP record 92-756 https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/back-cover.webp The back cover of Letters from the New World with publisher's blurb describing the abridged volume of Remote Beyond Compare and editorial credits to the Vargas Project at UNM Press https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/mercurio-volante-1693-facsimile.webp Reproduction of the 1693 title page of Sigüenza y Góngora's Mercurio Volante, the contemporary Spanish-language pamphlet that reported Vargas's reconquest of New Mexico to Mexico City https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/conde-de-galve-portrait.webp Engraved portrait of the Conde de Galve, Viceroy of New Spain 1688-96, who was Vargas's principal political patron https://newmexicoliteracyproject.org/archive/manhattan-project-kelly-2007 https://newmexicoliteracyproject.org/images/archive/manhattan-project-kelly-2007/cover.webp Hardcover dust jacket of The Manhattan Project, black with white serif typography of the title and a small inset color photograph of an atomic-bomb mushroom cloud. Subtitle: The Birth of the Atomic Bomb in the Words of Its Creators, Eyewitnesses, and Historians. Edited by Cynthia C. Kelly. Introduction by Richard Rhodes. https://newmexicoliteracyproject.org/images/archive/manhattan-project-kelly-2007/signed-title-page.webp The title page of The Manhattan Project with a personalized inscription in cursive ink at the top: To Debby and Buck, With much appreciation, for your interest in this history. Best, Cindy Kelly 11/19. Below the inscription is the printed title block. https://newmexicoliteracyproject.org/images/archive/manhattan-project-kelly-2007/copyright-page-first-edition.webp The copyright page showing 2007 by the Atomic Heritage Foundation, ISBN 13 978-1-57912-747-3, LCCN reference 2007023984, Library of Congress Cataloging Cynthia C Kelly editor, Black Dog and Leventhal Publishers Inc 151 West 19th Street New York NY 10011, Workman Publishing Company 225 Varick Street New York NY 10014, full printing line g f e d c b a https://newmexicoliteracyproject.org/images/archive/manhattan-project-kelly-2007/back-cover-blurbs.webp The back cover of The Manhattan Project with extensive blurbs from major historians and reviewers including Bruce Babbitt former US Secretary of the Interior and Governor of Arizona, James G Hershberg author of James B Conant Harvard to Hiroshima and the Making of the Nuclear Age, Kai Bird co-author of American Prometheus, Jennet Conant author of Tuxedo Park and 109 East Palace, Gregg Herken author of Brotherhood of the Bomb, Richard Moe National Trust for Historic Preservation, Michael Gordin Princeton, plus blurbs from Tennessee and Washington Congressmen Zach Wamp and Doc Hastings https://newmexicoliteracyproject.org/archive/master-weavers-winter-2011 https://newmexicoliteracyproject.org/images/archive/master-weavers-winter-2011/cover-dustjacket.webp The dust jacket of The Master Weavers by Mark Winter, with a Two Grey Hills Navajo rug pattern in the central illustration framed by additional weaving motifs. https://newmexicoliteracyproject.org/images/archive/master-weavers-winter-2011/signed-title-page.webp The half-title page reading 'The Master Weavers' with signature 'Mark Winter Toadlena 6/16' below https://newmexicoliteracyproject.org/images/archive/master-weavers-winter-2011/copyright-page-2011.webp The copyright page showing 'The Master Weavers copyright 2011 by Mark Winter, Published by The Historic Toadlena Trading Post, Newcomb NM 87455, ISBN 978-0-9825094-6-3' https://newmexicoliteracyproject.org/images/archive/master-weavers-winter-2011/interior-navajo-rugs.webp An interior spread showing two Navajo Two Grey Hills rugs side by side with caption text below https://newmexicoliteracyproject.org/archive/mysterious-valley-obrien-1996 https://newmexicoliteracyproject.org/images/archive/mysterious-valley-obrien-1996/cover.webp Mass-market paperback cover of The Mysterious Valley by Christopher O'Brien with the title in orange against a stylized sunburst over silhouetted mountains and the byline 'Astonishing true stories of UFOs, animal mutilation and unexplained phenomena.' https://newmexicoliteracyproject.org/images/archive/mysterious-valley-obrien-1996/back-cover.webp Back cover summary describing Crestone, the Baca, and Christopher O'Brien's investigation of the San Luis Valley anomalies https://newmexicoliteracyproject.org/images/archive/mysterious-valley-obrien-1996/copyright-page.webp Copyright page showing 1996 copyright by Christopher O'Brien, St. Martin's Press 175 Fifth Avenue New York, ISBN 0-312-95883-8, St. Martin's Paperbacks edition September 1996, printing line 10 9 8 7 6 5 4 https://newmexicoliteracyproject.org/archive/new-mexico-circles-burkey-1990 https://newmexicoliteracyproject.org/images/archive/new-mexico-circles-burkey-1990/front-cover.webp The black cover of New Mexico Circles by Robert Burkey, with a stylized New Mexico sun symbol arched above the title and a black-and-white photograph of a landscape near Ortega's Chimayó. https://newmexicoliteracyproject.org/images/archive/new-mexico-circles-burkey-1990/back-cover-taos-pueblo.webp Back cover of New Mexico Circles showing a B&W photograph of the Santuario de Taos Pueblo with adobe wall and cross https://newmexicoliteracyproject.org/images/archive/new-mexico-circles-burkey-1990/copyright-page.webp Copyright page reading 'Photography and text Robert Burkey, Editing Paul Sheehey, Copyright 1990 Robert Burkey, Publisher Written/Visual Images Inc., 29 South Manor Drive, White Plains New York 10603, Printed in White Plains New York by Westmail Press' https://newmexicoliteracyproject.org/images/archive/new-mexico-circles-burkey-1990/interior-bandelier-spread.webp An interior spread showing a B&W photo of a winding path at Bandelier National Monument with caption text and a small regional map https://newmexicoliteracyproject.org/archive/nm-colcha-embroidery https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-nm-colcha-embroidery.webp A pink-paper-covered specialty book titled New Mexico Colcha Embroidery by Susan H. Ellis, with stylized burgundy floral illustrations on the cover, donated to NMLP. https://newmexicoliteracyproject.org/archive/pershings-mission-braddy-1973-signed https://newmexicoliteracyproject.org/images/archive/pershings-mission-braddy-1973-signed/cover.webp The yellow dust jacket of Pershing's Mission in Mexico by Haldeen Braddy, showing the iconic dual-portrait illustration of General John J. Pershing in a US cavalry campaign hat above the date 1916 above Pancho Villa in a sombrero, both rendered in black silhouette on the yellow ground, with Texas Western Press / The University of Texas at El Paso imprint at the bottom. https://newmexicoliteracyproject.org/images/archive/pershings-mission-braddy-1973-signed/signature-page.webp The half-title page of Pershing's Mission in Mexico signed in blue ballpoint by Haldeen Braddy in a large flourishing signature, with 'Pershing's Mission in Mexico' set in serif type above the signature. https://newmexicoliteracyproject.org/images/archive/pershings-mission-braddy-1973-signed/copyright-hertzog-monogram.webp The copyright page of Pershing's Mission in Mexico showing 'COPYRIGHT 1966 / TEXAS WESTERN PRESS : EL PASO / REPRINT EDITION 1973' and 'Library of Congress Catalog Card No. 66-26835' with the intertwined HC monogram of Carl Hertzog below, framed by tulip-leaf ornaments. https://newmexicoliteracyproject.org/images/archive/pershings-mission-braddy-1973-signed/author-bio-flap.webp The yellow rear dust-jacket flap of Pershing's Mission in Mexico with a black and white head-and-shoulders portrait photograph of Haldeen Braddy at top and a multi-paragraph 'Note on the Author' biography below detailing his UTEP career, his Chaucer/Poe/Shakespeare scholarship, his Pancho Villa research, and the Carl Hertzog typography and dust-jacket credit at the bottom. https://newmexicoliteracyproject.org/images/archive/pershings-mission-braddy-1973-signed/title-page.webp The title page of Pershing's Mission in Mexico, showing 'Pershing's Mission in Mexico' centered, three small tulip-leaf ornaments below, 'BY HALDEEN BRADDY', three more ornaments, 'Introduction RICHARD O'CONNOR', three more ornaments, then 'El Paso : Texas Western Press : 1966' centered under a horizontal rule. https://newmexicoliteracyproject.org/images/archive/pershings-mission-braddy-1973-signed/battle-chronology-page.webp An interior page of Pershing's Mission in Mexico showing a numbered ten-engagement chronology of cavalry battles from April 1 1916 at Agua Caliente through May 25 1916 at Alamillo Canyon, with me and Villista/Carrancista casualty counts for each engagement, set in Hertzog typography. https://newmexicoliteracyproject.org/images/archive/pershings-mission-braddy-1973-signed/interior-cavalry-photos.webp An interior page of Pershing's Mission in Mexico showing two historic black-and-white photographs from the Aultman Collection: top image of United States Army wagons fording a river during the Mexican Campaign of 1916 with a line of mule-drawn wagons in shallow water against a desert mesa backdrop; bottom image of American Expedition personnel in Mexico in 1916 with covered wagons, mules, soldiers in campaign hats. https://newmexicoliteracyproject.org/archive/pueblo-indian-cookbook https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-pueblo-indian-cookbook.webp A spiral-bound copy of Pueblo Indian Cookbook by Phyllis Hughes, published by the Museum of New Mexico Press, with a sepia-toned illustration on the cover showing women preparing food with traditional Pueblo pottery and weavings. https://newmexicoliteracyproject.org/archive/ranchers-ramblers-renegades-simmons-1984 https://newmexicoliteracyproject.org/images/archive/ranchers-ramblers-renegades-simmons-1984/cover.webp Soft-cover edition of Ranchers, Ramblers and Renegades by Marc Simmons with the title in black serif typography on a slate-blue background and a 19th-century engraving of the Santa Fe plaza with the FONDA building visible. https://newmexicoliteracyproject.org/images/archive/ranchers-ramblers-renegades-simmons-1984/title-page.webp Title page reading RANCHERS RAMBLERS and RENEGADES True Tales of Territorial New Mexico by Marc Simmons, Ancient City Press, Santa Fe, New Mexico https://newmexicoliteracyproject.org/images/archive/ranchers-ramblers-renegades-simmons-1984/copyright-page-first-edition.webp Copyright page showing 1984 by Marc Simmons, Ancient City Press P.O. Box 5401 Santa Fe NM 87502, ISBN 0-941270-17-3, First Edition designation, designed by Mary Powell, typesetting by Business Graphics Inc Albuquerque NM, printed by Inter-Collegiate Press Shawnee Mission Kansas https://newmexicoliteracyproject.org/images/archive/ranchers-ramblers-renegades-simmons-1984/contents-true-tales.webp Two-page table of contents showing essay titles including Tragedy on the Plains, The Ghosts at Robbers Roost, Chief Justice Slough is Shot, Badman Leyba, Shoot-out at Estancia Springs, Mystery of the Mayberry Murders, The First New Mexico Penitentiary, The Mysterious Guadalupes, The Ordeal of Jane Wilson, The Fate of Charlie McComas, A Bloodthirsty Family, Stalking Grizzlies, New Mexico's Most Famous Book, The Man Who Saved a President, A Train Ride of Terror, The Shooting Spree of the High Fives https://newmexicoliteracyproject.org/images/archive/ranchers-ramblers-renegades-simmons-1984/introduction.webp The Introduction page citing the territorial governor Miguel Antonio Otero's memoir characterization of New Mexico as the place that received the backwash from the streams of Texas, Kansas, Colorado, the Indian territory, Utah, Arizona, and California, and quoting John Greiner's 1851 letter from Santa Fe describing territorial-era violence and conflict https://newmexicoliteracyproject.org/archive/reluctant-frontiersman-larkin-1990 https://newmexicoliteracyproject.org/images/archive/reluctant-frontiersman-larkin-1990/cover.webp The cover of Reluctant Frontiersman with elegant period typography in red on a tan background, an oval portrait of James Ross Larkin at the top, and ornamental flourishes. https://newmexicoliteracyproject.org/images/archive/reluctant-frontiersman-larkin-1990/title-page-larkin-portrait.webp The title page facing a full-page photographic portrait of James Ross Larkin taken about 1860, used on a carte-de-visite made at St. Louis https://newmexicoliteracyproject.org/images/archive/reluctant-frontiersman-larkin-1990/copyright-page-first-edition.webp Copyright page showing 1990 University of New Mexico Press, FIRST EDITION designation, ISBN 0-8263-1183-0 cloth and 0-8263-1208-X paper, and dedication TO VACHEL https://newmexicoliteracyproject.org/images/archive/reluctant-frontiersman-larkin-1990/back-cover.webp Back cover of Reluctant Frontiersman with publisher's blurb summarizing Larkin's St. Louis background, his prairie-cure motivation for the trip, and Barton H. Barbour's editorial work, with the Historical Society of New Mexico cooperative imprint https://newmexicoliteracyproject.org/images/archive/reluctant-frontiersman-larkin-1990/inventory-of-goods.webp Page from Appendix I, Inventory of Goods, showing Larkin's list of articles purchased for the trip with prices including blue blankets, water-proof boots, robe, and rubber cape https://newmexicoliteracyproject.org/images/archive/reluctant-frontiersman-larkin-1990/bent-fort-diary-text.webp Diary page from Larkin's Santa Fe Trail Diary describing arrival at Bent's Fort on October 13, 1856, the layout of the fort, the Cheyenne and Kiowa traders Larkin observed there, and the costs of coffee and sugar at the fort https://newmexicoliteracyproject.org/images/archive/reluctant-frontiersman-larkin-1990/notes-bibliography.webp Bibliography pages from Reluctant Frontiersman with notes on Billy M. Jones Health-Seekers in the Westward Movement, George Catlin Letters, Gregg Commerce of the Prairies, Susan Glasgow Larkin letters held by the Webb collection at Missouri Historical Society https://newmexicoliteracyproject.org/archive/rocky-mountain-dye-plants-bliss-1976 https://newmexicoliteracyproject.org/images/archive/rocky-mountain-dye-plants-bliss-1976/cover-binding.webp The hand-bound copy of Rocky Mountain Dye Plants by Anne Bliss, showing the unusual physical format: floral fabric-covered cardboard boards over a three-ring binder mechanism that allows the book to lay flat on a workbench. Through the open binder rings, the printed inner cover page is visible carrying the title, author name, the publication city Boulder Colorado, and a small Robert Bliss line-drawing of a Rocky Mountain herb. The fabric pattern is small floral repeats on a pale ground, consistent with mid-1970s decorative quilting cottons. https://newmexicoliteracyproject.org/images/archive/rocky-mountain-dye-plants-bliss-1976/copyright-page-third-printing.webp The copyright page of Anne Bliss Rocky Mountain Dye Plants Third Printing showing the lines 'Published by Anne Bliss / Copyright Anne Bliss 1976 / Library of Congress 76-376143 / Distributed by Juniper House / Boulder Colorado / Third Printing'. The page is set in plain typewriter-style text with no display ornaments. https://newmexicoliteracyproject.org/archive/women-nm-frontier-foote https://newmexicoliteracyproject.org/images/archive/women-nm-frontier-foote/cover.webp The cover of Women of the New Mexico Frontier 1846-1912 by Cheryl J. Foote with a sepia-toned photograph of a Victorian-era woman writing at a desk and the title in white serif typography against a brown background. https://newmexicoliteracyproject.org/images/archive/women-nm-frontier-foote/back-cover.webp Back cover with Cheryl J. Foote biographical note (UNM PhD, teaches at Albuquerque Technical Vocational Institute), Glenda Riley blurb, Journal of Arizona History blurb, Western Historical Quarterly blurb, ISBN 0-8263-3755-4, UNM Press 1-800-249-7737 https://newmexicoliteracyproject.org/images/archive/women-nm-frontier-foote/title-page.webp Title page reading Women of the New Mexico Frontier 1846-1912 by Cheryl J. Foote https://newmexicoliteracyproject.org/images/archive/women-nm-frontier-foote/reference-list.webp Reference list pages 188-189 with bibliographic entries including Halsoma Mary Boy McCarthy, Hamilton Nancy Mecaslin, Holman Pauline Mardis, Horner Patricia In the Realm of Roseland Geneva Roselle, Ingalls Joan Family Life on the Frontier, James George Wharton The Wonders of the Colorado Desert, Jensen Joan and Darlis A. Miller New Mexico Women Intercultural Perspectives, Keller Rosemary Skinner Lay Religious Resources for Women, La Tourrette Genevieve Fort Union Memories, Lacy James M. New Mexico Women in the Nineteenth Century, Larson Robert W. Statehood for New Mexico https://newmexicoliteracyproject.org/art-books-worth-money-guide https://newmexicoliteracyproject.org/images/pictorial-nm-1949-cover.webp Cloth-bound cover of Pictorial New Mexico edited by George Fitzpatrick, 1949 first printing, with woodcut landscape vignette on tan buckram binding. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/pictorial-nm-1949-copyright.webp Copyright page of Pictorial New Mexico showing Copyright 1949 New Mexico Magazine Santa Fe New Mexico and First Printing December 1949. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/blog/book-donation-drop-off-near-me-albuquerque https://newmexicoliteracyproject.org/images/book-donation-drop-box-albuquerque-1200.webp Free 24/7 book donation drop box outside the New Mexico Literacy Project warehouse at 5445 Edith Blvd NE, Albuquerque — the always-open book drop off box for books, DVDs, and CDs https://newmexicoliteracyproject.org/blog/little-free-library-donations-albuquerque https://newmexicoliteracyproject.org/images/little-free-library-riordan-dropoff-albuquerque-1200.webp Cedar-frame Little Free Library stocked with the Rick Riordan Presents middle-grade series — Tristan Strong Keeps Punching, The Storm Runner, The Last Fallen Star, The Cursed Carnival — beside a collection of vintage National Geographic magazines. New Mexico Literacy Project bookmarks visible. Albuquerque, April 2026. https://newmexicoliteracyproject.org/images/little-free-library-adult-fiction-dropoff-albuquerque-1200.webp Two-shelf Little Free Library with adult commercial fiction on top — Nora Roberts, Clive Cussler, Tom Clancy, Patricia Cornwell, The Shack — and a lower shelf mixing more Rick Riordan Presents middle-grade hardcovers with academic titles including Transatlantic Dialogue, Intermediate Microeconomics, and The Wealth and Poverty of Nations. A New Mexico Literacy Project bookmark rests on the lower shelf. https://newmexicoliteracyproject.org/books-found-in-new-mexico-estates https://newmexicoliteracyproject.org/images/donated-books-wooden-crates-albuquerque-pickup-2026-1500.webp Wooden crates full of donated books loaded on a trailer at an Albuquerque estate book pickup https://newmexicoliteracyproject.org/images/albuquerque-estate-book-pickup-trailer-2026-1500.webp A trailer loaded with crates and totes of books from an Albuquerque estate library cleanout https://newmexicoliteracyproject.org/images/father-de-smet-magaret-1940-cover.webp Cover of Father De Smet by Helene Magaret — green cloth binding with silver lettering, Farrar and Rinehart 1940 first edition, no dust jacket. Biography of Jesuit missionary Pierre-Jean De Smet. Photographed at the New Mexico Literacy Project in Albuquerque. https://newmexicoliteracyproject.org/images/father-de-smet-magaret-title-page.webp Title page and frontispiece of Father De Smet Pioneer Priest of the Rockies by Helene Magaret, Farrar and Rinehart Inc New York and Toronto 1940. Frontispiece shows an engraved portrait of Pierre Jean De Smet wearing medals and clerical dress, holding a book. https://newmexicoliteracyproject.org/images/father-de-smet-magaret-frontispiece-portrait.webp Close-up of the frontispiece portrait engraving of Pierre Jean De Smet from Father De Smet by Helene Magaret, showing the Jesuit missionary in clerical robes wearing medals including a cross and holding a small book. Farrar and Rinehart 1940. https://newmexicoliteracyproject.org/images/father-de-smet-magaret-copyright-1940.webp Copyright page of Father De Smet by Helene Magaret showing Farrar and Rinehart F and R colophon, Copyright 1940 by Helene Magaret, Printed in the United States of America by Quinn and Boden Company Inc Rahway N.J., All Rights Reserved. https://newmexicoliteracyproject.org/images/nm-estate-ephemera-spread-santa-fe-trail-balloon-fiesta.webp New Mexico ephemera from an estate donation sorted at the New Mexico Literacy Project workspace — Santa Fe Trail Council bumper sticker reading The Santa Fe Trail Lives On, Adventures with the Santa Fe Trail activity book by Dave Webb, San Miguel County New Mexico Land At The Trails End tourism brochure with mission church photograph, Authentic Indian Arts and Crafts at the Indian Pueblo Cultural Center Albuquerque brochure, and 1983 Albuquerque Balloon Fiesta program celebrating the 100th birthday party of ballooning, photographed by Josh Eldred https://newmexicoliteracyproject.org/images/albuquerque-balloon-fiesta-1983-program-cover.webp Twelfth Annual Albuquerque Balloon Fiesta Official Program 1983 — cover art by Kevin White featuring colorful hot air balloons, rainbow, and flowers, celebrating the 200th anniversary of the Montgolfier flight 1783-1983, original price $2.00. Found in an Albuquerque estate donation to the New Mexico Literacy Project. https://newmexicoliteracyproject.org/images/mesa-verde-photo-guide-vintage-southwest.webp Vintage Mesa Verde National Park photo guide book with stylized 1970s typography and a photograph of Ancestral Puebloan cliff dwellings seen through a stone doorway in red sandstone. Southwest collectible ephemera found in an Albuquerque estate donation to the New Mexico Literacy Project. https://newmexicoliteracyproject.org/images/spruce-tree-house-mesa-verde-vintage-brochure.webp Vintage Spruce Tree House interpretive brochure from Mesa Verde National Park — orange card with black line illustration of the cliff dwelling and a tall spruce tree, 25 cents donation if you take it with you. Southwest National Park Service ephemera found in an Albuquerque estate donation to the New Mexico Literacy Project. https://newmexicoliteracyproject.org/images/cliff-palace-mesa-verde-vintage-brochure.webp Vintage Cliff Palace interpretive brochure from Mesa Verde National Park — cream and brown card with stylized illustration of Mesa Verde's largest cliff dwelling, Donation 25 cents if you take it home. Shown alongside the orange Spruce Tree House brochure. Southwest National Park Service ephemera found in an Albuquerque estate donation to the New Mexico Literacy Project. https://newmexicoliteracyproject.org/images/jfk-assassination-newspaper-1963-toronto-tribune-front-1500.webp Front page of the Toronto Tribune, Toronto Ohio, Wednesday November 27 1963, with full-width headlines reading President Assassinated in Dallas, Lyndon Johnson Takes Office, and President's Slayer Captured Later Becomes Murder Victim. Mayor's proclamation and Council Honors Late President With Memorial Resolution visible below. Found in a New Mexico estate cleanout by the New Mexico Literacy Project. https://newmexicoliteracyproject.org/images/jfk-assassination-newspaper-1963-toronto-tribune-masthead-1500.webp Close-up of the Toronto Tribune masthead showing the newspaper name, Wednesday November 27 1963 date, and 10 cent price, with the top of the assassination headlines visible below. Yellowed newsprint from a small-town Ohio River newspaper preserved for sixty years. https://newmexicoliteracyproject.org/images/jfk-assassination-newspaper-1963-toronto-tribune-full-page-1500.webp Full vertical shot of the Toronto Tribune front page from November 27 1963, showing the complete layout with JFK assassination headlines, mayor's proclamation, Council Honors Late President memorial resolution, photographs, and local news stories. Yellowed newsprint with original fold creases. https://newmexicoliteracyproject.org/images/jfk-assassination-newspaper-1963-toronto-tribune-inside-pages-1500.webp Inside pages of the Toronto Tribune from November 27 1963, showing additional JFK assassination coverage, photographs, local Toronto Ohio news, and small-town reporting alongside the national tragedy. Aged newsprint with fold marks. https://newmexicoliteracyproject.org/images/jfk-assassination-newspaper-1963-toronto-tribune-vintage-ads-1500.webp Back page of the Toronto Tribune November 27 1963, filled with vintage 1963 advertisements including a 1964 Chevy II with V8 engine, Cooper's, Shane Home and Auto, TV Expert Service with $3.95 house calls, City Loan, A. Bonitati and Sons at 501 S. Fourth Street, Wilson's Lamp Shop, and the Miners and Mechanics Bank. Small-town American commerce frozen in time. https://newmexicoliteracyproject.org/images/jfk-assassination-newspaper-1963-toronto-tribune-ap-grocery-ads-1500.webp A&P Super Markets full-page advertisement from the Toronto Tribune November 27 1963 showing turkeys at 33 cents per pound, canned hams at $5.49, want ads, classified listings, legal notices, City Cab advertisement, and Septic Tank Cleaning service ad. 1963 grocery prices frozen in time in a small Ohio town newspaper. https://newmexicoliteracyproject.org/images/jfk-assassination-newspaper-1963-toronto-tribune-sports-entertainment-1500.webp Sports and entertainment pages of the Toronto Tribune November 27 1963, showing bowling league scores and standings, Turkey Shoot at Brandywine Lake Every Sunday advertisement, high school basketball schedule, and Christmas shopping advertisements with illustrations of families carrying presents. Small-town community life the week of the Kennedy assassination. https://newmexicoliteracyproject.org/images/jfk-assassination-newspaper-1963-toronto-tribune-society-pages-1500.webp Society pages of the Toronto Tribune November 27 1963, showing Steubenville College Swedish Opera Singers group photograph, D.A.R. meeting report with Mrs. M. Thompson speaker, garden club news, Mrs. Alex as club hostess, and community social announcements. Small-town Ohio society news the week of the JFK assassination. https://newmexicoliteracyproject.org/images/summer-of-the-bear-arrathoon-signed-title-page-1500.webp Signed title page of Summer of the Bear by Leigh A. Arrathoon, inscribed Best Wishes Leigh A. Arrathoon, Paint Creek Press Rochester Michigan 2005 first printing. Young adult historical fiction about the Anishinabeg Ojibwe and French Canadian voyageurs. Signed copy found in a New Mexico estate cleanout by the New Mexico Literacy Project. https://newmexicoliteracyproject.org/carl-hertzog-texas-western-press-collecting https://newmexicoliteracyproject.org/images/archive/pershings-mission-braddy-1973-signed/copyright-hertzog-monogram.webp The copyright page of a Texas Western Press book showing the intertwined HC monogram of Carl Hertzog framed by tulip-leaf ornaments above and below, with the line 'COPYRIGHT 1966 / TEXAS WESTERN PRESS : EL PASO / REPRINT EDITION 1973' centered above and 'Library of Congress Catalog Card No. 66-26835' between. https://newmexicoliteracyproject.org/images/archive/pershings-mission-braddy-1973-signed/cover.webp The yellow dust jacket of Pershing's Mission in Mexico by Haldeen Braddy, showing the iconic dual-portrait illustration of General John J. Pershing in a US cavalry campaign hat above the date 1916 above Pancho Villa in a sombrero, both rendered in black silhouette on the yellow ground, with Texas Western Press / The University of Texas at El Paso imprint at the bottom. https://newmexicoliteracyproject.org/images/archive/pershings-mission-braddy-1973-signed/author-bio-flap.webp The yellow rear dust-jacket flap of Pershing's Mission in Mexico with a black and white head-and-shoulders portrait photograph of Haldeen Braddy at top and a multi-paragraph 'Note on the Author' biography below detailing his UTEP career, his Chaucer/Poe/Shakespeare scholarship, his Pancho Villa research, and the Carl Hertzog typography and dust-jacket credit at the bottom. https://newmexicoliteracyproject.org/images/archive/pershings-mission-braddy-1973-signed/signature-page.webp The half-title page of Pershing's Mission in Mexico signed in blue ballpoint by Haldeen Braddy in a large flourishing signature, with 'Pershing's Mission in Mexico' set in serif type above the signature. https://newmexicoliteracyproject.org/collecting-new-mexico-cookbooks https://newmexicoliteracyproject.org/images/archive/cocinas-de-nm-collection/three-cookbooks-overview.webp Three saddle-stitched soft-cover regional New Mexico cookbooks lying side-by-side: a tan Cocinas de New Mexico cover with vegetables-and-corn illustration, a green Bernalillo County Extension Service New Mexico Holiday Show cookbook, and an orange Cocinas de New Mexico variant with chile-ristra illustration. https://newmexicoliteracyproject.org/images/archive/cocinas-de-nm-collection/interior-recipe-pages.webp Interior recipe pages of a Cocinas de New Mexico cookbook held open by hand, showing mid-century typewriter-typeface recipes for traditional dishes https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-pueblo-indian-cookbook.webp A spiral-bound copy of Pueblo Indian Cookbook by Phyllis Hughes, published by the Museum of New Mexico Press, with a sepia-toned illustration on the cover showing women preparing food with traditional Pueblo pottery and weavings. https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-fiesta-fare-momaday-1956.webp The cover of Fiesta Fare: Mexican, Spanish and Southwestern Recipes, a 1956 Albuquerque 250th-anniversary commemorative cookbook with a black-and-blue illustration of a Mexican-dressed woman cooking and a man in a sombrero, signed Al Momaday in the lower right. https://newmexicoliteracyproject.org/images/archive/family-affair-griggs-mesilla-1968/cover.webp A small orange paperback cookbook with purple yarn binding titled 'A Family Affair: A Few Favorite Recipes of Mrs. Griggs' by Josephine C. Griggs and Elaine N. Smith, with a pen-and-ink illustration of a wood-burning stove with chiles drying overhead. https://newmexicoliteracyproject.org/images/archive/family-affair-griggs-mesilla-1968/colophon-mesilla-restaurants.webp The colophon page reading 'Full Stomach Happy Heart — A Family Affair' with the Mesilla pioneer family origin story, four children's names, and three restaurant distribution points including El Pinto Restaurant Albuquerque, Griggs Restaurant El Paso, and La Posta Restaurant Rancho Cordova California, with a watercolor illustration of an adobe house https://newmexicoliteracyproject.org/collecting-new-mexico-ethnobotany https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/cover-front-green-cloth.webp The front cover of Healing Herbs of the Upper Rio Grande by L. S. M. Curtin, plain dark green book-cloth binding with no surface lettering — the classic Southwest Museum library hardcover, photographed at an angle against a neutral white surface with the small remnant of an Albuquerque Public Library spine label visible at the lower right edge. https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/title-page-spread.webp The two-page title spread of Healing Herbs of the Upper Rio Grande. Left page: 'HEALING / OF THE UPPER / L S M CURTIN / Drawings by P G Napolitano / SOUTHWEST / LOS ANGELES'. Right page: 'HERBS / RÍO GRANDE / El Rito' with a P. G. Napolitano line drawing of cholla and prickly-pear cactus, and 'MUSEUM / CALIFORNIA' beneath it. Several pencil marginalia in the right margin: 'a faint dealer price code', 'Oct 1984', 'SW 581.6 Cur', '234'. A faint reverse-image bleed-through of the previous page is visible on both spreads. https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/front-pastedown-map-title-vii.webp The inside front cover of the book showing a salmon-pink ground decorative endpaper map of the Upper Rio Grande valley with hand-drawn black-line landmarks: a compass rose with cardinal points, two coat-of-arms cartouches (Spanish heraldry of Castile and León), the river running south through clusters of cottonwood and piñon hills, and the named villages including Albuquerque, San Pedro, Madrid, Galisteo, Santa Fe, Tesuque, San Ildefonso, Chimayó, Las Trampas, Truchas, Santa Cruz, El Rito, and the Cordova / San Juan / Ohkay Owingeh area. To the right, a plain salmon-pink front pastedown with the typed words 'TITLE VII' at the top corner and 'El Rito' written in pencil in the center as a reader's chapter marker. https://newmexicoliteracyproject.org/images/archive/rocky-mountain-dye-plants-bliss-1976/cover-binding.webp The hand-bound copy of Rocky Mountain Dye Plants by Anne Bliss, showing the unusual physical format: floral fabric-covered cardboard boards over a three-ring binder mechanism that allows the book to lay flat on a workbench. Through the open binder rings, the printed inner cover page is visible carrying the title, author name, the publication city Boulder Colorado, and a small Robert Bliss line-drawing of a Rocky Mountain herb. The fabric pattern is small floral repeats on a pale ground, consistent with mid-1970s decorative quilting cottons. https://newmexicoliteracyproject.org/images/archive/rocky-mountain-dye-plants-bliss-1976/copyright-page-third-printing.webp The copyright page of Anne Bliss Rocky Mountain Dye Plants Third Printing showing the lines 'Published by Anne Bliss / Copyright Anne Bliss 1976 / Library of Congress 76-376143 / Distributed by Juniper House / Boulder Colorado / Third Printing'. The page is set in plain typewriter-style text with no display ornaments. https://newmexicoliteracyproject.org/donate https://newmexicoliteracyproject.org/images/nmlp-childrens-book-donation-rural-nm-pallet-1200.webp Full pallet of children's books in boxes stacked two to three high, being prepared for distribution to rural New Mexico communities through a volunteer at La Vida Llena retirement community in Albuquerque https://newmexicoliteracyproject.org/es/historias-de-recogidas https://newmexicoliteracyproject.org/images/socorro-pickup-2026-05-09/socorro-wall-of-boxes.webp Pared de cajas apiladas de una recogida en una propiedad del condado de Socorro, 9 de mayo 2026 https://newmexicoliteracyproject.org/es/recoleccion-socorro-2026-05-09 https://newmexicoliteracyproject.org/images/socorro-pickup-2026-05-09/socorro-wall-of-boxes.webp Una larga pared de cajas grandes de cartón alineadas contra una casa estilo adobe en un paisaje rural del condado de Socorro, con árboles de junípero y cielo azul brillante detrás. https://newmexicoliteracyproject.org/images/socorro-pickup-2026-05-09/intake-truck-bed-books.webp Una caja abierta dentro de la van de NMLP, llena de libros de tapa dura: referencias médicas y clínicas, volúmenes de referencia con lomo de cuero, un libro de texto con sello Stanford, encuadernaciones religiosas, y varios títulos de historia regional de Nuevo México. https://newmexicoliteracyproject.org/images/socorro-pickup-2026-05-09/related-marketplace-find-1920s-farm-animals.webp Captura de pantalla de un anuncio de Facebook Marketplace que muestra ocho figuras pequeñas de animales de granja de metal de los años 1920 — caballo, vaca, cerdo, cabra, oveja, perro, todos en metal fundido — fotografiadas sobre una superficie de madera. https://newmexicoliteracyproject.org/estate-cleanout-service-albuquerque https://newmexicoliteracyproject.org/images/estate-cleanout-cd-music-collection-albuquerque.webp Hundreds of CDs organized on wooden shelves during an Albuquerque estate cleanout by Josh Eldred and the New Mexico Literacy Project — framed artwork on the walls, a Southwestern rug on the floor, and open sorting bins in the foreground showing the room-by-room cataloging process https://newmexicoliteracyproject.org/frank-waters-man-who-killed-deer-collecting https://newmexicoliteracyproject.org/images/waters-killed-deer-cover.webp Front cover of The Man Who Killed the Deer by Frank Waters, Sage Paperbook edition circa 1970 — turquoise arrows and stylized Pueblo deer figure on cream background, priced $3.50. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/waters-killed-deer-back.webp Back cover of The Man Who Killed the Deer Sage Paperbook edition listing other Frank Waters titles including People of the Valley, The Woman at Otowi Crossing, Masked Gods, Pumpkin Seed Point, and Pike's Peak with the Swallow Press swallow-bird colophon and 1139 S. Wabash Avenue Chicago address. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/waters-killed-deer-copyright.webp Copyright page of The Man Who Killed the Deer, Sage Books and Swallow Press edition showing Copyright 1942 and 1970 by Frank Waters, ISBN 0-8040-0193-6 clothbound edition, ISBN 0-8040-0194-4 paperbound edition, Library of Congress Catalog Card Number 73-149327. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/free-book-pickup-albuquerque https://newmexicoliteracyproject.org/images/nmlp-van-magnet-albuquerque-1200.webp New Mexico Literacy Project van — Donate used books or other unwanted items, Call or Text 505-250-3804 (local) or 702-496-4214 https://newmexicoliteracyproject.org/images/socorro-pickup-2026-05-09/socorro-wall-of-boxes.webp A long wall of large cardboard moving boxes lined up against an adobe-style house in rural Socorro County NM, with juniper trees and bright blue sky behind. A blue plastic tote of books visible in the foreground. https://newmexicoliteracyproject.org/images/socorro-pickup-2026-05-09/intake-truck-bed-books.webp An open cardboard moving box inside the back of an NMLP pickup van, packed with hardcover medical references, leather-spine reference volumes, a Stanford-imprint textbook, and other estate-library books visible from above. https://newmexicoliteracyproject.org/free-pickup-service-albuquerque https://newmexicoliteracyproject.org/images/albuquerque-home-library-bookcase-pickup-1129.webp A packed bookcase next to a sliding glass door in a typical Albuquerque home before a free pickup by Josh Eldred and the New Mexico Literacy Project — five shelves of hardcovers, paperbacks, and cookbooks with a sunny courtyard visible through the glass https://newmexicoliteracyproject.org/georgia-okeeffe-art-books-collecting https://newmexicoliteracyproject.org/images/georgia-okeeffe-art-life-first-edition-cover.webp First edition cover of The Art and Life of Georgia O'Keeffe by Jan Garden Castro, Crown Publishers 1985 — dust jacket front showing O'Keeffe flower painting, photographed at the New Mexico Literacy Project sorting workspace in Albuquerque https://newmexicoliteracyproject.org/images/georgia-okeeffe-art-life-copyright-page-first-printing.webp Copyright page of The Art and Life of Georgia O'Keeffe showing first printing number line 10 9 8 7 6 5 4 3 2 1 confirming first edition, ISBN 0-517-55058-X, Crown Publishers 1985 https://newmexicoliteracyproject.org/images/georgia-okeeffe-art-life-title-page.webp Title page of The Art and Life of Georgia O'Keeffe by Jan Garden Castro showing Crown Publishers New York imprint https://newmexicoliteracyproject.org/images/georgia-okeeffe-art-life-dust-jacket-flap.webp Rear dust jacket flap of The Art and Life of Georgia O'Keeffe with author biography for Jan Garden Castro, mentions Alfred Stieglitz, Ansel Adams, and the Stieglitz circle https://newmexicoliteracyproject.org/gilbert-sena-pickup-2026-06-05 https://newmexicoliteracyproject.org/images/gilbert-sena-pickup-2026-06-05/gilbert-sena-pickup-truck-load.webp The bed of the NMLP cargo van loaded with banker boxes and totes of donated classroom books from Gilbert L. Sena Charter High School — visible class sets and titles include Invisible Child, the Just Mercy young-adult adaptation, Always Running, Schooled, and a Technology reference text, with a hand truck staged in front. https://newmexicoliteracyproject.org/images/gilbert-sena-pickup-2026-06-05/gilbert-sena-classroom-library-boxes.webp A second angle of the loaded van showing open boxes of Gilbert Sena classroom books — the Just Mercy young-adult adaptation, Always Running, Schooled, a Ready-Set-Serve culinary box, and rows of Invisible Child hardcovers — beside totes and surplus property cleared from the school. https://newmexicoliteracyproject.org/images/gilbert-sena-pickup-2026-06-05/invisible-child-class-set-read-to-me-abq.webp A blue crate stacked with a full class set of Invisible Child by Andrea Elliott on a warehouse cart, with one copy stood up face-out showing the Pulitzer Prize seal — the set routed from NMLP to the Read to Me! ABQ Network book room for Albuquerque teacher book clubs and students. https://newmexicoliteracyproject.org/josh https://newmexicoliteracyproject.org/images/josh-warehouse-portrait-albuquerque-1500.webp Josh Eldred at the New Mexico Literacy Project warehouse on Edith Boulevard in Albuquerque's North Valley, standing in front of the sorted-book wall where every donation gets hand-evaluated before routing. https://newmexicoliteracyproject.org/larry-mcmurtry-collecting-guide https://newmexicoliteracyproject.org/images/buffalo-girls-mcmurtry-first-edition-front-cover.webp Front cover of Buffalo Girls by Larry McMurtry, first edition 1990 Simon and Schuster, showing Wild West show illustration with buffalo imagery. Author credited as winner of the Pulitzer Prize for Lonesome Dove. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/buffalo-girls-mcmurtry-first-edition-copyright-page.webp Copyright page of Buffalo Girls first edition showing Simon and Schuster imprint, Copyright 1990 by Larry McMurtry, and complete number line 10 9 8 7 6 5 4 3 2 1 confirming first printing. ISBN 0-671-68518-X. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/buffalo-girls-mcmurtry-first-edition-back-cover.webp Back cover of Buffalo Girls first edition showing review quotes for Lonesome Dove and Anything for Billy from Publishers Weekly, New York Times, and Washington Post. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/lfl-restock-2026-05-10 https://newmexicoliteracyproject.org/images/lfl-restock-2026-05-10/indoor-wooden-shelf.webp An indoor wooden bookshelf restocked with NMLP-donated books. Top shelf visible: American Royals YA, Learn with Benjamin Bunny, The Dragon Heir, Nelson DeMille's The Quest, Janet Evanovich, Wicked, Love & Gelato, John Grisham's The Last Juror stacked, Boyds Will Be Boyds, Chadda's City of the Plague God (Rick Riordan Presents), Janet Evanovich, Paola Santiago, Alan Gratz Ban This Book, The Kane Chronicles, more. Bottom shelf: Database Nation by Simson Garfinkel (O'Reilly), Where's Spot? by Eric Hill (Warne), Mark Driscoll Who Do You Think You Are? Bottom right: NMLP black bookmark visible showing 'Got books? Free pickup' and the 505-250-3804 phone number. https://newmexicoliteracyproject.org/images/lfl-restock-2026-05-10/blue-glass-cabinet.webp A blue painted Little Free Library with two glass-paneled doors, showing two shelves of books restocked from NMLP intake. Top shelf: Liane Moriarty 'Truly Madly Guilty', David Baldacci 'The Last Mile', vintage Thorndike Comprehensive Desk Dictionary volumes A-K and L-Z (the original beige two-volume reference), 'Top 20 Daredevils', Carrie Stuart Parks 'Fairy Unicorns', Dr. Seuss / Rosetta Stone 'Because a Little Bug Went Ka-CHOO!' standing face out, with backup books behind. Right pane shows Richard Russo 'Fallen' hardcover, Vanderbilt fantasy, Doonesbury Chronicles, more. Bottom shelf: Crandace Camp 'The Bridal Quest', vintage 'Dave Darrin's First Year at Annapolis' (Saalfield), Roget's Thesaurus, Edgar Leoni 'Nostradamus', 'Summer of Champions', Dewey Johnson 'Drag Racing Funny Cars', 'Crimes and Punishment', Maeve Binchy, an NMLP bookmark visible at center showing 'Got books? Free pickup' and the phone number 505-250-3804. https://newmexicoliteracyproject.org/images/lfl-restock-2026-05-10/colorful-painted-paw-prints.webp A brightly painted Little Free Library with rainbow stripes and black paw print patterns on the inside ceiling, restocked with NMLP intake. Top shelf, stacked horizontally: Robert Ludlum's 'The Altman Code' (paperback, Gayle Lynds), Katherine Neville 'The Eight' (mass market), Walter Dean Myers 'Fallen Angels', Garret Rittenberg 'The Other Side of Beauty', Donna Leon 'Death at La Fenice' (HarperTorch), 'Sonic the Hedgehog: Best Buds Forever' (IDW kids' comic), kids' picture books, G. Stilton 'The Phantom Bandit'. Standing right side: Rick Steves Paris 2011 (Avalon Travel), 'Mr. Penumbra's 24-Hour Bookstore' by Robin Sloan (Picador), Chinua Achebe 'Things Fall Apart', Jamie Ford 'Hotel on the Corner of Bitter and Sweet', Beattie 'The Language of Letting Go', Philbrick 'Freak the Mighty'. Bottom shelf: Breaking Bread 2019, Daniel G. Miller 'The Orphanage by the Lake', Eckhart Tolle 'A New Earth' (Plume), Lisa Jackson 'Don't Be Scared', Broach 'Desert Crossing', Khaled Hosseini 'And the Mountains Echoed' (Riverhead Books), Anne Stuart 'Ice Blue' (MIRA), Linn-Cust 'Ginger's Gift', Cetron and O'Toole 'Encounters with the Future', Naisbitt 'Megatrends', 'Out Stealing Horses' by Per Petterson, Colleen Hoover 'It Ends with me'. NMLP bookmark visible bottom left. https://newmexicoliteracyproject.org/images/lfl-restock-2026-05-10/blue-deep-shelf.webp A blue Little Free Library shown from the front, deep main shelf packed with adult fiction and nonfiction restocked from NMLP intake. Visible spines (left to right): Markus Zusak 'The Book Thief' (Knopf), Laura Ruby 'Bone Gap' (Balzer + Bray), John Grisham 'Calico Joe' (Dell #1 NYT Bestseller), Eben Alexander MD 'Proof of Heaven' (Simon & Schuster), Daniel O'Malley 'The Rook' (Back Bay Books), Frances Hodgson Burnett 'The Secret Garden' (Modern Publishing pink edition), Stephen King 'Skeleton Crew' (Signet mass market), Tim O'Brien 'The Things They Carried' (Mariner), David Sedaris 'Naked' (Back Bay Books), Rebecca Serle 'In Five Years' (Atria), George Bowering 'Bowering's B.C.' (Viking hardcover green), 'Stolen Lives' by Malika Oufkir and Michèle Fitoussi (Talk Miramax Books hardcover), Harry Parsons 'The Nature of Frogs' hardcover, 'Breaking 100, 90, 80' golf-instruction hardcover. Background top shelf: 'The World Record Paper...' airplane book, food and other reference. Bottom right corner: black NMLP 'Got books? Free pickup' bookmark visible jutting out of the shelf right edge. https://newmexicoliteracyproject.org/library-wont-take-my-books-albuquerque https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-benavides-memorial-1630.webp A black hardcover book with gold script reading 'The Memorial of Fray Alonso de Benavides 1630', a foundational document of early-colonial New Mexico history, donated to NMLP after being rejected for sorting at an Albuquerque-area library. https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-fiesta-fare-momaday-1956.webp A 1956 commemorative cookbook 'Fiesta Fare: Mexican, Spanish and Southwestern Recipes', with cover illustration signed by Al Momaday, published for Albuquerque's 250th anniversary, donated to NMLP from a pile that the library asked the donor to sort. https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-pueblo-indian-cookbook.webp A spiral-bound copy of the Pueblo Indian Cookbook with traditional Pueblo art on the cover, published by the Museum of New Mexico Press, in the donation pile from a donor told to sort first by an Albuquerque library. https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-nm-colcha-embroidery.webp A pink-cover specialty book 'New Mexico Colcha Embroidery' by Susan H. Ellis, a regional handbook on traditional New Mexico Hispanic colcha embroidery, donated to NMLP after a library asked the donor to sort first. https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-irene-fisher-bathtub-bullets.webp Two paperback books by Irene Fisher, 'Bathtub and Silver Bullet' and 'More Bathtubs Fewer Bullets', regional New Mexico frontier-era memoirs in the donation pile from an Albuquerque library reject. https://newmexicoliteracyproject.org/mabel-dodge-luhan-taos-literary-colony-collecting https://newmexicoliteracyproject.org/images/mabel-dodge-luhan-company-cover-museum-nm-press-1200.webp Cover of Mabel Dodge Luhan and Company: American Moderns and the West, published by Museum of New Mexico Press 2016, showing a painting of Mabel Dodge Luhan seated and reading while wearing turquoise jewelry — photographed by Josh Eldred at the New Mexico Literacy Project workspace https://newmexicoliteracyproject.org/images/mabel-dodge-luhan-portrait-black-white-1200.webp Black and white portrait photograph of Mabel Dodge Luhan wearing a striped turban headwrap and striped garment, reproduced in Mabel Dodge Luhan and Company — photographed by Josh Eldred at NMLP workspace https://newmexicoliteracyproject.org/images/mabel-dodge-luhan-company-copyright-first-printing-1200.webp Copyright page of Mabel Dodge Luhan and Company showing first printing number line 10 9 8 7 6 5 4 3 2 1, ISBN 978-0-89013-614-0, Library of Congress data, Museum of New Mexico Press 2016 — photographed by Josh Eldred https://newmexicoliteracyproject.org/images/mabel-dodge-luhan-house-interior-ernest-knee-1935-1200.webp Ernest Knee gelatin silver prints circa 1935 showing interior rooms of the Mabel Dodge Luhan House in Taos: Big House living room, dining room, living room with fireplace, plus Ranchos Church, Taos Pueblo Chapel, and Finney Farm — from Mabel Dodge Luhan and Company, photographed by Josh Eldred https://newmexicoliteracyproject.org/images/mabel-dodge-luhan-house-exterior-ernest-knee-1935-1200.webp Ernest Knee exterior photograph of the Mabel Dodge Luhan House circa 1935, gelatin silver print showing adobe walls, trees, and pergola in Taos New Mexico — from Mabel Dodge Luhan and Company, photographed by Josh Eldred https://newmexicoliteracyproject.org/images/bursum-bill-protest-artists-writers-1922-1200.webp 1922 Protest of Artists and Writers against the Bursum Bill broadside and Appeal by Pueblo Indians of New Mexico to the People of the United States, plus photograph of John Collier commissioner of Bureau of Indian Affairs 1933 — from Mabel Dodge Luhan and Company, photographed by Josh Eldred https://newmexicoliteracyproject.org/images/rose-clark-young-girl-holding-book-platinum-print-1200.webp Rose Clark Untitled II Young Girl Holding Book platinum print, chapter 3 opening plate from Mabel Dodge Luhan and Company — MaLin Wilson-Powell essay A New Way to See and New Things to Say, photographed by Josh Eldred https://newmexicoliteracyproject.org/images/couse-sharp-historic-site-cover-1500.webp Cover of Couse-Sharp Historic Site: Historic Building Assessment Phase I, First Edition October 2008, showing E.I. Couse studio interior with easel, paintings, and artist materials in Taos New Mexico — photographed by Josh Eldred at the New Mexico Literacy Project workspace https://newmexicoliteracyproject.org/images/couse-sharp-historic-site-adobe-niche-title-1500.webp Interior title page of Couse-Sharp Historic Site assessment showing full-page photograph of adobe wall niche with geranium plant and Couse-Sharp Historic Site text — photographed by Josh Eldred at NMLP workspace https://newmexicoliteracyproject.org/images/couse-sharp-historic-site-copyright-page-1500.webp Copyright page of Couse-Sharp Historic Site Historic Building Assessment showing Couse Foundation copyright 2008, Dale F. Zinn and Associates consultation, National Trust for Historic Preservation support, Blurb publishing details — photographed by Josh Eldred https://newmexicoliteracyproject.org/images/couse-sharp-assessment-chapel-crack-1500.webp Interior page from Couse-Sharp Historic Building Assessment showing documentary photographs and technical analysis of crack at Luna Chapel northeast corner with preservation notes on adobe plaster damage — photographed by Josh Eldred at NMLP workspace https://newmexicoliteracyproject.org/images/couse-sharp-assessment-portal-maintenance-1500.webp Interior page from Couse-Sharp Historic Building Assessment showing 2008 photograph of portal and sunroom doorway with ichnographic wood block cutouts and maintenance checklist for historic preservation — photographed by Josh Eldred at NMLP workspace https://newmexicoliteracyproject.org/images/couse-sharp-site-plan-maintenance-form-1500.webp Interior spread from Couse-Sharp Historic Building Assessment showing Maintenance Record and Survey form template alongside full-color site plan drawing of building layout by Tim McNeil, Sofranski and McNeil, Taos NM — documentary architectural field documentation photographed by Josh Eldred at NMLP workspace https://newmexicoliteracyproject.org/images/couse-sharp-kiva-fireplaces-interior-1500.webp Interior spread from Couse-Sharp Historic Building Assessment showing six photographs of preserved kiva fireplaces inside the historic adobe buildings at 146 Kit Carson Road Taos NM — documentary architectural photography photographed by Josh Eldred at NMLP workspace https://newmexicoliteracyproject.org/images/couse-sharp-1913-2008-comparison-1500.webp Interior spread from Couse-Sharp Historic Building Assessment showing 2008 Kibbey Couse lower Studio roof and flashing photographs alongside 1913 versus 2008 comparison of Luna chapel Sharp Studio number 1 demonstrating nearly a century of architectural continuity — photographed by Josh Eldred at NMLP workspace https://newmexicoliteracyproject.org/images/couse-sharp-historic-site-back-cover-1500.webp Back cover of Couse-Sharp Historic Site Historic Building Assessment showing Couse Foundation mission statement referencing Eanger Irving Couse and Joseph Henry Sharp, with historic black and white photograph of E.I. Couse painting in his Taos studio with Native American models — primary source document from the Taos Society of Artists era photographed by Josh Eldred at NMLP workspace https://newmexicoliteracyproject.org/manhattan-project-los-alamos-books-collecting https://newmexicoliteracyproject.org/images/archive/manhattan-project-kelly-2007/cover.webp Hardcover dust jacket of The Manhattan Project, black with white serif typography of the title and a small inset color photograph of an atomic-bomb mushroom cloud. Subtitle: The Birth of the Atomic Bomb in the Words of Its Creators, Eyewitnesses, and Historians. Edited by Cynthia C. Kelly. Introduction by Richard Rhodes. https://newmexicoliteracyproject.org/images/archive/manhattan-project-kelly-2007/signed-title-page.webp The title page of The Manhattan Project with a personalized inscription in cursive ink at the top: To Debby and Buck, With much appreciation, for your interest in this history. Best, Cindy Kelly 11/19. Below the inscription is the printed title block. https://newmexicoliteracyproject.org/images/archive/manhattan-project-kelly-2007/copyright-page-first-edition.webp The copyright page showing 2007 by the Atomic Heritage Foundation, ISBN 13 978-1-57912-747-3, LCCN reference 2007023984, Library of Congress Cataloging Cynthia C Kelly editor, Black Dog and Leventhal Publishers Inc 151 West 19th Street New York NY 10011, Workman Publishing Company 225 Varick Street New York NY 10014, full printing line g f e d c b a https://newmexicoliteracyproject.org/marc-simmons-new-mexico-history-collecting https://newmexicoliteracyproject.org/images/archive/ranchers-ramblers-renegades-simmons-1984/cover.webp Soft-cover edition of Ranchers, Ramblers and Renegades by Marc Simmons with the title in black serif typography on a slate-blue background and a 19th-century engraving of the Santa Fe plaza with the FONDA building visible. https://newmexicoliteracyproject.org/images/archive/ranchers-ramblers-renegades-simmons-1984/title-page.webp Title page reading RANCHERS RAMBLERS and RENEGADES True Tales of Territorial New Mexico by Marc Simmons, Ancient City Press, Santa Fe, New Mexico https://newmexicoliteracyproject.org/images/archive/ranchers-ramblers-renegades-simmons-1984/copyright-page-first-edition.webp Copyright page showing 1984 by Marc Simmons, Ancient City Press P.O. Box 5401 Santa Fe NM 87502, ISBN 0-941270-17-3, First Edition designation, designed by Mary Powell, typesetting by Business Graphics Inc Albuquerque NM, printed by Inter-Collegiate Press Shawnee Mission Kansas https://newmexicoliteracyproject.org/museum-new-mexico-press-first-editions-collecting https://newmexicoliteracyproject.org/images/dominguez-escalante-front-cover.webp Front cover of In Search of Domínguez and Escalante by Greg Mac Gregor and Siegfried Halus, Museum of New Mexico Press 2011 — dramatic black-and-white landscape photograph of Southwest desert with wooden crosses in foreground and storm clouds above. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/dominguez-escalante-back-cover.webp Back cover of In Search of Domínguez and Escalante showing black-and-white photograph of two Franciscan friars walking through a pueblo village with dramatic cloud-filled sky above. Photography / Western History category. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/dominguez-escalante-copyright-page.webp Copyright and contents page of In Search of Domínguez and Escalante showing Library of Congress data, ISBN 978-0-89013-539-7 clothbound, copyright 2011 Greg Mac Gregor, published by Museum of New Mexico Press, table of contents with essays by Fran Levine, Siegfried Halus, Greg Mac Gregor, and Joseph F. Sánchez. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/dominguez-escalante-dust-jacket-flap.webp Back dust jacket flap of In Search of Domínguez and Escalante describing the 1776 expedition from Santa Fe through Colorado, Utah, Arizona, and New Mexico, the photographers' methodology of following the route using Escalante's journal, and the book's combination of photographs alongside journal entries with historical essays. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/navajo-code-talkers-new-mexico-wwii-books-collecting https://newmexicoliteracyproject.org/images/silent-voices-wwii-new-mexico-cover.webp Front cover of Silent Voices of World War II When Sons of the Land of Enchantment Met Sons of the Land of the Rising Sun by Everett M. Rogers and Nancy R. Bartlit, Sunstone Press Santa Fe 2005, hardcover with composite image of New Mexico WWII scenes including Bataan Death March soldiers and Los Alamos Manhattan Project landscape, photographed at the New Mexico Literacy Project sorting desk in Albuquerque https://newmexicoliteracyproject.org/images/silent-voices-wwii-new-mexico-copyright-contents.webp Copyright page and table of contents of Silent Voices of World War II by Rogers and Bartlit showing Sunstone Press Santa Fe imprint, ISBN 0-86534-423-X hardcover, ISBN 0-86534-472-8, chapter listings covering Bataan Death March 200th Coast Artillery Los Alamos Manhattan Project Navajo code talkers Hiroshima bombing and Japanese American internment camp near Santa Fe, photographed at New Mexico Literacy Project sorting desk https://newmexicoliteracyproject.org/images/silent-voices-wwii-new-mexico-back-cover.webp Back cover of Silent Voices of World War II by Rogers and Bartlit, Sunstone Press 2005, featuring endorsement blurbs including praise from Pulitzer Prize-winning author Richard Rhodes author of The Making of the Atomic Bomb, photographed at the New Mexico Literacy Project sorting desk in Albuquerque https://newmexicoliteracyproject.org/images/four-corners-sager-signed-inscription.webp Author inscription in Four Corners Where the Holy Spirit Touches Navajo Hearts by Stan Sager reading For Jane Blessings joy Stan Sager in blue ink on half-title page, Providence House Publishers 2007, signed copy found in Albuquerque estate donation, photographed at the New Mexico Literacy Project sorting desk https://newmexicoliteracyproject.org/images/four-corners-navajo-ministry-sager-cover.webp Front cover of Four Corners Where the Holy Spirit Touches Navajo Hearts The Story of the Four Corners Native American Ministry of the United Methodist Church by Stan Sager, Providence House Publishers 2007, featuring Navajo rug design by Alice Mary Yazzie and desert mesa landscape, photographed at the New Mexico Literacy Project sorting desk in Albuquerque https://newmexicoliteracyproject.org/images/four-corners-navajo-ministry-sager-back-cover.webp Back cover of Four Corners Where the Holy Spirit Touches Navajo Hearts by Stan Sager showing endorsements from New Mexico United Methodist Conference leaders including Bishop Alfred L. Norris, Mark L. Dorff Retired Albuquerque District Superintendent, Jim Hawk Albuquerque District Superintendent, and Julia Kuhn Wallace, Providence House Publishers 2007 https://newmexicoliteracyproject.org/images/four-corners-navajo-ministry-sager-title-page.webp Title page of Four Corners Where the Holy Spirit Touches Navajo Hearts by Stan Sager with foreword by Rev. Fred W. Yazzie, Providence House Publishers Franklin Tennessee 2007, photographed at the New Mexico Literacy Project sorting desk https://newmexicoliteracyproject.org/images/four-corners-navajo-ministry-sager-copyright-page.webp Copyright page of Four Corners Where the Holy Spirit Touches Navajo Hearts by Stan Sager showing copyright 2007 ISBN 978-1-57736-381-1 Providence House Publishers Franklin Tennessee cover art credit to Alice Mary Yazzie Navajo rug design, photographed at the New Mexico Literacy Project sorting desk https://newmexicoliteracyproject.org/new-mexico-adobe-pueblo-revival-architecture-books-collecting https://newmexicoliteracyproject.org/images/old-houses-new-mexico-motto-cover.webp Front cover with dust jacket of Old Houses of New Mexico and the People Who Built Them by Sytha Motto — dark brown and gold dust jacket showing Victorian-style New Mexico house behind wrought iron fence, Calvin Horn Publisher Inc Albuquerque https://newmexicoliteracyproject.org/images/old-houses-new-mexico-motto-dj-flap.webp Dust jacket flap text of Old Houses of New Mexico and the People Who Built Them by Sytha Motto describing the book's coverage of territorial-era and pioneer homes across New Mexico https://newmexicoliteracyproject.org/images/old-houses-new-mexico-motto-title-page.webp Title page of Old Houses of New Mexico and the People Who Built Them by Sytha Motto showing Calvin Horn Publisher Inc Albuquerque New Mexico imprint — significant mid-twentieth-century Albuquerque publisher of NM history https://newmexicoliteracyproject.org/images/old-houses-chisum-ranch-spread.webp Interior spread page 111 of Old Houses of New Mexico — John Chisum ranch chapter showing nineteenth-century portrait of cattle baron John Chisum and landscape photo of cottonwood trees he planted along Spring River near Roswell, photo credit Roy Roseberry https://newmexicoliteracyproject.org/images/old-houses-dorsey-ranch-spread.webp Interior spread page 43 of Old Houses of New Mexico — Chapter XI The Dorsey House showing S.W. Dorsey red sandstone ranch home in Colfax County New Mexico, photo credit Clara C. Wetterhall, territorial-era cattle-baron architecture https://newmexicoliteracyproject.org/images/tale-of-santa-fe-betty-stewart-front-cover.webp Front cover of A Tale of Santa Fe: Betty Stewart in the City Different by Mark H. Cross — oil portrait by George Mandus showing Betty Stewart in cowboy hat with dog, southwestern palette, orange thrift-store price sticker visible. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/tale-of-santa-fe-betty-stewart-back-cover.webp Back cover of A Tale of Santa Fe by Mark H. Cross showing George Johnson blurb, book description mentioning LGBT themes, ISBN 978-0-9834194-1-9, Caminito Publishing LLC Santa Fe NM. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/tale-of-santa-fe-betty-stewart-copyright-page.webp Copyright page of A Tale of Santa Fe showing 2021 date, ISBN 978-0-9834194-1-9, Library of Congress Control Number 2021900443, subject headings Santa Fe Betty Stewart Architecture LGBT, book design by Kathleen Dexter, cover portrait by George Mandus, cover typography by Charlie Kenesson, Caminito Publishing LLC Santa Fe New Mexico. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/new-mexico-camino-real-spanish-colonial-trade-routes-books-collecting https://newmexicoliteracyproject.org/images/camino-real-sanchez-cover.webp Cover of From Mexico City to Santa Fe: A Historical Guide to El Camino Real de Tierra Adentro by Joseph P. Sánchez and Bruce A. Erickson, showing a historical colonial-era map of a Spanish settlement as the background with ornate calligraphic title typography. Published by Rio Grande Books. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/camino-real-sanchez-toc.webp Table of contents and dedication page of From Mexico City to Santa Fe by Sánchez and Erickson, showing chapter structure organized by century from the sixteenth through the nineteenth, plus appendixes on place names and colonial definitions. The dedication reads: For Helen, Anna, Tom, Corine and Mary June, whose ancestors traveled El Camino Real de Tierra Adentro to New Mexico in 1598. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/camino-real-sanchez-back.webp Back cover of From Mexico City to Santa Fe showing the Rio Grande Books compass rose logo, description of El Camino Real de Tierra Adentro as a National Historic Trail, ISBN 978-1-890689-89-6, and $18.95 price sticker. The text describes the road as spanning three centuries, two countries, and 1,600 miles. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/new-mexico-curanderismo-folk-healing-herbal-books-collecting https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/cover-front-green-cloth.webp The front cover of Healing Herbs of the Upper Rio Grande by L. S. M. Curtin, plain dark green book-cloth binding with no surface lettering — the classic Southwest Museum library hardcover, photographed at an angle against a neutral white surface with the small remnant of an Albuquerque Public Library spine label visible at the lower right edge. https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/title-page-spread.webp The two-page title spread of Healing Herbs of the Upper Rio Grande. Left page: 'HEALING / OF THE UPPER / L S M CURTIN / Drawings by P G Napolitano / SOUTHWEST / LOS ANGELES'. Right page: 'HERBS / RÍO GRANDE / El Rito' with a P. G. Napolitano line drawing of cholla and prickly-pear cactus, and 'MUSEUM / CALIFORNIA' beneath it. Several pencil marginalia in the right margin: 'a faint dealer price code', 'Oct 1984', 'SW 581.6 Cur', '234'. A faint reverse-image bleed-through of the previous page is visible on both spreads. https://newmexicoliteracyproject.org/images/archive/healing-herbs-curtin-1965/front-pastedown-map-title-vii.webp The inside front cover of the book showing a salmon-pink ground decorative endpaper map of the Upper Rio Grande valley with hand-drawn black-line landmarks: a compass rose with cardinal points, two coat-of-arms cartouches (Spanish heraldry of Castile and León), the river running south through clusters of cottonwood and piñon hills, and the named villages including Albuquerque, San Pedro, Madrid, Galisteo, Santa Fe, Tesuque, San Ildefonso, Chimayó, Las Trampas, Truchas, Santa Cruz, El Rito, and the Cordova / San Juan / Ohkay Owingeh area. To the right, a plain salmon-pink front pastedown with the typed words 'TITLE VII' at the top corner and 'El Rito' written in pencil in the center as a reader's chapter marker. https://newmexicoliteracyproject.org/new-mexico-folk-art-collecting-books https://newmexicoliteracyproject.org/images/archive/embroideries-rebecca-james-1963/title-page.webp The title page of the 1963 Museum of International Folk Art catalog Embroideries by Rebecca James, with a small printed feather ornament beneath the typography. https://newmexicoliteracyproject.org/images/archive/embroideries-rebecca-james-1963/colcha-stitch-essay.webp A two-page spread with one of Rebecca James's embroidered pictures on the left page and the opening of her essay The Colcha Knot Stitch by Rebecca James on the right page, discussing the history of NM colcha embroidery beginning before 1685 https://newmexicoliteracyproject.org/images/archive/embroideries-rebecca-james-1963/foreword-e-boyd.webp The foreword by E. Boyd, dated Santa Fe 1963, discussing the history of needlework, Rebecca Salsbury James's interest in the old New Mexico colcha stitch, and her revival work in Taos https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-nm-colcha-embroidery.webp A pink-paper-covered specialty book titled New Mexico Colcha Embroidery by Susan H. Ellis, with stylized burgundy floral illustrations on the cover, donated to NMLP. https://newmexicoliteracyproject.org/new-mexico-geology-natural-history-collecting https://newmexicoliteracyproject.org/images/van-hart-sandia-mountain-front-cover.webp Front cover of New Mexico's Magnificent Sandia Mountain: The Complete Geological Story by Dirk Van Hart — dramatic Sandia Mountain landscape photograph from US 566 showing rugged ridgeline and geological formations, Sunstone Press 2023. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/van-hart-sandia-mountain-copyright-toc.webp Copyright page and table of contents spread of New Mexico's Magnificent Sandia Mountain by Dirk Van Hart — Library of Congress data, ISBN 978-1-63293-392-8, LCCN 2023003032, Sunstone Press Santa Fe NM, printed on acid-free paper, chapter listing from Preface through geological formations. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/van-hart-sandia-mountain-back-cover.webp Back cover of New Mexico's Magnificent Sandia Mountain by Dirk Van Hart — author biography describing Sandia National Laboratories career, New Mexico location map with Albuquerque and Sandia Mountains marked, cover photograph credit, barcode with ISBN, $40.00 price. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/new-mexico-hispanic-genealogy-family-history-collecting https://newmexicoliteracyproject.org/images/seeds-of-struggle-harvest-of-faith-front-cover.webp Front cover of Seeds of Struggle, Harvest of Faith — Tecolote Church photograph on dark cover, title and editors Thomas J. Steele S.J., Paul Rhetts, and Barbe Awalt visible, LPD Press Albuquerque 1998. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/seeds-of-struggle-harvest-of-faith-copyright-page.webp Copyright page of Seeds of Struggle, Harvest of Faith showing First Edition with full number line 10 9 8 7 6 5 4 3 2 1, both ISBNs (cloth 1-890689-00-9, paper 1-890689-01-7), Library of Congress 98-66219, LPD Press Albuquerque, printed on 250-year acid-free paper. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/seeds-of-struggle-harvest-of-faith-interior-spread.webp Interior spread of Seeds of Struggle, Harvest of Faith showing pages 158-159 with mission history text on San Antonio de Tajique, portrait of José Antonio Laureano Zubia, and photograph of San Antonio Church at Tajique 1989. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/el-iluminado-stavans-sheinkin-cover.webp Front cover of El Iluminado: A Graphic Novel by Ilan Stavans and Steve Sheinkin — comic panel collage showing crypto-Jewish New Mexico scenes including desert landscapes, Star of David gravestone, church interiors, and Inquisition imagery, published by Basic Books https://newmexicoliteracyproject.org/images/el-iluminado-stavans-sheinkin-jacket-flap.webp Inner dust jacket flap of El Iluminado — plot synopsis describing Rolando Pérez falling from a cliff outside Santa Fe, Professor Stavans lecturing on crypto-Jewish history, and the parallel sixteenth-century narrative of Luis de Caravajal fleeing the Spanish Inquisition https://newmexicoliteracyproject.org/images/el-iluminado-stavans-sheinkin-copyright.webp Copyright page of El Iluminado by Ilan Stavans and Steve Sheinkin — Copyright 2012, Basic Books, Perseus Books Group, ISBN 978-0-465-03257-0, Library of Congress Control Number 2012029458, number line showing first printing https://newmexicoliteracyproject.org/images/el-iluminado-stavans-sheinkin-back-cover.webp Back cover of El Iluminado with advance praise from Gary Shteyngart, Jimmy Santiago Baca, Ruth Behar, John Sayles, and Jerome Charyn — Basic Books imprint, ISBN 978-0-465-03257-0 https://newmexicoliteracyproject.org/images/history-jews-new-mexico-tobias-cover.webp Front cover of A History of the Jews in New Mexico by Henry J. Tobias — teal cover with ornate wrought-iron gate design and gold Star of David, University of New Mexico Press https://newmexicoliteracyproject.org/images/history-jews-new-mexico-tobias-back-cover.webp Back cover of A History of the Jews in New Mexico by Henry J. Tobias — book description, reviews from Southwestern Lore, Journal of American Ethnic History, and Book Talk, ISBN 0-8263-1390-6, University of New Mexico Press https://newmexicoliteracyproject.org/images/history-jews-new-mexico-tobias-copyright-first-edition.webp Copyright page of A History of the Jews in New Mexico by Henry J. Tobias — Copyright 1990 University of New Mexico Press, first edition, first paperbound printing 1992, ISBN 0-8263-1390-6, Library of Congress F805.J4T63 1990 https://newmexicoliteracyproject.org/images/traditional-herbs-nuevo-mexico-meyer-cover.webp Front cover of Traditional Herbs de Nuevo Mexico by Felicia A. Meyer — cream paper with pen-and-ink illustration of herbs, bottles, dried flowers, and mortar and pestle, published by Rio Grande Herb Co. of Albuquerque, Walgreens $1.99 price sticker visible https://newmexicoliteracyproject.org/images/traditional-herbs-nuevo-mexico-meyer-interior-alamo-osha.webp Interior spread of Traditional Herbs de Nuevo Mexico showing the Álamo (Poplar) entry with traditional medicinal uses, botanical illustration of Oshá plant, copyright page with Rio Grande Herb Co. publisher information and 1994 date, medical disclaimer https://newmexicoliteracyproject.org/images/traditional-herbs-nuevo-mexico-meyer-back-cover-yerba-negrita.webp Back cover of Traditional Herbs de Nuevo Mexico — paid advertisement for Yerba de la Negrita Products hair formula by pharmacist Al Lopez using yerba de la negrita and amole yucca root, barcode 7 56502 00110 5, printed with soy ink recycling symbol https://newmexicoliteracyproject.org/images/east-mountains-timelines-cover.webp Front cover of Timelines of the East Mountains by the East Mountain Historical Society — sepia-toned circa-1902 photograph of group on rock ledge overlooking Tijeras, black borders with silver framing. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/east-mountains-timelines-copyright.webp Copyright page of Timelines of the East Mountains showing ISBNs 978-0-578-64744-9 and 978-0-578-64745-6, Library of Congress Control Number 2020903996, East Mountain Historical Society publisher address in Tijeras New Mexico, layout by East Mountain Graphics, printed by Friesens Corporation. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/east-mountains-timelines-back.webp Back cover of Timelines of the East Mountains showing vintage photo collage, Rose Diaz PhD endorsement from Indian Pueblo Cultural Center, book description, East Mountain Historical Society website and barcode. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/new-mexico-hispano-literature-collecting https://newmexicoliteracyproject.org/images/archive/dictionary-nm-spanish-cobos-2003/cover-dustjacket.webp The blue dust jacket of A Dictionary of New Mexico and Southern Colorado Spanish by Rubén Cobos, with stylized alphabet motif on the cover, Revised & Expanded Edition. https://newmexicoliteracyproject.org/images/archive/dictionary-nm-spanish-cobos-2003/signed-inscribed.webp The signature page reading 'For Susan, one of Helen's dear friends' in cursive ink, signed Rubén Cobos https://newmexicoliteracyproject.org/images/archive/dictionary-nm-spanish-cobos-2003/title-page.webp The title page reading A Dictionary of New Mexico and Southern Colorado Spanish, Revised and Expanded Edition, by Rubén Cobos, Museum of New Mexico Press, Santa Fe https://newmexicoliteracyproject.org/new-mexico-kachina-katsina-books-collecting https://newmexicoliteracyproject.org/images/hopi-katcinas-fewkes-rio-grande-press-cover.webp Cover of Hopi Katcinas Drawn by Native Artists by Jesse Walter Fewkes — sage cloth binding with red border and gold lettering, kachina figure illustration, Smithsonian Institution Bureau of American Ethnology Annual Report 1903, Rio Grande Press reprint. Photographed at the New Mexico Literacy Project in Albuquerque. https://newmexicoliteracyproject.org/images/hopi-katcinas-fewkes-copyright-rio-grande-press-1969.webp Copyright page of Hopi Katcinas showing A Rio Grande Classic First published in 1903, Library of Congress Card Catalog 62-20282, first edition supplied by International Bookfinders Inc Beverly Hills California, The original plates in a copy of the book were so beautifully printed they could be used as original art, Second Printing 1969, The Rio Grande Press Inc Glorieta New Mexico 87535 https://newmexicoliteracyproject.org/images/hopi-katcinas-fewkes-title-page-bureau-american-ethnology-1903.webp Title page of the Twenty-First Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution 1899-1900 by J W Powell Director, with Smithsonian vignette, Washington Government Printing Office 1903, Rio Grande Press reprint edition photographed at the New Mexico Literacy Project https://newmexicoliteracyproject.org/images/hopi-katcinas-plate-puukon-hoya-tcanau-tuckubot.webp Color plate from Hopi Katcinas by Fewkes showing four kachina figures drawn by Native Hopi artists — Pūūkoñ Hoya with war bonnet and bow, Paluña Hoya his twin brother, Tcanaū with staff and white robe, and Tuckubot with horned mask in red and brown ceremonial dress. Bureau of American Ethnology Twenty-First Annual Report Plate XXX, public domain 1903 https://newmexicoliteracyproject.org/images/hopi-katcinas-plate-salab-monwu-hotsko-yaupa.webp Color plate from Hopi Katcinas by Fewkes showing four kachina figures drawn by Native Hopi artists — Salab Monwū the Owl kachina with buckskin kilt, Hotsko the owl-like bird figure, Türpockwa with eagle-head helmet and extended feathered arms, and Yaupa the Mocking Bird with white helmet and parrot feathers. Katcinas Appearing in Powamū chapter page 97, Bureau of American Ethnology, public domain 1903 https://newmexicoliteracyproject.org/images/hopi-katcinas-plate-panwu-tiwenu-kwewu.webp Color plate from Hopi Katcinas by Fewkes showing four kachina figures drawn by Native Hopi artists — Pañwū the Mountain Sheep katcina in blue with zigzag lightning symbols, a second Pañwū variant, Tiwenu with terraced tableta mask and green face, and Kwewū the Wolf kachina in natural brown with spotted body. Page 142, Bureau of American Ethnology Twenty-First Annual Report, public domain 1903 https://newmexicoliteracyproject.org/images/hopi-katcinas-plate-lakone-mamzrau-calako-mana.webp Color plate from Hopi Katcinas by Fewkes showing kachina Mana figures drawn by Native Hopi artists — Lakone Mana with green mask and ceremonial sash, Mamzrau Mana the large figure in black body paint with green headdress, Palahiko Mana, and Hopi Calako Mana with elaborate tableta and feathered costume. Bureau of American Ethnology, public domain 1903 https://newmexicoliteracyproject.org/images/hopi-katcinas-plate-hahaiwu-helolo-woe-tcutckutu.webp Color plate from Hopi Katcinas by Fewkes showing kachina figures drawn by Native Hopi artists — Hahaiwū pair in black and white striped costumes with feathered headdresses at top, Hēlōlō figure in ceremonial dress at right, and Woe and Tcutckutū pair in golden-brown body paint with dance regalia at bottom. Page 72, Bureau of American Ethnology Twenty-First Annual Report, public domain 1903 https://newmexicoliteracyproject.org/new-mexico-land-grants-literature-collecting https://newmexicoliteracyproject.org/images/archive/canones-kutsche-vanness-1981/cover.webp The front cover of the Sheffield Publishing 1988 paperback reissue of Cañones: Values, Crisis, and Survival in a Northern New Mexico Village by Paul Kutsche and John R. Van Ness. Cover layout is plain academic-press paperback: title in serif type at top, authors below, with a black-and-white photograph of the village of Cañones taking up the central two-thirds of the cover — adobe houses and outbuildings clustered in the high-desert landscape of Río Arriba County, with juniper and piñon hills behind. https://newmexicoliteracyproject.org/images/archive/canones-kutsche-vanness-1981/signed-title-page.webp The title page of the Sheffield Publishing 1988 paperback reissue of Cañones with the signature 'Paul Kutsche' written in dark ink across the area above the byline 'PAUL KUTSCHE and JOHN R. VAN NESS'. The title 'CAÑONES: Values, Crisis, and Survival in a Northern New Mexico Village' is set in serif display capitals above the signature; the Sheffield Publishing imprint is set at the foot of the page. https://newmexicoliteracyproject.org/images/archive/canones-kutsche-vanness-1981/copyright-page.webp The copyright page of the 1988 Sheffield Publishing reissue, showing the original 1981 copyright held by Paul Kutsche and John R. Van Ness, the 1988 Sheffield Publishing reissue notice, the ISBN 0-88133-336-0, and Library of Congress Cataloging in Publication Data including the original LCCN from the 1981 UNM Press edition. https://newmexicoliteracyproject.org/new-mexico-native-american-literature-collecting https://newmexicoliteracyproject.org/images/yellow-sun-bright-sky-la-farge-front-cover.webp Front cover of Yellow Sun, Bright Sky: The Indian Country Stories of Oliver La Farge — bright yellow softcover with blue text, line drawing of a Native American scene, edited by David L. Caffey, University of New Mexico Press 1988 First Edition. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/yellow-sun-bright-sky-la-farge-back-cover.webp Back cover of Yellow Sun, Bright Sky by Oliver La Farge showing description of the Indian Country stories spanning Navajo and Hopi peoples, with endorsement quote from N. Scott Momaday, ISBN 0-8263-1033-8, University of New Mexico Press. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/yellow-sun-bright-sky-la-farge-title-page.webp Title page of Yellow Sun, Bright Sky: The Indian Country Stories of Oliver La Farge, edited and with an introduction by David L. Caffey, University of New Mexico Press, Albuquerque. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/yellow-sun-bright-sky-la-farge-copyright-page.webp Copyright page of Yellow Sun, Bright Sky — Library of Congress CIP data showing La Farge, Oliver, 1901-1963, contents listing twelve Indian Country stories, ISBN 0-8263-1101-6 and 0-8263-1933-8 paperback, copyright 1988 by John Pendaries La Farge, First Edition. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/first-nations-version-new-testament-front-cover-1500.webp Front cover of First Nations Version: An Indigenous Translation of the New Testament — red, yellow, black and green Native American diamond pattern on dark background, InterVarsity Press 2021 https://newmexicoliteracyproject.org/images/first-nations-version-new-testament-back-cover-1500.webp Back cover of First Nations Version New Testament showing John 3:16-17 and 1 Corinthians 13:4-8 in First Nations translation with Publishers Weekly starred review blurb https://newmexicoliteracyproject.org/images/first-nations-version-new-testament-copyright-page-1500.webp Copyright page of First Nations Version New Testament — ©2021 Rain Ministries Inc., InterVarsity Press, ISBN 978-0-8308-1350-6, Library of Congress cataloging data https://newmexicoliteracyproject.org/images/first-nations-version-new-testament-interior-1john-1500.webp Interior page of First Nations Version showing First Letter from He Shows Goodwill (1 John) — demonstrating the Indigenous translation approach with Native cultural vocabulary https://newmexicoliteracyproject.org/images/first-nations-version-new-testament-interior-text-1500.webp Interior text page of First Nations Version New Testament showing the dynamic-equivalence translation style with Native North American cultural concepts throughout https://newmexicoliteracyproject.org/images/first-nations-version-new-testament-translation-style-1500.webp Interior page showing First Nations Version translation conventions — Creator Sets Free for Jesus, Separated Ones for Pharisees, tribal tax collectors — the cultural re-rendering approach https://newmexicoliteracyproject.org/images/arizona-highways-july-1974-navajo-weaving-cover.webp Cover of Arizona Highways magazine July 1974 — Navajo weaving special issue featuring a full-color Yei rug/blanket design, one of the most collectible Southwest magazine covers https://newmexicoliteracyproject.org/images/arizona-highways-1974-maxwell-museum-navajo-weaving-clipping.webp Loose newspaper clipping found inside Arizona Highways July 1974: Maxwell Unveils Navajo Weaving Exhibit — Maxwell Museum of Anthropology, University of New Mexico, Albuquerque https://newmexicoliteracyproject.org/images/arizona-highways-july-1974-yei-rugs-blankets-article.webp Interior spread from Arizona Highways July 1974 — Yei Rugs and Blankets article with color photos of multiple Navajo Yei weavings, page 24 https://newmexicoliteracyproject.org/images/arizona-highways-july-1974-navajo-textile-patterns.webp Interior spread from Arizona Highways July 1974 showing Navajo textile patterns including Ganado Red style regional weaving traditions https://newmexicoliteracyproject.org/images/rc-gorman-lithographs-monthan-1978-cover.webp Front cover with dust jacket of R.C. Gorman: The Lithographs by Doris Monthan, Northland Press 1978 — deep plum dust jacket featuring Gorman's seated Navajo woman lithograph in red shawl https://newmexicoliteracyproject.org/images/rc-gorman-lithographs-monthan-1978-copyright-page.webp Copyright page of R.C. Gorman: The Lithographs — Copyright 1978 by Doris Monthan, First Edition Second Printing, ISBN 0-87358-179-2, Northland Press Flagstaff https://newmexicoliteracyproject.org/images/rc-gorman-lithographs-monthan-1978-back-cover.webp Back cover with dust jacket of R.C. Gorman: The Lithographs — portrait photograph of R.C. Gorman wearing a bandana in profile, with biographical text describing him as the Picasso of Indian artists https://newmexicoliteracyproject.org/images/powwow-summer-lita-mathews-front-cover.webp Front cover of A Powwow Summer Across North America by Dr. Lita Mathews — black cover with sepia-toned oval photograph of a Native American dancer in traditional buckskin regalia with fringe, feather, and beadwork, gold lettering, A Gathering of Nations Publication https://newmexicoliteracyproject.org/images/powwow-summer-lita-mathews-title-page.webp Title page of A Powwow Summer Across North America by Dr. Lita Mathews showing the Gathering of Nations circular logo and imprint line — A Gathering of Nations Publication, Albuquerque New Mexico https://newmexicoliteracyproject.org/images/powwow-summer-lita-mathews-back-cover.webp Back cover of A Powwow Summer Across North America — five praise quotes from Lauren Brown, Joyce Coleman, Valera Hayes, Dr. Kathryn Herr (University of New Mexico), and Dr. Ruth Salvaggio (UNM American Studies), with library sticker partially covering cover photo credit https://newmexicoliteracyproject.org/new-mexico-navajo-weaving-textile-rug-books-collecting https://newmexicoliteracyproject.org/images/archive/master-weavers-winter-2011/cover-dustjacket.webp The dust jacket of The Master Weavers by Mark Winter, with a Two Grey Hills Navajo rug pattern in the central illustration framed by additional weaving motifs. https://newmexicoliteracyproject.org/images/archive/master-weavers-winter-2011/signed-title-page.webp The half-title page reading 'The Master Weavers' with signature 'Mark Winter Toadlena 6/16' below https://newmexicoliteracyproject.org/images/archive/master-weavers-winter-2011/interior-navajo-rugs.webp An interior spread showing two Navajo Two Grey Hills rugs side by side with caption text below https://newmexicoliteracyproject.org/images/archive/rocky-mountain-dye-plants-bliss-1976/cover-binding.webp The hand-bound copy of Rocky Mountain Dye Plants by Anne Bliss, showing the unusual physical format: floral fabric-covered cardboard boards over a three-ring binder mechanism that allows the book to lay flat on a workbench. Through the open binder rings, the printed inner cover page is visible carrying the title, author name, the publication city Boulder Colorado, and a small Robert Bliss line-drawing of a Rocky Mountain herb. The fabric pattern is small floral repeats on a pale ground, consistent with mid-1970s decorative quilting cottons. https://newmexicoliteracyproject.org/images/archive/rocky-mountain-dye-plants-bliss-1976/copyright-page-third-printing.webp The copyright page of Anne Bliss Rocky Mountain Dye Plants Third Printing showing the lines 'Published by Anne Bliss / Copyright Anne Bliss 1976 / Library of Congress 76-376143 / Distributed by Juniper House / Boulder Colorado / Third Printing'. The page is set in plain typewriter-style text with no display ornaments. https://newmexicoliteracyproject.org/new-mexico-poetry-collecting https://newmexicoliteracyproject.org/images/sagel-foreplay-french-fries-cover.webp Front cover of Foreplay and French Fries by Jim Sagel, published by Mango 1981 — cream softcover with pen-and-ink surreal rooster illustration by Jaime Valdez, gold lettering. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/sagel-foreplay-french-fries-inscription.webp Inside front cover of Foreplay and French Fries showing Jim Sagel's handwritten inscription dated 8/13/81 and copyright page reading Cover by Jaime Valdez, Copyright 1981 by Mango, All rights reserved. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/chokecherries-2000-somos-anthology-front-cover.jpg Front cover of Chokecherries 2000: A S.O.M.O.S. Anthology, featuring Barbara MacCauley's acrylic painting Distant Farm — a dark mountain landscape with a white house — and white text listing contributors including Rudolfo Anaya, Jimmy Santiago Baca, Julia Cameron, Natalie Goldberg, John Nichols, and others https://newmexicoliteracyproject.org/images/chokecherries-2000-somos-anthology-back-cover.jpg Back cover of Chokecherries 2000: A S.O.M.O.S. Anthology showing the S.O.M.O.S. mission statement, PO Box 3225 Taos New Mexico 87571 address, cover painting credit to Barbara MacCauley for Distant Farm, and ISBN 0-9709458-0-9 barcode https://newmexicoliteracyproject.org/images/archive/fish-drum-leo-romero-1989/cover.webp The cover of Fish Drum Magazine Issue 4 in turquoise and black, with bold typography reading LEO ROMERO'S DESERT NIGHTS, FISH DRUM MAGAZINE, a few dollars, ISSUE NO. 4, and a stylized linocut illustration of a figure with mountains in the background. https://newmexicoliteracyproject.org/images/archive/fish-drum-leo-romero-1989/signed-with-original-art.webp The colophon page of Fish Drum 4 with Leo Romero's signature in the upper right, an inscription For Rey, an original two-face drawing by Romero in dark ink, and a second Leo signature at lower right; donor annotation 'out of print signed by author' in pencil at top https://newmexicoliteracyproject.org/new-mexico-pueblo-pottery-ceramics-books-collecting https://newmexicoliteracyproject.org/images/santa-ana-pueblo-pottery-cover.webp Front cover of The Pottery of Santa Ana Pueblo by Francis H. Harlow, Duane Anderson, and Dwight P. Lanmon, showing polychrome pottery vessels with geometric designs in red, black, and cream, still factory-sealed in original shrink wrap. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/santa-ana-pueblo-pottery-back.webp Back cover of The Pottery of Santa Ana Pueblo showing additional polychrome pottery photographs, barcode, price sticker reading forty-five dollars, and library classification tag, still sealed in original shrink wrap. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/new-mexico-pueblo-revolt-1680-reconquest-books-collecting https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/cover-front.webp The front cover of Letters from the New World by Diego de Vargas, with elegant calligraphic title typography over a faint reproduction of period Spanish manuscript script and the editor names John L. Kessell, Rick Hendricks, and Meredith D. Dodge. https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/title-page-vargas-portrait.webp Title page facing the only known portrait of Diego de Vargas, an oil painting from the Capilla de San Isidro in Madrid showing Vargas in 17th-century Spanish formal dress with curled hair, lace cuffs, and ornamented sash; caption notes the photograph was taken by Estudio Portillo Madrid in April 1985 courtesy of J. Manuel Espinosa and the Museum of New Mexico https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/half-title.webp Half-title page reading Letters from the New World https://newmexicoliteracyproject.org/new-mexico-ranching-cowboy-literature-collecting https://newmexicoliteracyproject.org/images/archive/hardhat-stetson-anderson-1999/cover.webp The cover of Hardhat and Stetson with bold yellow and black typography, two black-and-white photographs of Robert O. Anderson — one in a hardhat with the ARCO logo, one in a cowboy Stetson — and the byline by Paul E. Patterson. https://newmexicoliteracyproject.org/images/archive/hardhat-stetson-anderson-1999/signed-title-page.webp Title page of Hardhat and Stetson with the inscription 'Hey, Zeke, I hope you enjoy my story' and the signature of Paul E. Patterson in dark ink, with the Sunstone Press logo and Santa Fe imprint below https://newmexicoliteracyproject.org/images/archive/hardhat-stetson-anderson-1999/interior-ranch-photos.webp Interior page from the Diamond A Cattle Company chapter showing 1970s photographs of cattle drives at Lorencito Canyon and South Valley Ranch in Stonewall, Colorado, including Pat Archuleta and Paul Patterson at a chuck box with Ernest Burkhart in the photo credits https://newmexicoliteracyproject.org/new-mexico-retablo-tinwork-devotional-art-books-collecting https://newmexicoliteracyproject.org/images/nm-tinwork-coulter-dixon-cover-front.webp Front cover of New Mexican Tinwork 1840-1940 by Lane Coulter and Maurice Dixon Jr., navy blue field with silver typography and a full-color photograph of a tin nicho shrine box containing a painted santo figure in warm earth tones, University of New Mexico Press 1990 first edition. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/nm-tinwork-coulter-dixon-title-page.webp Title page of New Mexican Tinwork 1840-1940 showing authors Lane Coulter and Maurice Dixon Jr., foreword by Ward Alan Minge, published by University of New Mexico Press Albuquerque. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/nm-tinwork-coulter-dixon-copyright.webp Copyright page of New Mexican Tinwork 1840-1940 showing first edition confirmed by number line 15 14 13 12 11 and 3 4 5 6 7, Copyright 1990 by Lane Coulter and Maurice Dixon Jr., ISBN 0-8263-1180-6, Library of Congress subject headings Tinsmithing New Mexico History and Tinsmiths New Mexico, supported by L.J. Skaggs and Mary C. Skaggs Foundation grant. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/nm-tinwork-coulter-dixon-cover-back.webp Back cover of New Mexican Tinwork 1840-1940 showing Winner of the Southwest Book Award badge, review quotes from Metalsmith and Books of the Southwest and New Mexico Historical Review, author bios for Lane Coulter and Maurice Dixon Jr. as Santa Fe-based trained studio artists, cover photograph credits to Nicky Bowers and H.V. Cummins from Mora County private collections and Eric Swanson Las Cruces and Melissa Tandysh High Museum Atlanta, ISBN barcode, University of New Mexico Press. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/new-mexico-santero-folk-art-books-collecting https://newmexicoliteracyproject.org/images/nativities-southwest-weber-cover-front.webp Front cover of Nativities of the Southwest by Susan Topp Weber, showing pueblo-style and ceramic nativity figurines arranged on a blue-gray background, with a stepped zigzag design in the title typography echoing Southwest textile patterns. Gibbs Smith publisher, foreword by Tomie dePaola. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/nativities-southwest-weber-signed-title.webp Title page of Nativities of the Southwest signed by Susan Topp Weber in ink reading Susan Topp Weber Santa Fe 2015, with Gibbs Smith publisher logo and foreword credit to Tomie dePaola. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/nativities-southwest-weber-copyright.webp Copyright page of Nativities of the Southwest showing First Edition with number line 19 18 17 16 15 and 5 4 3 2 1 confirming first printing, ISBN 978-1-4236-3863-6, Library of Congress data with subject heading Creches Nativity scenes Southwest, published by Gibbs Smith Layton Utah, design by Melissa Dymock, printed and bound in China, with photographs of painted ceramic nativity figurines including cows and wisemen. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/nativities-southwest-weber-cover-back.webp Back cover of Nativities of the Southwest showing a retablo-style painted nativity scene in traditional New Mexico santero style with warm earth tones, arched top, ornamental floral borders, depicting the Holy Family with Magi and shepherds. ISBN barcode 978-1-4236-3863-6 visible. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/new-mexico-spanish-colonial-historians-collecting https://newmexicoliteracyproject.org/images/padre-martinez-lamy-cover.webp Cover of Padre Martinez and Bishop Lamy by Ray John de Aragón showing bold black-and-white graphic design with portraits of both Padre Martínez and Bishop Lamy, $6.95 price visible on the spine, published by Pan-American Publishing Company Las Vegas New Mexico 1978. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/padre-martinez-lamy-signed.webp Title page of Padre Martinez and Bishop Lamy signed by Ray John de Aragón in black ink, with crossed-keys religious symbol between the title and author byline, Pan-American Publishing Company Las Vegas New Mexico 1978. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/padre-martinez-lamy-copyright.webp Copyright page of Padre Martinez and Bishop Lamy showing Pan-American Publishing Company P.O. Box 1505 Las Vegas New Mexico 87701, Copyright 1978 Ray John de Aragón, ISBN 0-932906-00-1, Library of Congress Catalog Card Number 78-70565, with partial table of contents visible including Prologue, Illustrations, Part I, Part II, Epilogue, Appendix. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-benavides-memorial-1630.webp Black hardcover book with gold cursive script reading 'The Memorial of Fray Alonso de Benavides 1630', a 20th-century scholarly reprint, donated to NMLP. https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/cover-front.webp The front cover of Letters from the New World by Diego de Vargas, with elegant calligraphic title typography over a faint reproduction of period Spanish manuscript script and the editor names John L. Kessell, Rick Hendricks, and Meredith D. Dodge. https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/title-page-vargas-portrait.webp Title page facing the only known portrait of Diego de Vargas, an oil painting from the Capilla de San Isidro in Madrid showing Vargas in 17th-century Spanish formal dress with curled hair, lace cuffs, and ornamented sash; caption notes the photograph was taken by Estudio Portillo Madrid in April 1985 courtesy of J. Manuel Espinosa and the Museum of New Mexico https://newmexicoliteracyproject.org/images/archive/letters-new-world-vargas-1989/half-title.webp Half-title page reading Letters from the New World https://newmexicoliteracyproject.org/new-mexico-spanish-missions-churches-books-collecting https://newmexicoliteracyproject.org/images/nm-mission-churches-birchell-cover.webp Front cover of New Mexico Mission Churches by Donna Blake Birchell — photo collage showing Our Lady of Guadalupe image, white adobe Pueblo mission church, Pecos Pueblo ruins, Loretto Chapel, and mission interior with vigas and carved reredos, published by The History Press https://newmexicoliteracyproject.org/images/nm-mission-churches-birchell-copyright.webp Copyright page of New Mexico Mission Churches by Donna Blake Birchell — Published by The History Press, Charleston SC, Copyright 2021, ISBN 9781467144933, Library of Congress Control Number 2020951818, first published 2021 https://newmexicoliteracyproject.org/images/nm-mission-churches-birchell-interior.webp Interior page from New Mexico Mission Churches showing the San José de Laguna Mission Church reredos decorated with buffalo hides, Library of Congress photograph, chapter heading Pueblo Missions page 91 https://newmexicoliteracyproject.org/images/nm-mission-churches-birchell-back-cover.webp Back cover of New Mexico Mission Churches by Donna Blake Birchell — historic photograph of Pueblo women with pottery, description of twenty-plus mission churches, Revolt of 1680, preservation challenges, The History Press logo, ISBN 978-1-4671-4493-3 https://newmexicoliteracyproject.org/images/presbyterian-missionaries-gerdeman-signed-inscription-1500.webp Author inscription by Dale B. Gerdeman in Presbyterian Missionaries in Rural Northern New Mexico — personal dedication to Cleo reading I remember the years we worked together, signed by author, 25th Anniversary Edition 1999 Menaul Historical Library https://newmexicoliteracyproject.org/images/presbyterian-missionaries-northern-new-mexico-cover-1500.webp Front cover of Presbyterian Missionaries in Rural Northern New Mexico by Dale B Gerdeman — 1875 J.N. Furlong photograph of Spanish Presbyterian Mission Church and Day-School in Las Vegas New Mexico, Menaul Historical Library 25th Anniversary Edition 1999 https://newmexicoliteracyproject.org/images/presbyterian-missionaries-gerdeman-table-of-contents-1500.webp Table of contents of Presbyterian Missionaries in Rural Northern New Mexico showing chapters on Missionary Pioneers, Spanish-Speaking Leaders, Missionary Educators, and 20th Century Missionaries in San Miguel and Mora Counties https://newmexicoliteracyproject.org/images/presbyterian-missionaries-gerdeman-acknowledgements-1500.webp Acknowledgements page of Presbyterian Missionaries in Rural Northern New Mexico — connections to NM Highlands University, Museum of New Mexico, and Menaul Historical Library archive https://newmexicoliteracyproject.org/images/presbyterian-missionaries-gerdeman-demographic-data-1500.webp Chapter 5 demographic data table from Presbyterian Missionaries in Rural Northern New Mexico showing 1990 census data for 11 New Mexico counties including population and language statistics for the Presbyterian mission field https://newmexicoliteracyproject.org/images/presbyterian-missionaries-gerdeman-trementina-village-1500.webp Interior page discussing Trementina village in San Miguel County New Mexico — early settlers, Presbyterian and Penitente communities, Alfonso Esquibel, origin of village name from NM Spanish for turpentine resin https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-benavides-memorial-1630.webp Black hardcover book with gold cursive script reading 'The Memorial of Fray Alonso de Benavides 1630', a 20th-century scholarly reprint, donated to NMLP. https://newmexicoliteracyproject.org/new-mexico-territorial-statehood-books-collecting https://newmexicoliteracyproject.org/images/buffalo-soldiers-new-mexico-billington-front-cover.jpeg Front cover of New Mexico's Buffalo Soldiers, 1866-1900 by Monroe Lee Billington — brown and olive cover with pen-and-ink illustration of a mounted Buffalo Soldier carrying a regimental guidon, University Press of Colorado, ISBN 0-87081-346-3 https://newmexicoliteracyproject.org/images/buffalo-soldiers-new-mexico-billington-title-page.jpeg Title page of New Mexico's Buffalo Soldiers, 1866-1900 by Monroe Lee Billington — pen-and-ink illustration of a standing soldier with fallen figure, University Press of Colorado imprint https://newmexicoliteracyproject.org/images/buffalo-soldiers-new-mexico-billington-copyright-dedication.jpeg Copyright page and dedication spread of New Mexico's Buffalo Soldiers — ©1991 University Press of Colorado, ISBN 0-87081-346-3, Library of Congress E185.93.N55B55 1991, Dewey 978.9'04, LCCN 91-12001, number line 10 9 8 7 6 5 4, dedicated to Wilma, ANSI acid-free paper https://newmexicoliteracyproject.org/images/buffalo-soldiers-new-mexico-billington-back-cover.jpeg Back cover of New Mexico's Buffalo Soldiers showing four review blurbs from Montana Magazine of Western History, The Washington Times, New Mexico Historical Review, and Journal of Arizona History — pen-and-ink illustration of soldiers in camp, ISBN barcode, bookstore price sticker $15.00 categorized BTV BOOK TRADE CIVIL WAR AHC NEW MEXICO BUFFALO SOLDIER https://newmexicoliteracyproject.org/images/illustrated-history-new-mexico-chavez-front-cover.jpeg Front cover of An Illustrated History of New Mexico by Thomas E. Chávez — brown leather-textured UNM Press paperback with two historical black-and-white portraits of Tony Todaro (Navajo) photographed at the Carlisle Indian School ca. 1884 and ca. 1887, gold lettering, cover design by Robyn Mundy https://newmexicoliteracyproject.org/images/illustrated-history-new-mexico-chavez-title-page.jpeg Title page of An Illustrated History of New Mexico by Thomas E. Chávez showing the same two Carlisle Indian School portraits, published by University of New Mexico Press Albuquerque https://newmexicoliteracyproject.org/images/illustrated-history-new-mexico-chavez-copyright-page.jpeg Copyright page of An Illustrated History of New Mexico — originally ©1992 University Press of Colorado, UNM Press paperback 2002, ISBN 0-8263-3051-7, Library of Congress F797 .C47 2002, Dewey 978.9, number line 11 10 09 08 07 06 05 04 — 3 4 5 6 7 8 9 10 https://newmexicoliteracyproject.org/images/illustrated-history-new-mexico-chavez-back-cover.jpeg Back cover of An Illustrated History of New Mexico showing author bio for Thomas E. Chávez — Director of the Palace of the Governors and National Hispanic Cultural Center — with praise from New Mexico Magazine and Western Historical Quarterly, Carlisle Indian School photo captions identifying Tony Todaro (Navajo), ISBN barcode https://newmexicoliteracyproject.org/images/illustrated-history-new-mexico-chavez-interior-trinity-site.jpeg Interior spread page 229 of An Illustrated History of New Mexico, chapter Eventually a New State — quotes from Roland Duran of Picurís Pueblo (1956), Governor George Curry (1958), and Ross Calvin (1965), with documentary photographs of White Sands cloud formation and the first atomic bomb detonation at Trinity Site photographed by Los Alamos National Laboratory https://newmexicoliteracyproject.org/images/black-range-tales-mckenna-front-cover.jpeg Front cover of Black Range Tales by James A. McKenna — red cover with black-and-white photograph of a prospector leading a pack mule through mountain terrain, Old English lettering, author name at bottom, High-Lonesome Books 2002 reprint of the 1936 Wilson-Erickson first edition https://newmexicoliteracyproject.org/images/black-range-tales-mckenna-copyright-title-page.jpeg Copyright and title page spread of Black Range Tales — LOC Card Catalog Number 37-15022, ISBN 0-944383-60-2, first published 1936 by Wilson-Erickson New York, this printing 2002 by High-Lonesome Books P.O. Box 878 Silver City New Mexico 88062, illustrated with numerous woodcuts by Howard Simon https://newmexicoliteracyproject.org/images/black-range-tales-mckenna-back-cover.jpeg Back cover of Black Range Tales — red cover with Howard Simon woodcut illustration of a frontier saloon scene showing men drinking and playing cards, header reads A Southwest Classic is Back in Print, full description of frontier content, High-Lonesome Books logo with bird, Silver City NM address, ISBN barcode, $14.95 https://newmexicoliteracyproject.org/images/nm-recollections-schmidt-front-cover.webp Front cover of New Mexico Recollections by Raymond Schmidt — tan and gold softcover with vintage black-and-white photograph of the Chloride, New Mexico settlement by Henry A. Houston, title and author name in black type, Pioneer Press 2011 reprint of the 1977 original. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/nm-recollections-schmidt-copyright-page.webp Copyright and foreword page of New Mexico Recollections — first published 1977 by Raymond Schmidt, 2011 edition with corrections by the Edmund Family Trust, ISBN 978-0-944551-98-1, The Pioneer Press H.C. 30 Box 127 Chloride New Mexico 87943, publishing assistance by Book Publishers of El Paso. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/nm-recollections-schmidt-back-cover.webp Back cover of New Mexico Recollections — tan and gold with color photograph of green valley settlement, text describing stories about life from 1905 to the 1970s in southwestern New Mexico towns including schoolteaching, mining, Dodge automobiles, pack burro, bear hunts, and narrow escapes. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/new-mexico-turquoise-jewelry-books-collecting https://newmexicoliteracyproject.org/images/hallmarks-southwest-front-cover.webp Front cover of Hallmarks of the Southwest by Barton Wright, Revised and Expanded 2nd Edition, showing a turquoise-and-silver bracelet, hallmark stamp dies, and a multi-stone channel inlay belt buckle against a brown background with gold and green typography. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/hallmarks-southwest-title-page.webp Title page of Hallmarks of the Southwest by Barton Wright, showing full publication details including In Cooperation with the Indian Arts and Crafts Association, Revised and Expanded 2nd Edition, Schiffer Publishing Ltd logo and address at 4880 Lower Valley Road, Atglen PA 19310 USA. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/hallmarks-southwest-interior-entries.webp Interior spread of Hallmarks of the Southwest showing artist entries for the Leekity and Lee silversmith families, with hallmark symbols, tribal affiliations listed as Zuni and Navajo, specialties including silversmith and lapidary, family connections, and trading company associations. Artists documented from Gallup New Mexico and Zuni Pueblo. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/hallmarks-southwest-back-cover.webp Back cover of Hallmarks of the Southwest showing sample hallmark symbols surrounding photographs of turquoise and silver jewelry including a Zuni petit-point cluster brooch and channel-inlay cuff bracelet, with ISBN barcode 0-7643-0989-7 and US forty-five dollar cover price. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/new-mexico-ufo-roswell-unexplained-phenomena-books-collecting https://newmexicoliteracyproject.org/images/archive/mysterious-valley-obrien-1996/cover.webp Mass-market paperback cover of The Mysterious Valley by Christopher O'Brien with the title in orange against a stylized sunburst over silhouetted mountains and the byline 'Astonishing true stories of UFOs, animal mutilation and unexplained phenomena.' https://newmexicoliteracyproject.org/images/archive/mysterious-valley-obrien-1996/back-cover.webp Back cover summary describing Crestone, the Baca, and Christopher O'Brien's investigation of the San Luis Valley anomalies https://newmexicoliteracyproject.org/images/archive/mysterious-valley-obrien-1996/copyright-page.webp Copyright page showing 1996 copyright by Christopher O'Brien, St. Martin's Press 175 Fifth Avenue New York, ISBN 0-312-95883-8, St. Martin's Paperbacks edition September 1996, printing line 10 9 8 7 6 5 4 https://newmexicoliteracyproject.org/new-mexico-womens-history-suffrage-books-collecting https://newmexicoliteracyproject.org/images/archive/women-nm-frontier-foote/cover.webp The cover of Women of the New Mexico Frontier 1846-1912 by Cheryl J. Foote with a sepia-toned photograph of a Victorian-era woman writing at a desk and the title in white serif typography against a brown background. https://newmexicoliteracyproject.org/images/archive/women-nm-frontier-foote/title-page.webp Title page reading Women of the New Mexico Frontier 1846-1912 by Cheryl J. Foote https://newmexicoliteracyproject.org/images/archive/women-nm-frontier-foote/back-cover.webp Back cover with Cheryl J. Foote biographical note (UNM PhD, teaches at Albuquerque Technical Vocational Institute), Glenda Riley blurb, Journal of Arizona History blurb, Western Historical Quarterly blurb, ISBN 0-8263-3755-4, UNM Press 1-800-249-7737 https://newmexicoliteracyproject.org/new-mexico-zuni-pueblo-ethnography-art-books-collecting https://newmexicoliteracyproject.org/images/archive/fetishes-branson-1976/cover.webp The cover of Fetishes and Carvings of the Southwest by Oscar T. Branson, with a turquoise-covered Zuni fetish jar and a small carved figure on a red background. https://newmexicoliteracyproject.org/images/archive/fetishes-branson-1976/signed-title-page.webp The title page reading 'FETISHES and Carvings of the Southwest by Oscar T. Branson' with inscription 'To Diana Best of Luck Oscar T. Branson' https://newmexicoliteracyproject.org/images/archive/fetishes-branson-1976/interior-tewa-crucita.webp An interior spread showing a painted illustration of an older Tewa carver, possibly Crucita, with text about Native American carvers https://newmexicoliteracyproject.org/paul-horgan-great-river-lamy-collecting https://newmexicoliteracyproject.org/images/peter-hurd-portrait-sketch-cover.webp Front cover of Peter Hurd: A Portrait Sketch from Life by Paul Horgan — gold and olive cloth binding with Peter Hurd nighttime ranch painting, Hurd signature facsimile, published for Amon Carter Museum by University of Texas Press https://newmexicoliteracyproject.org/images/peter-hurd-portrait-sketch-title-page.webp Title page of Peter Hurd: A Portrait Sketch from Life by Paul Horgan — Amon Carter Museum of Western Art Fort Worth and University of Texas Press Austin imprint https://newmexicoliteracyproject.org/images/peter-hurd-portrait-sketch-copyright-page.webp Copyright page of Peter Hurd: A Portrait Sketch from Life showing Board of Trustees listing, copyright 1964 1965 by Paul Horgan, ISBN 0-292-73326-7, LC 65-13519, Third Printing 1971 https://newmexicoliteracyproject.org/images/horgan-great-river-cover.webp Front cover of Great River: The Rio Grande in North American History by Paul Horgan — watercolor painting of the Rio Grande valley with blue mountains and cottonwood bosque, Winner of the Bancroft and Pulitzer Prizes in History, Wesleyan University Press edition. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/horgan-great-river-back.webp Back cover of Great River by Paul Horgan showing critical blurbs from Carl Carmer, Allan Nevins, Marcus Cunliffe in the Manchester Guardian, and the Boston Sunday Herald, with Horgan biographical note, Wesleyan University Press and University Press of New England imprint, and ISBN barcode. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/horgan-great-river-copyright.webp Copyright page of Great River by Paul Horgan showing Wesleyan University Press, Published by University Press of New England Hanover NH 03755, Reprinted by permission of Farrar Straus and Giroux Inc, Copyright 1984 by Paul Horgan, number line 5 4 3 2, and dedication to Charles Arthur Horgan 1907-1971. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/horgan-great-river-hrw-cover.webp Front cover and dust jacket of Great River: The Rio Grande in North American History by Paul Horgan — black panel with gold text, watercolor Rio Grande landscape, Allan Nevins blurb, One-Volume Edition, Holt Rinehart and Winston hardcover 1977 reprint. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/horgan-great-river-hrw-copyright.webp Copyright page of Great River by Paul Horgan showing Works by Paul Horgan list, Copyright 1954 by Paul Horgan, Holt Rinehart and Winston publisher, In Canada Holt Rinehart and Winston of Canada Limited, ISBN 0-03-029305-7, Library of Congress Catalog Card Number 60-14369, Reprinted February 1977. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/horgan-great-river-hrw-author.webp Back flap of Great River dust jacket showing author photo of Paul Horgan by Rodden in houndstooth jacket, biographical note mentioning Pulitzer Prize, Bancroft Prize, Collins Award, Campion Award, Ernst Bacon Great River Symphonic Suite performed by Dallas Symphony Orchestra, and Lamy of Santa Fe Pulitzer Prize. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/photographing-new-mexico-collecting https://newmexicoliteracyproject.org/images/ernest-knee-nm-cover.webp Front cover of Ernest Knee in New Mexico Photographs 1930s-1940s showing a black-and-white gelatin silver print of an adobe building with a single window and dramatic cloud-streaked sky, edited by Dana Knee, Museum of New Mexico Press 2005. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/ernest-knee-nm-copyright.webp Copyright page of Ernest Knee in New Mexico showing ISBN 0-89013-434-0 clothbound, Library of Congress cataloging data, copyright 2005 Dana Knee Trustee, project editor Mary Wachs, design David Skolkin, number line 10 9 8 7 6 5 4 3 2 1 confirming first printing, Museum of New Mexico Press Santa Fe 87504. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/ernest-knee-nm-back.webp Back cover of Ernest Knee in New Mexico showing a black-and-white photograph of a rural New Mexico ranch structure with wooden pole fence and dramatic cumulus clouds, barcode with ISBN 0-89013-434-0, printed in Singapore. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/adams-photographs-southwest-cover.webp Front cover with dust jacket of Photographs of the Southwest by Ansel Adams, showing blackletter Fraktur-style typography and an Adams landscape photograph of Southwest rock formations, published by New York Graphic Society Boston 1976 with an essay on the land by Lawrence Clark Powell. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/adams-photographs-southwest-title-page.webp Title page of Photographs of the Southwest by Ansel Adams showing blackletter title, subtitle listing selected photographs made from 1928 to 1968 in Arizona California Colorado New Mexico Texas and Utah with a statement by the photographer, and An Essay on the Land by Lawrence Clark Powell, New York Graphic Society Boston Massachusetts. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/adams-photographs-southwest-copyright.webp Copyright page of Photographs of the Southwest by Ansel Adams showing first printing statement, ISBN 0-8212-0699-0, Library of Congress Catalog Card Number 76-10034, permissions credits quoting Paul Horgan Great River, Ruth Murray Underhill Singing for Power, Mary Austin, Haniel Long Pinon Country, endpapers from Point Imperial Grand Canyon 1942, published by New York Graphic Society Little Brown and Company Boston. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/adams-photographs-southwest-back-cover.webp Back cover of Photographs of the Southwest by Ansel Adams showing a black-and-white landscape photograph of dramatic Southwest cliffs and sweeping cirrus clouds, dust jacket with shelf wear and toning consistent with a fifty-year-old oversize volume. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/ghost-ranch-varjabedian-cover.webp Front cover of Ghost Ranch and the Faraway Nearby by Craig Varjabedian, showing a dramatic black-and-white photograph of Ghost Ranch cliffs against towering clouds, published by University of New Mexico Press 2009. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/ghost-ranch-varjabedian-map-insert.webp Folded Ghost Ranch trail and property map insert alongside the back cover of Ghost Ranch and the Faraway Nearby, showing exhibition dates July 12 through October 11 2009 at the Albuquerque Museum of Art and History. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/ghost-ranch-varjabedian-back-cover.webp Back cover of Ghost Ranch and the Faraway Nearby showing publisher description of Craig Varjabedian landscape photography, University of New Mexico Press imprint, and original price sticker. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/ghost-ranch-varjabedian-copyright.webp Copyright and colophon page of Ghost Ranch and the Faraway Nearby showing ISBN 978-0-8263-3927-7, Library of Congress cataloging data, contributor credits, and typography notes about Dante and Cronos typefaces. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/archive/new-mexico-circles-burkey-1990/front-cover.webp The black cover of New Mexico Circles by Robert Burkey, with a stylized New Mexico sun symbol arched above the title and a black-and-white photograph of a landscape near Ortega's Chimayó. https://newmexicoliteracyproject.org/images/archive/new-mexico-circles-burkey-1990/interior-bandelier-spread.webp An interior spread showing a B&W photo of a winding path at Bandelier National Monument with caption text and a small regional map https://newmexicoliteracyproject.org/images/archive/new-mexico-circles-burkey-1990/back-cover-taos-pueblo.webp Back cover of New Mexico Circles showing a B&W photograph of the Santuario de Taos Pueblo with adobe wall and cross https://newmexicoliteracyproject.org/pickup-stories https://newmexicoliteracyproject.org/images/gilbert-sena-pickup-2026-06-05/gilbert-sena-pickup-truck-load.webp The NMLP van loaded with boxes and totes of donated classroom books and class sets — Invisible Child, Just Mercy, Always Running — from Gilbert L. Sena Charter High School in Albuquerque https://newmexicoliteracyproject.org/images/lfl-restock-2026-05-10/colorful-painted-paw-prints.webp A brightly painted Little Free Library with paw prints inside, restocked with NMLP donations including Khaled Hosseini, Tim O'Brien, Stephen King, Eckhart Tolle, Rick Steves Paris https://newmexicoliteracyproject.org/images/socorro-pickup-2026-05-09/socorro-wall-of-boxes.webp Wall of stacked banker boxes from a Socorro County estate book pickup, May 9 2026 https://newmexicoliteracyproject.org/rudolfo-anaya-bless-me-ultima-collecting https://newmexicoliteracyproject.org/images/anaya-zia-summer-signed.webp Signed title page of Zia Summer by Rudolfo Anaya, Warner Books first edition 1995, showing Anaya's bold ink signature below the Warner Books imprint. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/anaya-zia-summer-cover.webp Front dust jacket of Zia Summer by Rudolfo Anaya, Warner Books 1995 first edition, navy blue with gold foil lettering and the Zia sun symbol at center. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/anaya-zia-summer-copyright.webp Copyright page of Zia Summer by Rudolfo Anaya, Warner Books 1995, showing First Printing June 1995, complete number line 10 9 8 7 6 5 4 3 2 1, ISBN 0-446-51843-3, and book design credit to Giorgetta Bell McRee. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/anaya-zia-summer-back.webp Back cover of Zia Summer by Rudolfo Anaya showing advance praise blurbs from Tony Hillerman, Robert J. Conley, Max Evans, Judith Van Gieson, James Lee Burke, and Sandra West Prowell. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/anaya-randy-lopez-cover.webp Front cover of Randy Lopez Goes Home by Rudolfo Anaya, first edition hardcover published by University of Oklahoma Press 2011, showing dramatic New Mexico landscape with storm clouds over desert terrain and an adobe structure, author name RUDOLFO ANAYA in large gold serif type. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/anaya-randy-lopez-back.webp Back cover of Randy Lopez Goes Home showing review praise from Multicultural Review, Publishers Weekly, Los Angeles Times, Booklist, and Oklahoma Gazette, with University of Oklahoma Press imprint and Volume 9 in the Chicana and Chicano Visions of the Americas series designation. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/anaya-randy-lopez-copyright.webp Copyright page of Randy Lopez Goes Home by Rudolfo Anaya showing ISBN 978-0-8061-4189-3, copyright 2011 by Rudolfo Anaya, published by University of Oklahoma Press Norman, Library of Congress cataloging data with subjects Mexican Americans Fiction, Spiritual life Fiction, and New Mexico Fiction, and designation as Volume 9 in the Chicana and Chicano Visions of the Americas series. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/santa-fe-trail-books-collecting https://newmexicoliteracyproject.org/images/brothers-santa-fe-chihuahua-trails-cover.webp Front cover with dust jacket of Brothers on the Santa Fe and Chihuahua Trails by Edward James Glasgow and William Henry Glasgow 1846-1848, edited by Mark L. Gardner, foreword by Marc Simmons, University Press of Colorado 1993 first edition, dust jacket showing Mexican War battle scene engraving with mounted cavalry, infantry carrying American flag, and cannon smoke against a mountain backdrop, photographed at New Mexico Literacy Project workspace in Albuquerque https://newmexicoliteracyproject.org/images/brothers-santa-fe-chihuahua-trails-title-page.webp Title page of Brothers on the Santa Fe and Chihuahua Trails showing full title, Edward James Glasgow and William Henry Glasgow 1846-1848, Edited and Annotated by Mark L. Gardner, Foreword by Marc Simmons, University Press of Colorado, with Mark L. Gardner signature in black ink on the page, signed first edition, photographed at New Mexico Literacy Project https://newmexicoliteracyproject.org/images/brothers-santa-fe-trails-signed-mark-gardner.webp Close-up of Mark L. Gardner signature on title page of Brothers on the Santa Fe and Chihuahua Trails, large flowing script in black ink signed below Edited and Annotated by Mark L. Gardner and Foreword by Marc Simmons credits, above University Press of Colorado imprint, signed first edition 1993, photographed at New Mexico Literacy Project https://newmexicoliteracyproject.org/images/brothers-santa-fe-chihuahua-trails-copyright-first-edition.webp Copyright page of Brothers on the Santa Fe and Chihuahua Trails showing Published by the University Press of Colorado P.O. Box 849 Niwot Colorado 80544, Copyright 1993 by Mark L. Gardner, First edition stated, Library of Congress Cataloging-in-Publication Data with Glasgow Edward James 1820-1908, ISBN 0-87081-291-2, LCCN 93-19433, number line 10 9 8 7 6 5 4 3 2 1 confirming first printing, photographed at New Mexico Literacy Project https://newmexicoliteracyproject.org/images/brothers-santa-fe-chihuahua-trails-interior-1.webp Rear dust jacket flap of Brothers on the Santa Fe and Chihuahua Trails showing black and white portrait photograph of editor Mark L. Gardner wearing glasses and bolo tie, with biographical text identifying him as a historian living in Cascade Colorado appointed by the Secretary of the Interior to the Santa Fe National Historic Trail Advisory Council in 1988, photographed at New Mexico Literacy Project https://newmexicoliteracyproject.org/images/brothers-santa-fe-chihuahua-trails-interior-2.webp Back cover of Brothers on the Santa Fe and Chihuahua Trails dust jacket showing continuation of Mexican War battle scene engraving with mounted cavalry charging, infantry formations, Mexican flag visible above defensive positions, cannon smoke and mountain landscape, ISBN barcode 9780870812910 at bottom left, University Press of Colorado 1993, photographed at New Mexico Literacy Project https://newmexicoliteracyproject.org/images/following-santa-fe-trail-marc-simmons-cover.webp Cover of Following the Santa Fe Trail A Guide for Modern Travelers by Marc Simmons — watercolor illustration of a wagon train crossing the prairie with mesas and mountains in the background, red lower panel with title text. Found in an Albuquerque estate donation to the New Mexico Literacy Project. https://newmexicoliteracyproject.org/images/santa-fe-trail-newspaper-clipping-marc-simmons.webp Vintage newspaper clipping found inside a copy of Following the Santa Fe Trail by Marc Simmons — headline reads Modern trail buff retraces the path of the pioneers by Mary Army, with a Santa Fe Trail route map showing the path from Franklin Missouri to Santa Fe New Mexico through Kansas Colorado Oklahoma and Texas, and a photograph of trail ruts near Fort Union New Mexico. Provenance ephemera from an Albuquerque estate donation to the New Mexico Literacy Project. https://newmexicoliteracyproject.org/images/historic-santa-fe-trail-map-wagon-ruts-1992.webp Historic Santa Fe Trail map dated October 3 1992 showing the Old Pecos Trail route through Santa Fe with street-level detail including Fort Union Drive, Camino Lejo, and Old Santa Fe Trail, wagon rut locations marked in red dashes, alongside yellow legal-pad field notes referencing National Park Service Regional Office, La Fonda Hotel, and Amelia White Park. Primary research documents from an Albuquerque estate donation to the New Mexico Literacy Project. https://newmexicoliteracyproject.org/images/historic-santa-fe-trail-map-legend-detail.webp Detail of the Historic Santa Fe Trail map legend showing three categories: Pristine original trail in solid red, Lightly compromised trail in dashed red, and Heavily compromised or non-existent trail in gray. Street annotations include Zia Road, Calle Espejo, Callecita Jicarilla, and Old Santa Fe Trail. Compass rose and scale bar visible. Primary research document from an Albuquerque estate donation. https://newmexicoliteracyproject.org/images/historic-santa-fe-trail-inventory-pecos.webp The Historic Santa Fe Trail Inventory — typed academic research document describing field survey methodology for wagon rut mapping using 1936-37 USDA SCS aerial photography, County Tax Assessor maps, and NM Office of Archaeology Studies references. Discusses the Old Pecos Trail, Arroyo de los Pinos, Pecos River crossings, Armenta Land Grant documentation, and property history from the Bronson Cutting estate. Primary source from an Albuquerque estate donation to the New Mexico Literacy Project. https://newmexicoliteracyproject.org/images/archive/reluctant-frontiersman-larkin-1990/cover.webp The cover of Reluctant Frontiersman with elegant period typography in red on a tan background, an oval portrait of James Ross Larkin at the top, and ornamental flourishes. https://newmexicoliteracyproject.org/images/archive/reluctant-frontiersman-larkin-1990/title-page-larkin-portrait.webp The title page facing a full-page photographic portrait of James Ross Larkin taken about 1860, used on a carte-de-visite made at St. Louis https://newmexicoliteracyproject.org/images/archive/reluctant-frontiersman-larkin-1990/copyright-page-first-edition.webp Copyright page showing 1990 University of New Mexico Press, FIRST EDITION designation, ISBN 0-8263-1183-0 cloth and 0-8263-1208-X paper, and dedication TO VACHEL https://newmexicoliteracyproject.org/images/archive/brothers-santa-fe-chihuahua-glasgow-1993/cover-dustjacket.webp Hardcover dust jacket of Brothers on the Santa Fe and Chihuahua Trails with elegant script title and a 19th-century color lithograph of cavalry skirmish around a Mexican flag in the high desert mountains. https://newmexicoliteracyproject.org/images/archive/brothers-santa-fe-chihuahua-glasgow-1993/signed-title-page-gardner.webp Title page signed by Mark L. Gardner in dark ink beneath the University Press of Colorado imprint, with the editorial credit and Marc Simmons foreword line visible above https://newmexicoliteracyproject.org/images/archive/brothers-santa-fe-chihuahua-glasgow-1993/dust-jacket-flap.webp Front dust jacket flap with publisher's description summarizing the spring 1846 trip, the May 1846 declaration of war, the brothers' two-year absence, and the previously unpublished letters and journals https://newmexicoliteracyproject.org/selling-anne-hillerman-books-albuquerque https://newmexicoliteracyproject.org/images/anne-hillerman-song-of-the-lion-signed-first-edition-front-cover.jpeg Front cover of Anne Hillerman's Song of the Lion first edition hardcover with dust jacket — turquoise border with Navajo-inspired zig-zag pattern, sunset sky over mesa silhouette, mountain lion silhouette, published by Harper 2017 https://newmexicoliteracyproject.org/images/anne-hillerman-song-of-the-lion-signed-inscription-title-page.jpeg Title page of Song of the Lion signed and inscribed by Anne Hillerman — reads 'For Teresa — A fan of Jim, Joe and Bernie — Anne Hillerman' with full signature below, Harper colophon at bottom https://newmexicoliteracyproject.org/images/anne-hillerman-song-of-the-lion-first-edition-copyright-page.jpeg Copyright page of Song of the Lion showing 'FIRST EDITION' statement and number line 17 18 19 20 21 LSC 10 9 8 7 6 5 4 3 2 1, confirming true first printing, HarperCollins 2017 https://newmexicoliteracyproject.org/images/anne-hillerman-song-of-the-lion-first-edition-back-cover.jpeg Back cover of Song of the Lion first edition showing praise quotes from Booklist, Publishers Weekly, Kirkus Reviews, and Craig Johnson (author of the Walt Longmire mysteries), with ISBN barcode https://newmexicoliteracyproject.org/selling-eugene-manlove-rhodes-books-albuquerque https://newmexicoliteracyproject.org/images/good-men-and-true-rhodes-1910-first-edition-cover.webp Front cover of the first edition of Good Men and True by Eugene Manlove Rhodes, Henry Holt and Company 1910, red cloth binding with black-stamped revolver illustration and title lettering, the foundational Rhodes first edition https://newmexicoliteracyproject.org/images/good-men-and-true-rhodes-emily-inscription-1914.webp Handwritten inscription in a first edition of Good Men and True by Eugene Manlove Rhodes, written by Emily Rhodes the author's wife to Miss Alta Hager, dated Feb 25 1914 from Apalachin New York, mentioning their mutual cousin Matt Reynolds, an association inscription connecting this copy directly to the Rhodes family https://newmexicoliteracyproject.org/images/good-men-and-true-rhodes-alta-hager-provenance-note.webp Handwritten provenance note from Alta Hager confirming that the first edition of Good Men and True by Eugene Manlove Rhodes was sent to her by the author, establishing the documented chain of ownership from the Rhodes family https://newmexicoliteracyproject.org/images/good-men-and-true-rhodes-1910-title-page.webp Title page of Good Men and True by Eugene Manlove Rhodes with illustrations by H. T. Dunn, New York Henry Holt and Company 1910, showing the Henry Holt colophon confirming the first edition imprint https://newmexicoliteracyproject.org/images/good-men-and-true-rhodes-ht-dunn-illustration-page39.webp Interior illustration by H. T. Dunn from Good Men and True by Eugene Manlove Rhodes Henry Holt 1910 captioned And how are we now my young friend page 39 showing cowboys in a ranch setting in the New Mexico range country https://newmexicoliteracyproject.org/images/good-men-and-true-rhodes-ht-dunn-illustration-page166.webp Interior illustration by H. T. Dunn from Good Men and True by Eugene Manlove Rhodes Henry Holt 1910 captioned They pulled him down fighting savagely page 166 showing a brawl scene in the New Mexico range country https://newmexicoliteracyproject.org/selling-robert-julyan-books-albuquerque https://newmexicoliteracyproject.org/images/place-names-new-mexico-julyan-cover.webp Front cover of The Place Names of New Mexico, Revised Edition by Robert Julyan — watercolor landscape illustration by Alice Peden showing New Mexico high desert with mesas and storm clouds, published by University of New Mexico Press https://newmexicoliteracyproject.org/images/place-names-new-mexico-julyan-copyright.webp Copyright page and table of contents spread of The Place Names of New Mexico by Robert Julyan — showing Library of Congress data, ISBN 0-8263-1689-1, second edition 1998 second printing 2001, University of New Mexico Press, dedicated to daughter Robyn https://newmexicoliteracyproject.org/images/place-names-new-mexico-julyan-back-cover.webp Back cover of The Place Names of New Mexico, Revised Edition by Robert Julyan — description of 7,000-plus place name entries covering towns, mountains, rivers, canyons, counties, post offices, and abandoned settlements, with reviews and University of New Mexico Press imprint https://newmexicoliteracyproject.org/senior-downsizing-book-donations-albuquerque https://newmexicoliteracyproject.org/images/rick-b-google-review-senior-downsizing-albuquerque.webp Five-star Google review from Rick B describing his experience with Josh Eldred and the New Mexico Literacy Project when downsizing his 93-year-old father's home in Albuquerque — courteous, respectful, takes everything, finds new homes for old belongings https://newmexicoliteracyproject.org/images/estate-cleanout-books-sorting-albuquerque.webp A New Mexico home bookshelf during a senior downsizing evaluation by Josh Eldred of the New Mexico Literacy Project — a Juan Quezada pottery book and Paquimé ceramics displayed on the top shelf alongside handmade Mata Ortiz pots, natural artifacts and a framed photograph on the middle shelf, and well-read books below on saltillo tile flooring https://newmexicoliteracyproject.org/shelf/a-sense-of-mission https://newmexicoliteracyproject.org/images/sw-library/a-sense-of-mission-cover.webp A Sense of Mission by Thomas A. Drain; photographs by David Wakely; foreword by N. Scott Momaday — cover https://newmexicoliteracyproject.org/images/sw-library/a-sense-of-mission-p1.webp A Sense of Mission by Thomas A. Drain; photographs by David Wakely; foreword by N. Scott Momaday — title page https://newmexicoliteracyproject.org/images/sw-library/a-sense-of-mission-p2.webp A Sense of Mission by Thomas A. Drain; photographs by David Wakely; foreword by N. Scott Momaday — back cover https://newmexicoliteracyproject.org/shelf/a-voice-in-her-tribe https://newmexicoliteracyproject.org/images/sw-library/a-voice-in-her-tribe-cover.webp A Voice in Her Tribe by Irene Stewart; edited by Doris Ostrander Dawdy — cover https://newmexicoliteracyproject.org/images/sw-library/a-voice-in-her-tribe-p1.webp A Voice in Her Tribe by Irene Stewart; edited by Doris Ostrander Dawdy — title page https://newmexicoliteracyproject.org/images/sw-library/a-voice-in-her-tribe-p2.webp A Voice in Her Tribe by Irene Stewart; edited by Doris Ostrander Dawdy — copyright page https://newmexicoliteracyproject.org/images/sw-library/a-voice-in-her-tribe-p3.webp A Voice in Her Tribe by Irene Stewart; edited by Doris Ostrander Dawdy — back cover https://newmexicoliteracyproject.org/shelf/aboriginal-indian-basketry-mason https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-063.webp Aboriginal Indian Basketry by Otis Tufton Mason — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-064.webp Aboriginal Indian Basketry by Otis Tufton Mason — copyright page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-065.webp Aboriginal Indian Basketry by Otis Tufton Mason — interior https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-066.webp Aboriginal Indian Basketry by Otis Tufton Mason — interior https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-067.webp Aboriginal Indian Basketry by Otis Tufton Mason — spine https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-068.webp Aboriginal Indian Basketry by Otis Tufton Mason — back cover https://newmexicoliteracyproject.org/shelf/allan-houser-ha-o-zous https://newmexicoliteracyproject.org/images/sw-library/allan-houser-ha-o-zous-cover.webp Allan Houser (Ha-o-zous) by Barbara H. Perlman — cover https://newmexicoliteracyproject.org/images/sw-library/allan-houser-ha-o-zous-p1.webp Allan Houser (Ha-o-zous) by Barbara H. Perlman — signature https://newmexicoliteracyproject.org/images/sw-library/allan-houser-ha-o-zous-p2.webp Allan Houser (Ha-o-zous) by Barbara H. Perlman — title page https://newmexicoliteracyproject.org/images/sw-library/allan-houser-ha-o-zous-p3.webp Allan Houser (Ha-o-zous) by Barbara H. Perlman — copyright page https://newmexicoliteracyproject.org/shelf/approaches-to-writing https://newmexicoliteracyproject.org/images/sw-library/approaches-to-writing-cover.webp Approaches to Writing by Paul Horgan — title page https://newmexicoliteracyproject.org/images/sw-library/approaches-to-writing-p1.webp Approaches to Writing by Paul Horgan — signature https://newmexicoliteracyproject.org/images/sw-library/approaches-to-writing-p3.webp Approaches to Writing by Paul Horgan — copyright page https://newmexicoliteracyproject.org/images/sw-library/approaches-to-writing-p2.webp Approaches to Writing by Paul Horgan — spine https://newmexicoliteracyproject.org/shelf/beads-and-beadwork-of-the-american-indians https://newmexicoliteracyproject.org/images/sw-library/beads-and-beadwork-of-the-american-indians-cover.webp Beads and Beadwork of the American Indians by William C. Orchard — cover https://newmexicoliteracyproject.org/images/sw-library/beads-and-beadwork-of-the-american-indians-p2.webp Beads and Beadwork of the American Indians by William C. Orchard — title page https://newmexicoliteracyproject.org/images/sw-library/beads-and-beadwork-of-the-american-indians-p3.webp Beads and Beadwork of the American Indians by William C. Orchard — interior https://newmexicoliteracyproject.org/images/sw-library/beads-and-beadwork-of-the-american-indians-p4.webp Beads and Beadwork of the American Indians by William C. Orchard — interior https://newmexicoliteracyproject.org/images/sw-library/beads-and-beadwork-of-the-american-indians-p1.webp Beads and Beadwork of the American Indians by William C. Orchard — back cover https://newmexicoliteracyproject.org/shelf/bearing-witness https://newmexicoliteracyproject.org/images/sw-library/bearing-witness-cover.webp Bearing Witness by Lou Liberty and Margy O'Brien — cover https://newmexicoliteracyproject.org/images/sw-library/bearing-witness-p2.webp Bearing Witness by Lou Liberty and Margy O'Brien — signed title page https://newmexicoliteracyproject.org/images/sw-library/bearing-witness-p3.webp Bearing Witness by Lou Liberty and Margy O'Brien — copyright page https://newmexicoliteracyproject.org/images/sw-library/bearing-witness-p1.webp Bearing Witness by Lou Liberty and Margy O'Brien — back cover https://newmexicoliteracyproject.org/shelf/beyond-the-endless-river https://newmexicoliteracyproject.org/images/sw-library/beyond-the-endless-river-cover.webp Beyond the Endless River by James K. Ballinger — cover https://newmexicoliteracyproject.org/images/sw-library/beyond-the-endless-river-p2.webp Beyond the Endless River by James K. Ballinger — title page https://newmexicoliteracyproject.org/images/sw-library/beyond-the-endless-river-p3.webp Beyond the Endless River by James K. Ballinger — copyright page https://newmexicoliteracyproject.org/images/sw-library/beyond-the-endless-river-p1.webp Beyond the Endless River by James K. Ballinger — interior https://newmexicoliteracyproject.org/images/sw-library/beyond-the-endless-river-p4.webp Beyond the Endless River by James K. Ballinger — back cover https://newmexicoliteracyproject.org/shelf/bob-haozous-indigenous-dialogue https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-020.webp Bob Haozous by Joseph M. Sanchez (editor); essay by Lucy R. Lippard — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-021.webp Bob Haozous by Joseph M. Sanchez (editor); essay by Lucy R. Lippard — back cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-022.webp Bob Haozous by Joseph M. Sanchez (editor); essay by Lucy R. Lippard — copyright page https://newmexicoliteracyproject.org/shelf/cave-of-bones-anne-hillerman https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-050.webp Cave of Bones by Anne Hillerman — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-051.webp Cave of Bones by Anne Hillerman — copyright page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-052.webp Cave of Bones by Anne Hillerman — back cover https://newmexicoliteracyproject.org/shelf/death-comes-for-the-archbishop https://newmexicoliteracyproject.org/images/sw-library/death-comes-for-the-archbishop-cover.webp Death Comes for the Archbishop by Willa Cather — cover https://newmexicoliteracyproject.org/images/sw-library/death-comes-for-the-archbishop-p1.webp Death Comes for the Archbishop by Willa Cather — back cover https://newmexicoliteracyproject.org/shelf/designing-with-the-wool https://newmexicoliteracyproject.org/images/sw-library/designing-with-the-wool-cover.webp Designing with the Wool by Noël Bennett — cover https://newmexicoliteracyproject.org/images/sw-library/designing-with-the-wool-p1.webp Designing with the Wool by Noël Bennett — copyright page https://newmexicoliteracyproject.org/images/sw-library/designing-with-the-wool-p2.webp Designing with the Wool by Noël Bennett — back cover https://newmexicoliteracyproject.org/shelf/designs-on-prehistoric-hopi-pottery https://newmexicoliteracyproject.org/images/sw-library/designs-on-prehistoric-hopi-pottery-cover.webp Designs on Prehistoric Hopi Pottery by Jesse Walter Fewkes — cover https://newmexicoliteracyproject.org/images/sw-library/designs-on-prehistoric-hopi-pottery-p2.webp Designs on Prehistoric Hopi Pottery by Jesse Walter Fewkes — copyright page https://newmexicoliteracyproject.org/images/sw-library/designs-on-prehistoric-hopi-pottery-p1.webp Designs on Prehistoric Hopi Pottery by Jesse Walter Fewkes — back cover https://newmexicoliteracyproject.org/shelf/dr-george https://newmexicoliteracyproject.org/images/sw-library/dr-george-cover.webp Dr. George by George Fischbeck with Randy Roach — cover https://newmexicoliteracyproject.org/images/sw-library/dr-george-p1.webp Dr. George by George Fischbeck with Randy Roach — signature https://newmexicoliteracyproject.org/images/sw-library/dr-george-p2.webp Dr. George by George Fischbeck with Randy Roach — title page https://newmexicoliteracyproject.org/images/sw-library/dr-george-p3.webp Dr. George by George Fischbeck with Randy Roach — copyright page https://newmexicoliteracyproject.org/images/sw-library/dr-george-p4.webp Dr. George by George Fischbeck with Randy Roach — back cover https://newmexicoliteracyproject.org/shelf/enchantment-and-exploitation https://newmexicoliteracyproject.org/images/sw-library/enchantment-and-exploitation-cover.webp Enchantment and Exploitation by William deBuys — cover https://newmexicoliteracyproject.org/images/sw-library/enchantment-and-exploitation-p1.webp Enchantment and Exploitation by William deBuys — back cover https://newmexicoliteracyproject.org/shelf/field-guide-to-the-sandia-mountains https://newmexicoliteracyproject.org/images/sw-library/field-guide-to-the-sandia-mountains-cover.webp Field Guide to the Sandia Mountains by Edited by Robert Julyan and Mary Stuever — cover https://newmexicoliteracyproject.org/images/sw-library/field-guide-to-the-sandia-mountains-p1.webp Field Guide to the Sandia Mountains by Edited by Robert Julyan and Mary Stuever — signed title page https://newmexicoliteracyproject.org/images/sw-library/field-guide-to-the-sandia-mountains-p2.webp Field Guide to the Sandia Mountains by Edited by Robert Julyan and Mary Stuever — copyright page https://newmexicoliteracyproject.org/images/sw-library/field-guide-to-the-sandia-mountains-p3.webp Field Guide to the Sandia Mountains by Edited by Robert Julyan and Mary Stuever — back cover https://newmexicoliteracyproject.org/shelf/following-the-sun-and-moon https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-023.webp Following the Sun and Moon by Alph H. Secakuku — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-024.webp Following the Sun and Moon by Alph H. Secakuku — copyright page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-025.webp Following the Sun and Moon by Alph H. Secakuku — back cover https://newmexicoliteracyproject.org/shelf/glass-tapestry https://newmexicoliteracyproject.org/images/sw-library/glass-tapestry-cover.webp Glass Tapestry by Gloria A. Lomahaftewa (curator) — cover https://newmexicoliteracyproject.org/images/sw-library/glass-tapestry-p2.webp Glass Tapestry by Gloria A. Lomahaftewa (curator) — interior https://newmexicoliteracyproject.org/shelf/heart-of-aztlan-anaya https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-053.webp Heart of Aztlan by Rudolfo A. Anaya — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-054.webp Heart of Aztlan by Rudolfo A. Anaya — title page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-055.webp Heart of Aztlan by Rudolfo A. Anaya — copyright page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-056.webp Heart of Aztlan by Rudolfo A. Anaya — back cover https://newmexicoliteracyproject.org/shelf/historic-indian-portraits https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-058.webp Historic Indian Portraits by William M. and Verla P. Rieske — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-059.webp Historic Indian Portraits by William M. and Verla P. Rieske — title page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-060.webp Historic Indian Portraits by William M. and Verla P. Rieske — interior https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-061.webp Historic Indian Portraits by William M. and Verla P. Rieske — interior https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-062.webp Historic Indian Portraits by William M. and Verla P. Rieske — back cover https://newmexicoliteracyproject.org/shelf/hopi-silver https://newmexicoliteracyproject.org/images/sw-library/hopi-silver-cover.webp Hopi Silver by Margaret Nickelson Wright — cover https://newmexicoliteracyproject.org/images/sw-library/hopi-silver-p1.webp Hopi Silver by Margaret Nickelson Wright — title page https://newmexicoliteracyproject.org/images/sw-library/hopi-silver-p2.webp Hopi Silver by Margaret Nickelson Wright — copyright page https://newmexicoliteracyproject.org/images/sw-library/hopi-silver-p3.webp Hopi Silver by Margaret Nickelson Wright — back cover https://newmexicoliteracyproject.org/shelf/hosteen-klah https://newmexicoliteracyproject.org/images/sw-library/hosteen-klah-cover.webp Hosteen Klah by Franc Johnson Newcomb — cover https://newmexicoliteracyproject.org/images/sw-library/hosteen-klah-p3.webp Hosteen Klah by Franc Johnson Newcomb — copyright page https://newmexicoliteracyproject.org/images/sw-library/hosteen-klah-p2.webp Hosteen Klah by Franc Johnson Newcomb — spine https://newmexicoliteracyproject.org/images/sw-library/hosteen-klah-p1.webp Hosteen Klah by Franc Johnson Newcomb — back cover https://newmexicoliteracyproject.org/shelf/ https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-004.webp Indian Baskets of North America by Frank W. Lamb https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-011.webp The Living Tradition of Maria Martinez by Susan Peterson https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-026.webp Prehistoric Textiles of the Southwest by Kate Peck Kent https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-038.webp The Sacred Bridge by Anne Hillerman https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-042.webp The Tale Teller by Anne Hillerman https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-046.webp Song of the Lion by Anne Hillerman https://newmexicoliteracyproject.org/images/sw-library/field-guide-to-the-sandia-mountains-cover.webp Field Guide to the Sandia Mountains by Edited by Robert Julyan and Mary Stuever https://newmexicoliteracyproject.org/images/sw-library/indian-kitsch-cover.webp Indian Kitsch by Fritz Scholder https://newmexicoliteracyproject.org/images/sw-library/lummis-in-the-pueblos-cover.webp Lummis in the Pueblos by Patrick T. and Betsy E. Houlihan https://newmexicoliteracyproject.org/images/sw-library/the-mountains-of-new-mexico-cover.webp The Mountains of New Mexico by Robert Julyan; photographs by Carl Smith https://newmexicoliteracyproject.org/images/sw-library/allan-houser-ha-o-zous-cover.webp Allan Houser (Ha-o-zous) by Barbara H. Perlman https://newmexicoliteracyproject.org/images/sw-library/bearing-witness-cover.webp Bearing Witness by Lou Liberty and Margy O'Brien https://newmexicoliteracyproject.org/images/sw-library/old-forty-four-cover.webp Old Forty-Four by Dirk Van Hart https://newmexicoliteracyproject.org/images/sw-library/approaches-to-writing-cover.webp Approaches to Writing by Paul Horgan https://newmexicoliteracyproject.org/images/sw-library/dr-george-cover.webp Dr. George by George Fischbeck with Randy Roach https://newmexicoliteracyproject.org/images/sw-library/kachinas-cover.webp Kachinas by Barton Wright; paintings by Cliff Bahnimptewa https://newmexicoliteracyproject.org/images/sw-library/prehistoric-southwestern-craft-arts-cover.webp Prehistoric Southwestern Craft Arts by Clara Lee Tanner https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-016.webp The Rugs of Teec Nos Pos by Ruth K. Belikove https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-020.webp Bob Haozous by Joseph M. Sanchez (editor); essay by Lucy R. Lippard https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-023.webp Following the Sun and Moon by Alph H. Secakuku https://newmexicoliteracyproject.org/shelf/indian-baskets-of-north-america https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-004.webp Indian Baskets of North America by Frank W. Lamb — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-006.webp Indian Baskets of North America by Frank W. Lamb — copyright page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-007.webp Indian Baskets of North America by Frank W. Lamb — back cover https://newmexicoliteracyproject.org/shelf/indian-kitsch https://newmexicoliteracyproject.org/images/sw-library/indian-kitsch-cover.webp Indian Kitsch by Fritz Scholder — cover https://newmexicoliteracyproject.org/images/sw-library/indian-kitsch-p1.webp Indian Kitsch by Fritz Scholder — signature https://newmexicoliteracyproject.org/images/sw-library/indian-kitsch-p2.webp Indian Kitsch by Fritz Scholder — title page https://newmexicoliteracyproject.org/images/sw-library/indian-kitsch-p3.webp Indian Kitsch by Fritz Scholder — copyright page https://newmexicoliteracyproject.org/shelf/juan-quezada-and-the-new-tradition https://newmexicoliteracyproject.org/images/sw-library/juan-quezada-and-the-new-tradition-cover.webp Juan Quezada and the New Tradition by Spencer Heath MacCallum; Charles C. Di Peso — cover https://newmexicoliteracyproject.org/images/sw-library/juan-quezada-and-the-new-tradition-p2.webp Juan Quezada and the New Tradition by Spencer Heath MacCallum; Charles C. Di Peso — interior https://newmexicoliteracyproject.org/images/sw-library/juan-quezada-and-the-new-tradition-p3.webp Juan Quezada and the New Tradition by Spencer Heath MacCallum; Charles C. Di Peso — interior https://newmexicoliteracyproject.org/shelf/kachinas https://newmexicoliteracyproject.org/images/sw-library/kachinas-cover.webp Kachinas by Barton Wright; paintings by Cliff Bahnimptewa — cover https://newmexicoliteracyproject.org/images/sw-library/kachinas-p1.webp Kachinas by Barton Wright; paintings by Cliff Bahnimptewa — signed title page https://newmexicoliteracyproject.org/images/sw-library/kachinas-p2.webp Kachinas by Barton Wright; paintings by Cliff Bahnimptewa — copyright page https://newmexicoliteracyproject.org/images/sw-library/kachinas-p3.webp Kachinas by Barton Wright; paintings by Cliff Bahnimptewa — back cover https://newmexicoliteracyproject.org/shelf/let-s-explore-indian-villages-past-and-present https://newmexicoliteracyproject.org/images/sw-library/let-s-explore-indian-villages-past-and-present-cover.webp Let's Explore Indian Villages Past and Present by Bertha P. Dutton — cover https://newmexicoliteracyproject.org/images/sw-library/let-s-explore-indian-villages-past-and-present-p2.webp Let's Explore Indian Villages Past and Present by Bertha P. Dutton — copyright page https://newmexicoliteracyproject.org/shelf/lost-birds-anne-hillerman https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-035.webp Lost Birds by Anne Hillerman — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-036.webp Lost Birds by Anne Hillerman — copyright page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-037.webp Lost Birds by Anne Hillerman — back cover https://newmexicoliteracyproject.org/shelf/lummis-in-the-pueblos https://newmexicoliteracyproject.org/images/sw-library/lummis-in-the-pueblos-cover.webp Lummis in the Pueblos by Patrick T. and Betsy E. Houlihan — cover https://newmexicoliteracyproject.org/images/sw-library/lummis-in-the-pueblos-p2.webp Lummis in the Pueblos by Patrick T. and Betsy E. Houlihan — signed title page https://newmexicoliteracyproject.org/images/sw-library/lummis-in-the-pueblos-p3.webp Lummis in the Pueblos by Patrick T. and Betsy E. Houlihan — copyright page https://newmexicoliteracyproject.org/images/sw-library/lummis-in-the-pueblos-p1.webp Lummis in the Pueblos by Patrick T. and Betsy E. Houlihan — back cover https://newmexicoliteracyproject.org/shelf/native-modernism https://newmexicoliteracyproject.org/images/sw-library/native-modernism-cover.webp Native Modernism by Truman T. Lowe (editor) — cover https://newmexicoliteracyproject.org/images/sw-library/native-modernism-p1.webp Native Modernism by Truman T. Lowe (editor) — title page https://newmexicoliteracyproject.org/images/sw-library/native-modernism-p2.webp Native Modernism by Truman T. Lowe (editor) — copyright page https://newmexicoliteracyproject.org/images/sw-library/native-modernism-p3.webp Native Modernism by Truman T. Lowe (editor) — back cover https://newmexicoliteracyproject.org/shelf/navajo-sandpainting-art https://newmexicoliteracyproject.org/images/sw-library/navajo-sandpainting-art-cover.webp Navajo Sandpainting Art by Eugene Baatsoslanii Joe and Mark Bahti — cover https://newmexicoliteracyproject.org/shelf/new-mexico-historical-biographies https://newmexicoliteracyproject.org/images/sw-library/new-mexico-historical-biographies-cover.webp New Mexico Historical Biographies by Don Bullis — cover https://newmexicoliteracyproject.org/images/sw-library/new-mexico-historical-biographies-p1.webp New Mexico Historical Biographies by Don Bullis — title page https://newmexicoliteracyproject.org/images/sw-library/new-mexico-historical-biographies-p2.webp New Mexico Historical Biographies by Don Bullis — back cover https://newmexicoliteracyproject.org/shelf/o-keeffe-and-moore https://newmexicoliteracyproject.org/images/sw-library/o-keeffe-and-moore-cover.webp O'Keeffe and Moore by Anita Feldman (editor) — cover https://newmexicoliteracyproject.org/images/sw-library/o-keeffe-and-moore-p2.webp O'Keeffe and Moore by Anita Feldman (editor) — title page https://newmexicoliteracyproject.org/images/sw-library/o-keeffe-and-moore-p3.webp O'Keeffe and Moore by Anita Feldman (editor) — copyright page https://newmexicoliteracyproject.org/images/sw-library/o-keeffe-and-moore-p1.webp O'Keeffe and Moore by Anita Feldman (editor) — back cover https://newmexicoliteracyproject.org/shelf/old-forty-four https://newmexicoliteracyproject.org/images/sw-library/old-forty-four-cover.webp Old Forty-Four by Dirk Van Hart — cover https://newmexicoliteracyproject.org/images/sw-library/old-forty-four-p2.webp Old Forty-Four by Dirk Van Hart — signature https://newmexicoliteracyproject.org/images/sw-library/old-forty-four-p3.webp Old Forty-Four by Dirk Van Hart — title page https://newmexicoliteracyproject.org/images/sw-library/old-forty-four-p1.webp Old Forty-Four by Dirk Van Hart — back cover https://newmexicoliteracyproject.org/shelf/otero-mesa https://newmexicoliteracyproject.org/images/sw-library/otero-mesa-cover.webp Otero Mesa by Gregory McNamee; photographs by Stephen Strom — cover https://newmexicoliteracyproject.org/images/sw-library/otero-mesa-p2.webp Otero Mesa by Gregory McNamee; photographs by Stephen Strom — title page https://newmexicoliteracyproject.org/images/sw-library/otero-mesa-p3.webp Otero Mesa by Gregory McNamee; photographs by Stephen Strom — copyright page https://newmexicoliteracyproject.org/images/sw-library/otero-mesa-p1.webp Otero Mesa by Gregory McNamee; photographs by Stephen Strom — back cover https://newmexicoliteracyproject.org/shelf/people-of-chaco https://newmexicoliteracyproject.org/images/sw-library/people-of-chaco-cover.webp People of Chaco by Kendrick Frazier — dust jacket https://newmexicoliteracyproject.org/images/sw-library/people-of-chaco-p1.webp People of Chaco by Kendrick Frazier — copyright page https://newmexicoliteracyproject.org/images/sw-library/people-of-chaco-p2.webp People of Chaco by Kendrick Frazier — back cover https://newmexicoliteracyproject.org/shelf/prehistoric-indians-of-the-southwest https://newmexicoliteracyproject.org/images/sw-library/wormington-prehistoric-cover.webp Cover of Prehistoric Indians of the Southwest by H. M. Wormington, eleventh printing, showing a diagonal band of Southwest geometric pattern in red and tan with The Denver Museum of Natural History Popular Series No. 7 on the red panel. Appendix by Erik K. Reed. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/sw-library/wormington-prehistoric-title.webp Title page of Prehistoric Indians of the Southwest by H. M. Wormington, Curator of Archaeology, with the Colorado Museum of Natural History seal (established 1900), appendix by Erik K. Reed, Regional Archaeologist, National Park Service, Denver Colorado, First Edition 1947, Eleventh Printing 1973. Previous owner signature visible. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/shelf/prehistoric-southwestern-craft-arts https://newmexicoliteracyproject.org/images/sw-library/prehistoric-southwestern-craft-arts-cover.webp Prehistoric Southwestern Craft Arts by Clara Lee Tanner — dust jacket https://newmexicoliteracyproject.org/images/sw-library/prehistoric-southwestern-craft-arts-p1.webp Prehistoric Southwestern Craft Arts by Clara Lee Tanner — signed title page https://newmexicoliteracyproject.org/images/sw-library/prehistoric-southwestern-craft-arts-p2.webp Prehistoric Southwestern Craft Arts by Clara Lee Tanner — copyright page https://newmexicoliteracyproject.org/images/sw-library/prehistoric-southwestern-craft-arts-p3.webp Prehistoric Southwestern Craft Arts by Clara Lee Tanner — interior https://newmexicoliteracyproject.org/images/sw-library/prehistoric-southwestern-craft-arts-p4.webp Prehistoric Southwestern Craft Arts by Clara Lee Tanner — interior https://newmexicoliteracyproject.org/images/sw-library/prehistoric-southwestern-craft-arts-p5.webp Prehistoric Southwestern Craft Arts by Clara Lee Tanner — interior https://newmexicoliteracyproject.org/images/sw-library/prehistoric-southwestern-craft-arts-p6.webp Prehistoric Southwestern Craft Arts by Clara Lee Tanner — back cover https://newmexicoliteracyproject.org/shelf/prehistoric-textiles-of-the-southwest https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-026.webp Prehistoric Textiles of the Southwest by Kate Peck Kent — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-027.webp Prehistoric Textiles of the Southwest by Kate Peck Kent — title page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-028.webp Prehistoric Textiles of the Southwest by Kate Peck Kent — copyright page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-029.webp Prehistoric Textiles of the Southwest by Kate Peck Kent — back cover https://newmexicoliteracyproject.org/images/sw-library/prehistoric-textiles-of-the-southwest-cover.webp Prehistoric Textiles of the Southwest by Kate Peck Kent — dust jacket https://newmexicoliteracyproject.org/images/sw-library/prehistoric-textiles-of-the-southwest-p1.webp Prehistoric Textiles of the Southwest by Kate Peck Kent — signature https://newmexicoliteracyproject.org/images/sw-library/prehistoric-textiles-of-the-southwest-p2.webp Prehistoric Textiles of the Southwest by Kate Peck Kent — copyright page https://newmexicoliteracyproject.org/images/sw-library/prehistoric-textiles-of-the-southwest-p3.webp Prehistoric Textiles of the Southwest by Kate Peck Kent — interior https://newmexicoliteracyproject.org/images/sw-library/prehistoric-textiles-of-the-southwest-p4.webp Prehistoric Textiles of the Southwest by Kate Peck Kent — back cover https://newmexicoliteracyproject.org/shelf/prize-winners https://newmexicoliteracyproject.org/images/sw-library/prize-winners-cover.webp Prize Winners by Ray C. Davis — cover https://newmexicoliteracyproject.org/images/sw-library/prize-winners-p1.webp Prize Winners by Ray C. Davis — interior https://newmexicoliteracyproject.org/images/sw-library/prize-winners-p2.webp Prize Winners by Ray C. Davis — back cover https://newmexicoliteracyproject.org/shelf/pueblo-nations https://newmexicoliteracyproject.org/images/sw-library/pueblo-nations-cover.webp Pueblo Nations by Joe S. Sando — cover https://newmexicoliteracyproject.org/images/sw-library/pueblo-nations-p2.webp Pueblo Nations by Joe S. Sando — title page https://newmexicoliteracyproject.org/images/sw-library/pueblo-nations-p3.webp Pueblo Nations by Joe S. Sando — copyright page https://newmexicoliteracyproject.org/images/sw-library/pueblo-nations-p1.webp Pueblo Nations by Joe S. Sando — back cover https://newmexicoliteracyproject.org/shelf/route-66 https://newmexicoliteracyproject.org/images/sw-library/route-66-cover.webp Route 66 by Michael Wallis — cover https://newmexicoliteracyproject.org/images/sw-library/route-66-p3.webp Route 66 by Michael Wallis — copyright page https://newmexicoliteracyproject.org/images/sw-library/route-66-p1.webp Route 66 by Michael Wallis — interior https://newmexicoliteracyproject.org/images/sw-library/route-66-p2.webp Route 66 by Michael Wallis — interior https://newmexicoliteracyproject.org/shelf/sacred-clowns-tony-hillerman https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-033.webp Sacred Clowns by Tony Hillerman — copyright page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-034.webp Sacred Clowns by Tony Hillerman — back cover https://newmexicoliteracyproject.org/shelf/song-of-the-lion-anne-hillerman https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-046.webp Song of the Lion by Anne Hillerman — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-047.webp Song of the Lion by Anne Hillerman — signed title page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-048.webp Song of the Lion by Anne Hillerman — copyright page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-049.webp Song of the Lion by Anne Hillerman — back cover https://newmexicoliteracyproject.org/shelf/the-ancient-southwest https://newmexicoliteracyproject.org/images/sw-library/the-ancient-southwest-cover.webp The Ancient Southwest by Gregory McNamee; photographs by Larry Lindahl — cover https://newmexicoliteracyproject.org/images/sw-library/the-ancient-southwest-p2.webp The Ancient Southwest by Gregory McNamee; photographs by Larry Lindahl — copyright page https://newmexicoliteracyproject.org/images/sw-library/the-ancient-southwest-p1.webp The Ancient Southwest by Gregory McNamee; photographs by Larry Lindahl — back cover https://newmexicoliteracyproject.org/shelf/the-complete-family-guide-to-navajo-hopi-land https://newmexicoliteracyproject.org/images/sw-library/the-complete-family-guide-to-navajo-hopi-land-cover.webp The Complete Family Guide to Navajo-Hopi Land by Bonnie Brown and Carol D. Bracken — cover https://newmexicoliteracyproject.org/images/sw-library/the-complete-family-guide-to-navajo-hopi-land-p1.webp The Complete Family Guide to Navajo-Hopi Land by Bonnie Brown and Carol D. Bracken — interior https://newmexicoliteracyproject.org/images/sw-library/the-complete-family-guide-to-navajo-hopi-land-p2.webp The Complete Family Guide to Navajo-Hopi Land by Bonnie Brown and Carol D. Bracken — back cover https://newmexicoliteracyproject.org/shelf/the-first-eagle-tony-hillerman https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-030.webp The First Eagle by Tony Hillerman — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-031.webp The First Eagle by Tony Hillerman — copyright page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-032.webp The First Eagle by Tony Hillerman — back cover https://newmexicoliteracyproject.org/shelf/the-gilded-man-el-dorado-and-other-pictures-of-t https://newmexicoliteracyproject.org/images/sw-library/the-gilded-man-el-dorado-and-other-pictures-of-t-cover.webp The Gilded Man (El Dorado) and Other Pictures of the Spanish Occupancy of America by Adolph F. Bandelier — boards https://newmexicoliteracyproject.org/images/sw-library/the-gilded-man-el-dorado-and-other-pictures-of-t-p1.webp The Gilded Man (El Dorado) and Other Pictures of the Spanish Occupancy of America by Adolph F. Bandelier — title page https://newmexicoliteracyproject.org/images/sw-library/the-gilded-man-el-dorado-and-other-pictures-of-t-p2.webp The Gilded Man (El Dorado) and Other Pictures of the Spanish Occupancy of America by Adolph F. Bandelier — copyright page https://newmexicoliteracyproject.org/shelf/the-house-at-otowi-bridge https://newmexicoliteracyproject.org/images/sw-library/the-house-at-otowi-bridge-cover.webp The House at Otowi Bridge by Peggy Pond Church — cover https://newmexicoliteracyproject.org/images/sw-library/the-house-at-otowi-bridge-p1.webp The House at Otowi Bridge by Peggy Pond Church — title page https://newmexicoliteracyproject.org/images/sw-library/the-house-at-otowi-bridge-p2.webp The House at Otowi Bridge by Peggy Pond Church — copyright page https://newmexicoliteracyproject.org/images/sw-library/the-house-at-otowi-bridge-p3.webp The House at Otowi Bridge by Peggy Pond Church — back cover https://newmexicoliteracyproject.org/shelf/the-living-tradition-of-maria-martinez https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-011.webp The Living Tradition of Maria Martinez by Susan Peterson — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-012.webp The Living Tradition of Maria Martinez by Susan Peterson — inscription https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-013.webp The Living Tradition of Maria Martinez by Susan Peterson — interior https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-014.webp The Living Tradition of Maria Martinez by Susan Peterson — copyright page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-015.webp The Living Tradition of Maria Martinez by Susan Peterson — back cover https://newmexicoliteracyproject.org/images/sw-library/the-living-tradition-of-maria-martinez-cover.webp The Living Tradition of Maria Martinez by Susan Peterson — cover https://newmexicoliteracyproject.org/images/sw-library/the-living-tradition-of-maria-martinez-p1.webp The Living Tradition of Maria Martinez by Susan Peterson — signature https://newmexicoliteracyproject.org/images/sw-library/the-living-tradition-of-maria-martinez-p2.webp The Living Tradition of Maria Martinez by Susan Peterson — signature https://newmexicoliteracyproject.org/images/sw-library/the-living-tradition-of-maria-martinez-p3.webp The Living Tradition of Maria Martinez by Susan Peterson — interior https://newmexicoliteracyproject.org/images/sw-library/the-living-tradition-of-maria-martinez-p4.webp The Living Tradition of Maria Martinez by Susan Peterson — interior https://newmexicoliteracyproject.org/images/sw-library/the-living-tradition-of-maria-martinez-p5.webp The Living Tradition of Maria Martinez by Susan Peterson — back cover https://newmexicoliteracyproject.org/shelf/the-mountains-of-new-mexico https://newmexicoliteracyproject.org/images/sw-library/the-mountains-of-new-mexico-cover.webp The Mountains of New Mexico by Robert Julyan; photographs by Carl Smith — cover https://newmexicoliteracyproject.org/images/sw-library/the-mountains-of-new-mexico-p1.webp The Mountains of New Mexico by Robert Julyan; photographs by Carl Smith — signed title page https://newmexicoliteracyproject.org/images/sw-library/the-mountains-of-new-mexico-p2.webp The Mountains of New Mexico by Robert Julyan; photographs by Carl Smith — copyright page https://newmexicoliteracyproject.org/images/sw-library/the-mountains-of-new-mexico-p3.webp The Mountains of New Mexico by Robert Julyan; photographs by Carl Smith — back cover https://newmexicoliteracyproject.org/shelf/the-navajo-and-pueblo-silversmiths https://newmexicoliteracyproject.org/images/sw-library/the-navajo-and-pueblo-silversmiths-cover.webp The Navajo and Pueblo Silversmiths by John Adair — dust jacket https://newmexicoliteracyproject.org/images/sw-library/the-navajo-and-pueblo-silversmiths-p1.webp The Navajo and Pueblo Silversmiths by John Adair — copyright page https://newmexicoliteracyproject.org/images/sw-library/the-navajo-and-pueblo-silversmiths-p2.webp The Navajo and Pueblo Silversmiths by John Adair — back cover https://newmexicoliteracyproject.org/shelf/the-pima-and-his-basket https://newmexicoliteracyproject.org/images/sw-library/the-pima-and-his-basket-cover.webp The Pima and His Basket by J. F. Breazeale — cover https://newmexicoliteracyproject.org/images/sw-library/the-pima-and-his-basket-p2.webp The Pima and His Basket by J. F. Breazeale — copyright page https://newmexicoliteracyproject.org/images/sw-library/the-pima-and-his-basket-p1.webp The Pima and His Basket by J. F. Breazeale — back cover https://newmexicoliteracyproject.org/shelf/the-potters-of-mata-ortiz https://newmexicoliteracyproject.org/images/sw-library/the-potters-of-mata-ortiz-cover.webp The Potters of Mata Ortiz by University of New Mexico Art Museum — cover https://newmexicoliteracyproject.org/images/sw-library/the-potters-of-mata-ortiz-p2.webp The Potters of Mata Ortiz by University of New Mexico Art Museum — interior https://newmexicoliteracyproject.org/images/sw-library/the-potters-of-mata-ortiz-p3.webp The Potters of Mata Ortiz by University of New Mexico Art Museum — interior https://newmexicoliteracyproject.org/images/sw-library/the-potters-of-mata-ortiz-p4.webp The Potters of Mata Ortiz by University of New Mexico Art Museum — interior https://newmexicoliteracyproject.org/images/sw-library/the-potters-of-mata-ortiz-p1.webp The Potters of Mata Ortiz by University of New Mexico Art Museum — back cover https://newmexicoliteracyproject.org/shelf/the-rugs-of-teec-nos-pos https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-016.webp The Rugs of Teec Nos Pos by Ruth K. Belikove — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-017.webp The Rugs of Teec Nos Pos by Ruth K. Belikove — title page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-018.webp The Rugs of Teec Nos Pos by Ruth K. Belikove — copyright page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-019.webp The Rugs of Teec Nos Pos by Ruth K. Belikove — back cover https://newmexicoliteracyproject.org/shelf/the-sacred-bridge-anne-hillerman https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-038.webp The Sacred Bridge by Anne Hillerman — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-039.webp The Sacred Bridge by Anne Hillerman — signed title page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-040.webp The Sacred Bridge by Anne Hillerman — copyright page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-041.webp The Sacred Bridge by Anne Hillerman — back cover https://newmexicoliteracyproject.org/shelf/the-tale-teller-anne-hillerman https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-042.webp The Tale Teller by Anne Hillerman — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-043.webp The Tale Teller by Anne Hillerman — signed title page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-044.webp The Tale Teller by Anne Hillerman — copyright page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-045.webp The Tale Teller by Anne Hillerman — back cover https://newmexicoliteracyproject.org/shelf/the-taos-indians https://newmexicoliteracyproject.org/images/sw-library/the-taos-indians-cover.webp The Taos Indians by Blanche C. Grant — cover https://newmexicoliteracyproject.org/images/sw-library/the-taos-indians-p1.webp The Taos Indians by Blanche C. Grant — title page https://newmexicoliteracyproject.org/images/sw-library/the-taos-indians-p2.webp The Taos Indians by Blanche C. Grant — copyright page https://newmexicoliteracyproject.org/images/sw-library/the-taos-indians-p3.webp The Taos Indians by Blanche C. Grant — interior https://newmexicoliteracyproject.org/shelf/towns-of-the-sandia-mountains https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-001.webp Towns of the Sandia Mountains by Mike Smith — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-002.webp Towns of the Sandia Mountains by Mike Smith — back cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-003.webp Towns of the Sandia Mountains by Mike Smith — copyright page https://newmexicoliteracyproject.org/shelf/turquois-pogue https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-008.webp Turquois by Joseph E. Pogue — cover https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-009.webp Turquois by Joseph E. Pogue — title page https://newmexicoliteracyproject.org/images/sw-library/nm-archive-jun2026-010.webp Turquois by Joseph E. Pogue — copyright page https://newmexicoliteracyproject.org/shelf/uss-new-mexico-bb-40 https://newmexicoliteracyproject.org/images/sw-library/uss-new-mexico-bb-40-cover.webp USS New Mexico BB-40 by John Taylor, Richard Melzer, Dick Brown, Greg Trapp — cover https://newmexicoliteracyproject.org/images/sw-library/uss-new-mexico-bb-40-p1.webp USS New Mexico BB-40 by John Taylor, Richard Melzer, Dick Brown, Greg Trapp — title page https://newmexicoliteracyproject.org/images/sw-library/uss-new-mexico-bb-40-p2.webp USS New Mexico BB-40 by John Taylor, Richard Melzer, Dick Brown, Greg Trapp — copyright page https://newmexicoliteracyproject.org/images/sw-library/uss-new-mexico-bb-40-p3.webp USS New Mexico BB-40 by John Taylor, Richard Melzer, Dick Brown, Greg Trapp — back cover https://newmexicoliteracyproject.org/shelf/white-metal-universe https://newmexicoliteracyproject.org/images/sw-library/white-metal-universe-cover.webp White Metal Universe by The Heard Museum (Cynthia J. Davies, editor) — cover https://newmexicoliteracyproject.org/images/sw-library/white-metal-universe-p1.webp White Metal Universe by The Heard Museum (Cynthia J. Davies, editor) — copyright page https://newmexicoliteracyproject.org/images/sw-library/white-metal-universe-p2.webp White Metal Universe by The Heard Museum (Cynthia J. Davies, editor) — interior https://newmexicoliteracyproject.org/images/sw-library/white-metal-universe-p3.webp White Metal Universe by The Heard Museum (Cynthia J. Davies, editor) — interior https://newmexicoliteracyproject.org/images/sw-library/white-metal-universe-p4.webp White Metal Universe by The Heard Museum (Cynthia J. Davies, editor) — interior https://newmexicoliteracyproject.org/images/sw-library/white-metal-universe-p5.webp White Metal Universe by The Heard Museum (Cynthia J. Davies, editor) — interior https://newmexicoliteracyproject.org/shelf/working-with-the-wool https://newmexicoliteracyproject.org/images/sw-library/working-with-the-wool-cover.webp Working with the Wool by Noël Bennett and Tiana Bighorse — cover https://newmexicoliteracyproject.org/images/sw-library/working-with-the-wool-p2.webp Working with the Wool by Noël Bennett and Tiana Bighorse — title page https://newmexicoliteracyproject.org/images/sw-library/working-with-the-wool-p3.webp Working with the Wool by Noël Bennett and Tiana Bighorse — copyright page https://newmexicoliteracyproject.org/images/sw-library/working-with-the-wool-p1.webp Working with the Wool by Noël Bennett and Tiana Bighorse — back cover https://newmexicoliteracyproject.org/socorro-pickup-2026-05-09 https://newmexicoliteracyproject.org/images/socorro-pickup-2026-05-09/socorro-wall-of-boxes.webp A long wall of large cardboard moving boxes lined up against an adobe-style house in a rural Socorro County landscape, with juniper trees and bright blue sky behind. A blue plastic tote of books visible in the foreground. https://newmexicoliteracyproject.org/images/socorro-pickup-2026-05-09/intake-truck-bed-books.webp An open cardboard moving box inside the back of an NMLP pickup van, packed with hardcover books visible: medical and health-care references including a Dr. Kevin author title, leather-spine reference volumes, a Stanford-imprint textbook, religious bindings, and the corner of a Boscobel-related title — the diversity typical of an estate library. https://newmexicoliteracyproject.org/images/socorro-pickup-2026-05-09/related-marketplace-find-1920s-farm-animals.webp A phone screenshot of a Facebook Marketplace listing showing eight small metal farm animal figurines from the 1920s — horse, cow, pig, goat, sheep, dog, all in cast metal — listed at fifty dollars, photographed on a wooden surface alongside what appears to be a vintage camera. https://newmexicoliteracyproject.org/southwest-native-american-library https://newmexicoliteracyproject.org/images/sw-library/the-navajo-and-pueblo-silversmiths-cover.webp Cover of The Navajo and Pueblo Silversmiths by John Adair https://newmexicoliteracyproject.org/images/sw-library/the-navajo-and-pueblo-silversmiths-p1.webp Copyright / ISBN — The Navajo and Pueblo Silversmiths https://newmexicoliteracyproject.org/images/sw-library/the-navajo-and-pueblo-silversmiths-p2.webp Back — The Navajo and Pueblo Silversmiths https://newmexicoliteracyproject.org/images/sw-library/hopi-silver-cover.webp Cover of Hopi Silver: The History and Hallmarks of Hopi Silversmithing by Margaret Nickelson Wright https://newmexicoliteracyproject.org/images/sw-library/hopi-silver-p1.webp Title page — Hopi Silver: The History and Hallmarks of Hopi Silversmithing https://newmexicoliteracyproject.org/images/sw-library/hopi-silver-p2.webp Copyright / ISBN — Hopi Silver: The History and Hallmarks of Hopi Silversmithing https://newmexicoliteracyproject.org/images/sw-library/hopi-silver-p3.webp Back — Hopi Silver: The History and Hallmarks of Hopi Silversmithing https://newmexicoliteracyproject.org/images/sw-library/beads-and-beadwork-of-the-american-indians-cover.webp Cover of Beads and Beadwork of the American Indians by William C. Orchard https://newmexicoliteracyproject.org/images/sw-library/beads-and-beadwork-of-the-american-indians-p1.webp Back — Beads and Beadwork of the American Indians https://newmexicoliteracyproject.org/images/sw-library/beads-and-beadwork-of-the-american-indians-p2.webp Title page — Beads and Beadwork of the American Indians https://newmexicoliteracyproject.org/images/sw-library/beads-and-beadwork-of-the-american-indians-p3.webp Interior — Beads and Beadwork of the American Indians https://newmexicoliteracyproject.org/images/sw-library/beads-and-beadwork-of-the-american-indians-p4.webp Interior — Beads and Beadwork of the American Indians https://newmexicoliteracyproject.org/images/sw-library/white-metal-universe-cover.webp Cover of White Metal Universe: Navajo Silver from the Fred Harvey Collection https://newmexicoliteracyproject.org/images/sw-library/white-metal-universe-p1.webp Copyright / ISBN — White Metal Universe: Navajo Silver from the Fred Harvey Collection https://newmexicoliteracyproject.org/images/sw-library/white-metal-universe-p2.webp Interior — White Metal Universe: Navajo Silver from the Fred Harvey Collection https://newmexicoliteracyproject.org/images/sw-library/white-metal-universe-p3.webp Interior — White Metal Universe: Navajo Silver from the Fred Harvey Collection https://newmexicoliteracyproject.org/images/sw-library/white-metal-universe-p4.webp Interior — White Metal Universe: Navajo Silver from the Fred Harvey Collection https://newmexicoliteracyproject.org/images/sw-library/white-metal-universe-p5.webp Interior — White Metal Universe: Navajo Silver from the Fred Harvey Collection https://newmexicoliteracyproject.org/images/sw-library/glass-tapestry-cover.webp Cover of Glass Tapestry: Plateau Beaded Bags from The Elaine Horwitch Collection by Gloria A. Lomahaftewa (exhibition curator); essays by Barbara Loeb, Lynn Pankonin, Kevin Peters, Wil Phinney, Mary D. Schlick https://newmexicoliteracyproject.org/images/sw-library/glass-tapestry-p2.webp Interior — Glass Tapestry: Plateau Beaded Bags from The Elaine Horwitch Collection https://newmexicoliteracyproject.org/storage-unit-book-cleanout-albuquerque https://newmexicoliteracyproject.org/images/nm-home-bookshelf-southwest-art-pottery.webp A porch bookshelf in a New Mexico home with a Pueblo-style painting of seated figures on the top shelf, Nativities of the Southwest book, a hand-carved kachina figure, pottery, cassette tapes, and books on the lower shelves — photographed during a book and media cleanout by Josh Eldred of the New Mexico Literacy Project in Albuquerque, with a Southwestern rug visible to the right https://newmexicoliteracyproject.org/tony-hillerman-leaphorn-chee-canon-collecting https://newmexicoliteracyproject.org/images/hillerman-navajoland-linford-front-cover.jpeg Front cover of Tony Hillerman's Navajoland: Hideouts, Haunts, and Havens in the Joe Leaphorn and Jim Chee Mysteries, Expanded Third Edition by Laurance D. Linford — University of Utah Press, desert mesa at sunset cover photo by Robert McKenzie, blue Expanded Third Edition banner https://newmexicoliteracyproject.org/images/hillerman-navajoland-linford-back-cover.jpeg Back cover of Tony Hillerman's Navajoland by Laurance D. Linford showing author biography, New Mexico Magazine and Indian Trader review blurbs, University of Utah Press publisher information, ISBN 978-1-60781-137-4 barcode, and $21.95 cover price https://newmexicoliteracyproject.org/images/hillerman-navajoland-linford-title-page.jpeg Title page of Tony Hillerman's Navajoland by Laurance D. Linford — clean typography showing full title, author name, and University of Utah Press Salt Lake City publisher imprint https://newmexicoliteracyproject.org/images/hillerman-navajoland-linford-copyright-page.jpeg Copyright page and dedication of Tony Hillerman's Navajoland by Laurance D. Linford showing copyright years 2001, 2005, and 2011, number line 15 14 13 12 11 / 5 4 3 2 1, ISBN 978-1-60781-137-4, Library of Congress data PS3558.145 Z76 2001, and dedication to sons Justin and Micah https://newmexicoliteracyproject.org/images/finding-moon-tony-hillerman-signed-inscription-title-page.jpeg Signed title page of Finding Moon by Tony Hillerman — first edition, personal inscription reading To Chuck who can outwalk me but I am bigger, Tony Hillerman, in bold black ink on the title page https://newmexicoliteracyproject.org/images/finding-moon-tony-hillerman-signed-first-edition-dust-jacket.jpeg Front cover and dust jacket of Finding Moon by Tony Hillerman — first edition HarperCollins 1995, black background with colorful Asian-themed illustration featuring blue demon mask, skull and crossbones, and gold accents https://newmexicoliteracyproject.org/images/finding-moon-tony-hillerman-first-edition-copyright-dedication.jpeg Copyright page and dedication page spread of Finding Moon by Tony Hillerman — First Edition stated, number line 95 96 97 98 99 RRD 10 9 8 7 6 5 4 3 2 1 confirming true first printing, dedication titled An Apology Acknowledgment Denial and Dedication https://newmexicoliteracyproject.org/images/finding-moon-tony-hillerman-first-edition-back-cover.jpeg Back cover of Finding Moon by Tony Hillerman first edition showing Praise for Sacred Clowns review quotes from Chicago Tribune, New York Times, Los Angeles Times, and other major outlets, with ISBN barcode https://newmexicoliteracyproject.org/trinity-site-atomic-age-new-mexico-books-collecting https://newmexicoliteracyproject.org/images/archive/manhattan-project-kelly-2007/cover.webp Hardcover dust jacket of The Manhattan Project, black with white serif typography of the title and a small inset color photograph of an atomic-bomb mushroom cloud. Subtitle: The Birth of the Atomic Bomb in the Words of Its Creators, Eyewitnesses, and Historians. Edited by Cynthia C. Kelly. Introduction by Richard Rhodes. https://newmexicoliteracyproject.org/images/archive/manhattan-project-kelly-2007/signed-title-page.webp The title page of The Manhattan Project with a personalized inscription in cursive ink at the top: To Debby and Buck, With much appreciation, for your interest in this history. Best, Cindy Kelly 11/19. Below the inscription is the printed title block. https://newmexicoliteracyproject.org/images/archive/manhattan-project-kelly-2007/copyright-page-first-edition.webp The copyright page showing 2007 by the Atomic Heritage Foundation, ISBN 13 978-1-57912-747-3, LCCN reference 2007023984, Library of Congress Cataloging Cynthia C Kelly editor, Black Dog and Leventhal Publishers Inc 151 West 19th Street New York NY 10011, Workman Publishing Company 225 Varick Street New York NY 10014, full printing line g f e d c b a https://newmexicoliteracyproject.org/verify-nmlp-albuquerque https://newmexicoliteracyproject.org/images/josh-warehouse-portrait-albuquerque-1500.webp Josh Eldred, owner of New Mexico Literacy Project, in the Albuquerque warehouse https://newmexicoliteracyproject.org/images/book-donation-warehouse-albuquerque-1500.webp Interior of the NMLP book donation warehouse on Edith Boulevard in Albuquerque https://newmexicoliteracyproject.org/images/book-donation-drop-box-albuquerque-1200.webp The 24/7 outdoor book donation drop box at the NMLP warehouse https://newmexicoliteracyproject.org/images/free-book-pickup-van-albuquerque-1200.webp The NMLP van that handles free book pickups across the Albuquerque metro https://newmexicoliteracyproject.org/images/josh-sorting-donated-books-albuquerque-1500.webp Josh sorting donated books in the NMLP warehouse https://newmexicoliteracyproject.org/images/little-free-library-adult-fiction-dropoff-albuquerque-1200.webp A Little Free Library in Albuquerque stocked from NMLP donations https://newmexicoliteracyproject.org/vintage-new-mexico-travel-tourism-books-collecting https://newmexicoliteracyproject.org/images/scenic-byways-25-nm-front-cover.jpeg Front cover of By the Way 25 A Guide to New Mexico's Scenic Byways — spiral-bound travel guide with photo collage of NM landmarks including pottery, Trading Post sign, hot air balloons, ancient ruins, adobe churches, white water rafting, dinosaur skeleton, and Tent Rocks-style formations. Authors: Laurie Evans Frantz, Lesley S. King, Marti Niman. Published by New Mexico Magazine. https://newmexicoliteracyproject.org/images/scenic-byways-25-nm-copyright-page.jpeg Copyright page of By the Way 25 scenic byways guide showing publisher New Mexico Magazine, ISBN 978-1-934480-07-6, design by Bette Brodsky, editors Emily Drabanski Penny Landay and Walter K. Lopez, Printed in China, copyright 2011. https://newmexicoliteracyproject.org/images/scenic-byways-25-nm-foldout-map.jpeg Back pocket of By the Way 25 scenic byways guide showing original fold-out New Mexico state map partially unfolded to reveal Catron County and Gila National Forest area — completeness indicator for this spiral-bound travel guide. https://newmexicoliteracyproject.org/images/scenic-byways-25-nm-back-cover.jpeg Back cover of By the Way 25 scenic byways guide with book description, author biographies for Laurie Evans Frantz Lesley S. King and Marti Niman, Greater Roadrunner photograph, and NEW MEXICO TRAVEL/RECREATION category label. https://newmexicoliteracyproject.org/images/koster-guide-fishes-new-mexico-1957-front-cover.jpeg Front cover of Guide to the Fishes of New Mexico by William J. Koster — 1957 first edition. Blue border, cream center panel, green lettering with fish line drawing illustration. States 104 Illustrations. Published by University of New Mexico Press in cooperation with New Mexico Department of Game and Fish. Previous owner inscription in pencil on front cover. https://newmexicoliteracyproject.org/images/koster-guide-fishes-new-mexico-1957-back-cover.jpeg Back cover of Guide to the Fishes of New Mexico by William J. Koster — blue background with white fish illustrations along left side. Full book description and author biography. Original $1.85 price sticker. University of New Mexico Press, Albuquerque imprint. https://newmexicoliteracyproject.org/images/koster-guide-fishes-new-mexico-1957-copyright-toc.jpeg Copyright page and table of contents spread of Guide to the Fishes of New Mexico, 1957 first edition. First Edition stated. Library of Congress Catalog Card No. 57-12457. Composed, printed, and bound at University of New Mexico Printing Plant, Albuquerque. TOC includes Preface, What Is a Fish, Distribution, Requirements, Reproduction, Growth, Identification, Glossary, and Guide to the Fishes by family — Sturgeon, Gar, Herring, Salmon, Characin, Sucker, and more. https://newmexicoliteracyproject.org/images/gila-wilderness-hiking-guide-murray-front-cover.jpeg Front cover of The Gila Wilderness A Hiking Guide by John A. Murray — UNM Press Coyote Book series, green borders with color landscape photograph of Gila canyon creek and cliff walls by Charles W. Murray Jr. https://newmexicoliteracyproject.org/images/gila-wilderness-hiking-guide-murray-copyright-page.jpeg Copyright and dedication spread of The Gila Wilderness A Hiking Guide — UNM Press 1988, fifth printing 1996, ISBN 0-8263-1067-2, design by Milenda Nan Ok Lee, dedicated to my brothers Mike and Bill. https://newmexicoliteracyproject.org/images/gila-wilderness-hiking-guide-murray-back-cover.jpeg Back cover of The Gila Wilderness A Hiking Guide by John A. Murray — full book description, NM Magazine blurb praising clear straightforward writing, author photo at Gila Wilderness Gila National Forest sign wearing Mimbres t-shirt, ISBN barcode, A Coyote Book UNM Press. https://newmexicoliteracyproject.org/images/gila-cliff-dwellings-trail-guide-nps-front-cover.jpeg Front cover of Gila Cliff Dwellings Trail Guide — National Park Service pamphlet for Gila Cliff Dwellings National Monument New Mexico, cream paper with pen-and-ink naturalist illustrations of cliff dwellings in canyon wall and mountain lion on rock with prickly pear cactus. https://newmexicoliteracyproject.org/images/roadside-geology-new-mexico-halka-chronic-front-cover.jpeg Front cover of Roadside Geology of New Mexico by Halka Chronic — Roadside Geology Series header, colorful stylized geological cross-section cover art showing layered rock formations, fault lines, and volcanic features against blue sky gradient. Mountain Press Publishing Company. https://newmexicoliteracyproject.org/images/roadside-geology-new-mexico-halka-chronic-back-cover.jpeg Back cover of Roadside Geology of New Mexico by Halka Chronic — geological cross-section showing rift valley, description of New Mexico's varied geology, list of other titles in the Roadside Geology Series. ISBN 0-87842-209-9, $11.95. Mountain Press Publishing Company, Missoula, Montana. https://newmexicoliteracyproject.org/images/roadside-geology-new-mexico-halka-chronic-copyright-page.jpeg Copyright page of Roadside Geology of New Mexico — Roadside Geology Series editorial directors David Alt and Donald Hyndman. Copyright 1987 Mountain Press Publishing Company. Fourth Printing June 1991. Library of Congress cataloging data. Mountain Press address Missoula Montana. https://newmexicoliteracyproject.org/images/roadside-history-new-mexico-fugate-front-cover.jpeg Front cover of Roadside History of New Mexico by Francis L. and Roberta B. Fugate — Roadside History Series header on tan background. Joe Beeler painting of Spanish conquistadors on horseback encountering a Native American in desert landscape with mesa backdrop. Mountain Press Publishing Company. https://newmexicoliteracyproject.org/images/roadside-history-new-mexico-fugate-back-cover.jpeg Back cover of Roadside History of New Mexico by the Fugates — author description of New Mexico's beauty and history, cover painting credit to Joe Beeler. ISBN-13 978-0-87842-242-5, ISBN-10 0-87842-242-0. $20.00. Mountain Press Publishing Company, Missoula Montana. https://newmexicoliteracyproject.org/images/roadside-history-new-mexico-fugate-copyright-dedication.jpeg Copyright page and dedication spread of Roadside History of New Mexico — copyright 1989 Francis L. and Roberta B. Fugate, eleventh printing February 2011. Full Library of Congress cataloging data. Mountain Press Publishing Company logo and full Missoula Montana address. Dedication to Bobbie and Dempsey. https://newmexicoliteracyproject.org/images/lummis-strange-corners-title.webp Title page spread of Some Strange Corners of Our Country by Charles F. Lummis, The Century Co. 1900, with Navajo blanket color plate frontispiece and Albuquerque Public Library stamp visible. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/lummis-strange-corners-spine.webp Spine of Some Strange Corners of Our Country by Charles F. Lummis showing gold-tan cloth library rebinding with turquoise band by New Mexico Bookbinders Albuquerque. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/images/lummis-strange-corners-bookbinder.webp Gold foil sticker inside cover reading Bound to Last New Mexico Bookbinders Albuquerque, showing local Albuquerque bindery provenance. Photographed at the New Mexico Literacy Project sorting desk in Albuquerque. https://newmexicoliteracyproject.org/what-i-take-that-others-wont-albuquerque https://newmexicoliteracyproject.org/images/yes-guide/cocinas-de-nm-three-cookbooks.webp Three saddle-stitched soft-cover cookbooks lying side-by-side on white background: a tan Cocinas de New Mexico cover with stylized vegetables, a green Bernalillo County Extension Service New Mexico Holiday Show cookbook, and an orange Cocinas de New Mexico variant with a chile ristra illustration. https://newmexicoliteracyproject.org/images/yes-guide/cocinas-de-nm-orange-cover.webp Orange and green Cocinas de New Mexico cookbooks lying overlapping, the orange one with a chile ristra illustration, the green one a Bernalillo County Extension Service publication. https://newmexicoliteracyproject.org/images/josh-sorting-donated-books-albuquerque-1500.webp Josh Eldred at the NMLP warehouse sorting through a stack of donated books at the workstation. https://newmexicoliteracyproject.org/images/book-donation-warehouse-albuquerque-1500.webp A view inside the NMLP warehouse with stacked boxes of donated books visible on shelves and on the floor. https://newmexicoliteracyproject.org/images/book-donation-drop-box-albuquerque-1200.webp The NMLP outdoor 24/7 book and media donation drop box at 5445 Edith Blvd NE, Unit A in Albuquerque. https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-irene-fisher-bathtub-bullets.webp A pair of older paperback books titled Bathtub and Silver Bullet and More Bathtubs Fewer Bullets by NM-frontier-era memoirist Irene Fisher, lying on a wooden surface. https://newmexicoliteracyproject.org/images/estate-book-donation-albuquerque-1500.webp A pile of donated books, photo albums, and personal materials in an estate-cleanout context. https://newmexicoliteracyproject.org/images/free-book-pickup-van-albuquerque-1200.webp The NMLP pickup van loaded with donation boxes from an estate cleanout. https://newmexicoliteracyproject.org/images/josh-warehouse-portrait-albuquerque-1500.webp Josh Eldred, NMLP owner-operator, in the warehouse with a stack of donated books visible behind him. https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-pueblo-indian-cookbook.webp A signed Pueblo Indian Cookbook by Phyllis Hughes lying on a wooden surface with a Museum of New Mexico Press imprint visible on the cover. https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-fiesta-fare-momaday-1956.webp A 1956 Fiesta Fare cookbook for the Albuquerque 250th anniversary celebration, with cover art credited to Al Momaday, lying on a wooden surface. https://newmexicoliteracyproject.org/images/donor-stories/library-rejected-nm-colcha-embroidery.webp A copy of New Mexico Colcha Embroidery by Susan H. Ellis lying on a wooden surface, a saddle-stitched paperback technical handbook on the traditional NM Hispanic embroidery technique. https://newmexicoliteracyproject.org/images/yes-guide/cocinas-interior-recipe-pages.webp The interior of one of the Cocinas de New Mexico cookbooks held open by hand, showing recipes for posole, chimichangas, capirotada, sopaipillas, and other traditional New Mexican dishes printed in mid-century typewriter typeface on cream-colored paper, with the orange chile-ristra cover of another Cocinas variant visible at the right edge of the frame. https://newmexicoliteracyproject.org/where-to-donate-books-socorro https://newmexicoliteracyproject.org/images/socorro-pickup-2026-05-09/socorro-wall-of-boxes.webp A long wall of large cardboard moving boxes lined up against an adobe-style house in rural Socorro County NM, with juniper trees and bright blue sky behind. A blue plastic tote of books visible in the foreground. The actual donor property where the May 9 2026 pickup happened. https://newmexicoliteracyproject.org/images/socorro-pickup-2026-05-09/intake-truck-bed-books.webp An open cardboard moving box inside the back of an NMLP pickup van, packed with hardcover medical references, leather-spine reference volumes, a Stanford-imprint textbook, and other estate-library books visible from above. https://newmexicoliteracyproject.org/willa-cather-death-comes-archbishop-collecting https://newmexicoliteracyproject.org/images/my-antonia-willa-cather-cover.webp Front cover of My Ántonia by Willa Cather, EMC Masterpiece Series Access Edition copyright 2003 by EMC Corporation, pastoral illustration of a young woman in prairie landscape, study edition from an Albuquerque estate donation, photographed at the New Mexico Literacy Project sorting desk https://newmexicoliteracyproject.org/images/my-antonia-willa-cather-copyright-contents.webp Copyright page and table of contents of My Ántonia by Willa Cather, EMC Masterpiece Series Access Edition showing copyright 2003 by EMC Corporation, editorial apparatus and chapter structure of the study edition, photographed at the New Mexico Literacy Project sorting desk https://newmexicoliteracyproject.org/images/my-antonia-willa-cather-back-cover.webp Back cover of My Ántonia by Willa Cather EMC Masterpiece Series Access Edition showing series branding and publisher information, photographed at the New Mexico Literacy Project sorting desk in Albuquerque https://newmexicoliteracyproject.org/zuni-hopi-cultural-scholarship-collecting https://newmexicoliteracyproject.org/images/archive/fetishes-branson-1976/cover.webp The cover of Fetishes and Carvings of the Southwest by Oscar T. Branson, with a turquoise-covered Zuni fetish jar and a small carved figure on a red background. https://newmexicoliteracyproject.org/images/archive/fetishes-branson-1976/signed-title-page.webp The title page reading 'FETISHES and Carvings of the Southwest by Oscar T. Branson' with inscription 'To Diana Best of Luck Oscar T. Branson' https://newmexicoliteracyproject.org/images/archive/fetishes-branson-1976/interior-tewa-crucita.webp An interior spread showing a painted illustration of an older Tewa carver, possibly Crucita, with text about Native American carvers